Falsos Positivos(2009)

El mejor equipo del mundo(es)

Tells the story of the famous Millonarios, one of the most awarded football teams in Colombia, which, as it was stated by the press, rivals and football leagues, between 1949 and 1953, it was the best team in the world. The documentary film, which some might say, one of the most important sports film pieces in Colombia, involves the stories of fans, members, ex-players, managers, chairmen and great journalists from the world of football, telling how this team revolutionized and changed the history of Colombian football forever.

The Power of One(en)

Naturalist, Alex Valdez, and a team of young documentary filmmakers will take us on an adventure to discover an unknown ecological sanctuary deep in the jungles of Colombia, where an anonymous conservationist, who goes simply by the name Jorge, is replanting a rain forest from a deforested piece of land and creating a home for a variety of endangered animals. This film is the first step in our mission to showcase the hundreds of unknown conservationists around the globe and inspire a whole generation to believe in the power of one.

The Macondian Hollywood(es)

Functions without theaters, murals without walls, clothes without fabrics and students without schools says the necessary about the state abandonment and but also talent and creativity of Colombians, which it has nothing to lose. The documentary tells the story of the beginnings and resilience of several artist from Barranquilla in different disciplines in continuing to maintain and diversify the living culture, that remain to exist.

Esmeraldero(es)

The true story of the rise of a Japanese businessman from Los Angeles named Eishy Hayata from an Airline engineer into the legend of the Emerald world -- the Emerald Cowboy

The Territory of Puloui(es)

“Territorio Puloui” is a documentary that explores the relationship between the indigenous Wayuu community and water. It tells the journey of Carmela, who visits the La Guajira peninsula for the first time, her father's home region and ancestral territory of the Wayuu people. Carmela listens to the voices of indigenous leaders and sheds light on the environmental impact of coal mining in the region. At the same time, she discovers the strategies used by the women of the community to survive the lack of water. The documentary immerses us in the Wayuu cosmogony through their myths, legends and beliefs, depicted in a series of animations that explore their dream universe.

Sought for Satan, found the family(es)

With the VHS images of his childhood, Miguel tells Fábio a particular story of his experience as a Colombian child and of the first manifestations of Satan in his life.

Colombia in My Arms(fi)

After 52 years of armed conflict the FARC guerrillas are about to hand over their arms in exchange for political participation and social inclusion of the poor. Ernesto is one of them. The much celebrated Colombian peace agreement throws Ernesto and the polarised society around him into chaos in which everyone is afraid of the future and their own survival.

Pueblos de Arrecife(es)

Chiquinquirá, May 15th(es)

In 1998, the President of Colombia dared to demilitarise a zone to carry out peace negotiations with the FARC-EP guerrilla group, but chaos erupted. A pivotal 2000 attack shifted the tide. Crafted solely from news archives, this film presents the atrocious event that changed the country's destiny.

Abortion: Stories from North and South(en)

Women have always sought ways to terminate unwanted pregnancies, despite powerful patriarchal structures and systems working against them. This film provides a historical overview of how church, state and the medical establishment have determined policies concerning abortion. From this cross-cultural survey--filmed in Ireland, Japan, Thailand, Peru, Colombia, and Canada--emerges one reality: only a small percentage of the world's women has access to safe, legal operations.

Pimpi(es)

The anecdotes lived with Pimpi conclude in a tragic experience for his family. The story takes place in a small town in the middle of the Colombian Pacific jungle. Past and present mix to form a story where the town and its inhabitants are witnesses of the struggle of black people.

Dangerous Play(es)

Copa Libertadores, 1989. A true story about football, corruption and the power of Pablo Escobar and his cartel, told by its protagonists: five referees who resisted the dramatic weight of an era.

Dejen quieta la Iguana(es)

When the Road Ends(en)

Growing up in poverty as a child, Dylan dreamt of travelling the world on a motorcycle. Many years later he broke the shackles of a normal life and took to the road. After journeying 200,000km across four continents, the road from Panama to Colombia comes to an end, swallowed up by an impenetrable jungle. Dylan has no choice but to take to the sea, building a raft powered by his motorcycle engine in the hope of reaching Colombia's road network 700km away. He must brave strong ocean currents and storm batterings in his journey from Central to South America.—Journeyman Pictures

I'm Not Speak English(es)

With analog and digital material collected during her stay on a "Work Trip" taking care of children in an American kindergarten as a migrant. I'm not speak English proposes —as a visual autobiography— to make visible a phantasmagorical light as a metaphor for the sudaca's bodies that work in invisible care task. Migrant bodies who bear as an imperceptible force the North American Nation.

Song of the Flies(es)

The experimental animated film Song of the Flies (El Canto de las Moscas), translates the desolation caused by the violence of the Colombian armed conflict through the poetic voice of Maria Mercedes Carranza (1945–2003) and the audiovisual dialogue between 9 Colombian women. In 24 places, as a transit over the course of a day (Morning, Day, Night) a map of terror is drawn where massacres took place in Colombia in the 1990s. Archival images, the artists’ personal memories and the use of loops and analogue materials bring to life the landscapes ravaged by violence and build a polyphony of memory and mourning, a universal song of pain.

Raíces(es)

In her search for job opportunities, Marley, a Sitionuevera mother, moves to Barranquilla, leaving her children in the care of her mother, Claudia in the municipality of Sitionuevo. As the community embraces traditional life, Marley yearns for a different future, triggering a generational conflict between deep roots and aspirations for change, but ultimately being a story of the power of love.

Hostage in the Jungle(en)

Ingrid Betancourt was the world’s most famous hostage. On February 23rd 2002, Ingrid, a presidential candidate in Columbia’s elections, was kidnapped by the left-wing FARC rebel group along with her assistant and friend Clara Rojas. She was held for over six years in the jungle. This is the first documentary account of what happened in the jungle in her words and those of fellow hostages. In a truly remarkable interview Ingrid relives stories of escape and betrayal, love and hate, terror and extraodinary courage.

La Flor de La Lengua de Vaca(es)

Camila lives her last days in the jungle as a guerrilla of the FARC-EP at the crossroads between an uncertain future of peace and the lingering memory of a childhood severely punished. Sent to a war hospital in the middle of the jungle, Camila begins a journey into her past, to the depths of an old wound that needs to be healed. A journey that ends up leading her to an unexpected reunion with her friend Ricardo, a young guerrilla recently amputated due to a mine.

Voices of Kidnapping(en)

Ghostly images of Colombia’s jungle landscapes are set to radio transmissions sent by family members to their kidnapped loved ones—heartrending messages of grief, support, and, against all odds, hope.