Short film about the formation and extraction of petroleum
Short film about the formation and extraction of petroleum
1941-06-10
0
As „wings of men“ they became the faithful companion of a great nomadic nation thousands of years ago. Today, 28 years after the Soviet occupation, the little horse is an essential part of the cultural heritage and the search for identity of the modern Kyrgyz people. Based on its own story, a so called „good brown horse“ leads through the film and offers an insight of what it could mean to be „todays wings of men“. Told by a horse’s voice and through its eyes, this short film still is a documentary, but also a poetic journey to a nomadic culture.
What is it about Speedos? Well here Australian director Tim Hunter is on a mission to find the answer to the question of why so many gay men can't seem to get enough of hunks in tight fitting trunks? Although somehow I think the answer can be found in the question! Anyway in a bid to discover the truth, Hunter has carried out a series of interviews with men who have more than a passing interest in this briefest of garment, including that of Speedo designer Peter Travis, who here relates his part in the history of 'the male equivalent of the Wonder Bra.'
People constantly appear walking through passageways in the films of Japanese filmmaker Yasujirō Ozu (1903-63). His art resides in the in-between spaces of modern life, in the transitory: alleys are no longer dark and threatening traps where suspense is born, but simple places of passage.
The cinema of Koreeda Hirokazu is defined by moments of everyday life. Whatever potential there is for heightened drama – the suicide of a husband, a cult massacre, abandoned children – it is diffused by the familiar rhythms of everydayness. This attention to the everyday must be understood within the context of death, which plays a significant role in all of Koreeda’s films. It is death that deepens our sense of life and makes even the most mundane moment seem profound.
The Colours of My Father: A Portrait of Sam Borenstein is a 1992 short animated documentary directed by Joyce Borenstein about her father, the Canadian painter Sam Borenstein. It was nominated for an Academy Award for Best Documentary Short. In Canada, it was named best short documentary at the 12th Genie Awards.
A Local Reno Artist and DJ discusses the many inspirations behind her work and how it impacts herself and others.
This film features some of the most important living Postmodern practitioners, Charles Jencks, Robert A M Stern and Sir Terry Farrell among them, and asks them how and why Postmodernism came about, and what it means to be Postmodern. This film was originally made for the V&A exhibition 'Postmodernism: Style and Subversion 1970 - 1990'.
A short documentary about Dave McKean's process of creating an image.
Naomi Kawase observes people in the city of Shibuya with curiosity and openness, drawing parallels between life and filmmaking and discovering her abilities as a filmmaker.
This short documentary profiles Saint-Jean-Baptiste Day parade in Montreal in 1959. The annual parade takes place every June 24th in memory of Saint-Jean-Baptiste, the patron saint of Québec. Candid shots of youngsters preparing their costumes for the festivities are partnered with a lively jazz soundtrack. All the Montrealers and out-of-town tourists featured in this film avidly participate in a public festivity that is dear to their hearts.
The film was about a group of Polish ice skaters at the slide of the Warsaw Ice Skating Society. The film was filmed using a pleograph which was an early type of the movie camera invented by Kazimierz Prószyński.
A mother and her son are driving through heavy snowfall to bid a final farewell to their dead husband and father. A sudden and unexpected wrong turning takes them to a completely different place from the one they had expected. Some memories exist in a borderland.
As the only work in this medium by Richter, the film was created for the exhibition Volker Bradke that took place on 13th December 1966 at Galerie Schmela in Düsseldorf. For the purpose of this exhibition, Gerhard Richter addressed the person Volker Bradke in different mediums. In addition to photographs, a banner and a large-scale painting Volker Bradke [CR: 133], the film had been screened. Richter transferred one of the stylistic features of his paintings of that time into film: the blurring.
A documentary on the work of experimental British animator David Anderson.
Itzanamí, a young woman, is facing stormy relationships. In his attempt to discover himself, he creates a documentary, wondering why he associates love with violence. Revisiting her family's past, and the relationships her grandmother and mother have gone through, she discovers the true face of love: the love between the women in her family.
A story about the relationship between a grandma and her granddaughter, despite the physical difficulties.