Two old tars, retired from service, live alone in a cottage by the sea. They sail along on an even keel, until a buxom and comely widow projects herself on the scene when one old tar breaks one of their unwritten laws and falls in love with her. The other old fellow objects strenuously.
"Deep shit : listen in life chance only comes once, unless you’re lucky : then it can come twice. But for you it will only come once. So, you must chat to Kate the Amercain, where is she ?"
A master owl tries to present the kindergarten end of year show. Unfortunately the night does not go as planned, as several unforeseen events happened, one after the other, even before the curtain came up.
A comedic short film about two guys refusing to confess their sexual attraction towards each other.
Tony has been glowing since the day he was born and it causes him a lot of trouble. Just before the Christmas, a new odd girl with thick glasses moves into Tony’s house. Shelly has a strange way of expressing herself. Tony is fascinated by her but he is also being cautious at first. Together with Shelly’s flashlight, they explore their house and they are slowly getting to know each other. The kids have to join all their efforts to figure out who’s behind the circuit of dark cracks that sucks out all the light bulbs, even the daylight. It must be because of the “Spirit of the house”. A film about being different, about friendship, and first loves… But above all about light and darkness.
A mouse invites his girlfriend to a bullfight and ends up in the ring when the matador is defeated.
A lonely man lives with his pet on a small island and longed to get to 'other people.'
"Kamen Rider SD: Strange!? Kumo Otoko" is an animated OVA based on the gag manga Kamen Rider SD: Hurricane Legend. This cute and comedic short movie features chibi versions of the Showa Era Kamen Riders, as they team up against the evil GranShocker organization, while Kamen Rider Black RX tries to confess his love to female sports instructor Michiru.
The big Barber College competition between rivals Clipton and Beardsley is coming up and everything is on the line for professor and coach Kapouris. But thanks to a secret depilatory he developed, Clipton has the edge.
They have come this far and now they have to face the final test.
Ever seen a snake with a moustache? The Middle East was as much an ideological as a physical battleground in the Second World War. In the midst of the conflict Halas & Batchelor were commissioned by the British Government to make four cartoons featuring a young boy Abu and his mule. They were intended to demonstrate in simple visual terms that Britain was a stout friend and the Axis powers a pernicious evil.
Mr. Snookie steals an umbrella and then, while trying to help a woman to cross a puddle, the Tramp appears and intervenes.
The Tramp interferes with the celebration of several kid auto races in Venice, California (Junior Vanderbilt Cup Race, January 10 and 11, 1914), standing himself in the way of the cameraman who is filming the event.
A tramp gets drunk in a hotel lobby and, upstairs, causes some misunderstandings between Mabel, two hotel guests across the hall from her room, and Mabel's visiting sweetheart.
The Stooges are key witnesses at a murder trial. Their friend Gail Tempest, who dances at the Black Bottom cafe where the Stooges are musicians, is accused of killing Kirk Robin.
"Reunion 2" continues the story of four friends who came from different parts of the world to meet again at their hometown of Plovdiv, 20 years after they left. This time they unite to help a fifth friend who is trying to save one of the last wild beaches at the southwest of the Black Sea from construction. As one of them is an actor, they decide to make a movie about their story and to buy out the beach with the profit. This leads to bunch of comedic and dramatic situations where their friendship and their relationships with their significant others are put on the line.
In the vestibule of a hospital room, a young boy waits to see his dying mother. The clamor and spiralling movements of bodies around him intensify, forming a grotesque circus—a cacophonous circle that pushes the child back, depriving him of one final touch of his mother's hand. Using rotoscoped drawings suggestive of charcoal sketches, as well as 3D and object animation techniques, The Circus compels viewing with its unsettling realism. Colour is employed metaphorically to subtly express the promise and the memory of maternal affection. Nicolas Brault's highly personal film, suffused with poetic modesty, casts a poignantly sincere gaze on the heartbreak of a child facing the fearful, mysterious experience of his mother's death.