Denisa de Flavigny
1972-01-01
0
Comedy about a protective mother whose dull son seems to have become wayward with the local bottle blonde.
Peter Nichols adapted his own hit play to the screen, based on his experiences in hospitals. A riotous black comedy that's as timely today as ever, it contrasts the appalling conditions in a overcrowded London hospital with a soap opera playing on the televisions there. In an ingenious touch, the same actors appear in the "real" story as well as the "TV" one, thus blurring the distinctions even further. Jack Gould directs such outstanding British actors as Lynn Redgrave, Colin Blakely, Eleanor Bron, Jim Dale, Donald Sinden, Mervyn Johns, and, in only his second film, Bob Hoskins. The renowned Carl Davis composed the score.
Three attendees at a puppet theater don various roles in order to sing a variety of songs by Jacques Brel, all while hippies and other eccentrics cavort about them.
In this drama, a 50-year-old married man (played by John Halliday) goes with his wife (Belle Bennett) and son (Junior Durkin) to a nightclub in a fancy hotel in Detroit. He meets a gold-digger (Dorothy Burgess) there, singing the theme song of the picture, and eventually ends up going out with her on a subsequent occasion and falls in love with her. His wife finally finds out and this leads to her leaving him and getting a divorce in Paris. He is married to the gold-digger but finds life with her and her "jazz friends" to be too much for him. He begins to long for his old wife when he finds her in a nightclub with another man and becomes jealous.
The Protar Affair (Romanian: Afacerea Protar) is a 1956 Romanian comedy film directed by Haralambie Boroș. It was entered into the 1956 Cannes Film Festival.
Annie is a young, happy foster kid who's also tough enough to make her way on the streets of New York in 2014. Originally left by her parents as a baby with the promise that they'd be back for her someday, it's been a hard knock life ever since with her mean foster mom Miss Hannigan. But everything's about to change when the hard-nosed tycoon and New York mayoral candidate Will Stacks—advised by his brilliant VP and his shrewd and scheming campaign advisor—makes a thinly-veiled campaign move and takes her in. Stacks believes he's her guardian angel, but Annie's self-assured nature and bright, sun-will-come-out-tomorrow outlook on life just might mean it's the other way around.
Unlike any other opera, the so-called Beggar's Opera is not just one composition, but a lineage of adapted compositions, beginning with the original hugely successful 1728 political satire written by Englishman John Gay. Composers and writers have penned variations on it ever since. The most famous of these was A Threepenny Opera by Bertholt Brecht and Kurt Weill. Some things these compositions share in common is their setting among the poor and criminal classes, and the roguish character Macheath. This production is based on an adaptation of Gay's original by Vaclav Havel the freedom-fighter, writer and philosopher who became the first (and only) president of the united post-communist country of Czechoslovakia, and it retains many traces of its theatrical origins. Film reviewers were not too tolerant of what they called "slavish adherence" to the noted Czech writer's stage production, but theater, philosophy and history buffs may feel otherwise.
Based on characters from Shakespeare's play: When Juliet's father refuses to let Romeo see her, Romeo resorts to extreme measures.
José is a forty-something guy who finally manages to make his dream come true of owning a bar. For the opening night, he invites his best friends from the high school: Tania, the most popular girl of the classroom who now works as an influencer on the Internet and actress in musical plays; Ismael, an unstoppable loudmouth and womanizer who is convinced to be eternal young and the king of the hill; Quique, a naive man with obesity troubles married to Sofía, his lifelong love interest from the high school; and Manolo, the smart and streetwise boy who was the heart of the bunch. However, Quique and Sofía have troubles in their marriage after the suspicion that Quique was unfaithful to her; Ismael struggles his feelings about Tania against his fear of opening his heart to a woman; and Manolo reveals herself as transgender Lola.
A young Czech couple are terrorized by their funny family.
Fifty years old Baron von Fibberg lives at The Fibberg Castle with his wife Olga and daughter Charley. Besides the delight in hunting, Baron is very enthusiastic about truth. Although he can't withstand any falsehood of others, he keeps his own intimate secrets from his wife. Charley seems to be an innocent girl at first glance, but she has a little secret too. She fell in love with a young fop Ernest Benda and married him in secret. Her only concern is the way, how to let her strict father know about the marriage. Together with her husband they prepare a plan how to do it, but it turns out to be a catastrophe for the whole family.
An ode to Rom-Coms of the past - Company follows anti-romantic Julia as she navigates the world of love, with her friends by her side, after a night of being swept off her feet by a dashing young man.