Eu Deveria Estar Feliz(2023)

De Peito Aberto(pt)

Motherland(en)

The planet’s busiest maternity hospital is located in one of its poorest and most populous countries: the Philippines. There, poor women face devastating consequences as their country struggles with reproductive health policy and the politics of conservative Catholic ideologies.

(M)Other(de)

Being mother is the most natural thing in the world. Or so it seems. Yet the demands on women with children have rarely been as overloaded and contradictory as they are in today’s Western world. Promises of happiness are often followed by disadvantages, excessive demands and feelings of guilt. The mother has become an artificially glorified ideal, which nevertheless is often legitimized by the „nature of the woman“. We live in a time when three people could claim to be the same child’s mother: egg donors give their genes to beget children, surrogate mothers deliver babies which they give away immediately after birth, and men raise children by themselves – without a woman at their side. Hence the question arises: What makes a human being a real mother?

Waiting Time(it)

Under the shade of a Magnolia tree, a group of pregnant women gathers weekly. Among them is Teresa, an experienced midwife who listens to them attentively. Sitting in a circle, the women reflect on the impending birth of their children and their own emerging roles as mothers.

PINK BULLET(es)

Maternité : le grand saut(fr)

Mulher Não Tem Graça(pt)

A letter to Nikola(el)

As a letter to her son, the filmmaker testifies her experience as a photographer aboard the Aquarius, a ship that rescued 29,523 people in the Mediterranean between 2016 and 2018.

Sur la pointe du cœur(fr)

"On the Tip of the Heart" - is a documentary on the St Peter's Hospital in Brussels, structured around seven doors from the maternity to the morgue. This is an opportunity for the director to ask the audience a question, namely: what is there in common between a medieval city, human life and a hospital?

Miracle(cs)

This student film by the award-winning Helena Třeštíková bears many of the hallmarks of her later work. Made as a graduation piece when she was at the FAMU Film and TV Academy in Prague, we see the director developing the distinctive observational style of filmmaking that she has used so effectively throughout her career. Over the course of several months, she follows a young pregnant woman as she becomes slowly acquainted with the joys and responsibilities of motherhood.

Mater Amatisima(es)

Given the fetishizing and normalizing character that is given to motherhood in patriarchy in order to perpetuate the social order, do we truly choose to be mothers? Why is care, of fundamental vital labor, presupposed as an especially appropriate task for women?

Babysitter(fr)

After a sexist joke goes viral, Cédric loses his job and embarks on a therapeutic journey to free himself from sexism and misogyny. He and his girlfriend hire a mysterious and liberated babysitter to help shake things up.

The Midwife(fr)

Claire is a midwife and has devoted her life to others. At a moment when she is preoccupied by the imminent closure of the maternity clinic where she works, her life is further turned upside down when Béatrice, her father's former mistress, turns up on the scene. Béatrice is a capricious and selfish woman, Claire's exact opposite.

Veil of Silence(fr)

It is 1968 and Marianne is nineteen years old. She has been sent to a home for young girls, far from her family and friends. Here she meets other girls whose secrets have turned their lives upside down.

Palma(fr)

Jeanne take her daughter for the week-end in Majorque. While everything goes to rack and ruin, mother’s only concern is to photograph Kiki, the classroom mascot.

You Are Not My Mother(en)

In a North Dublin housing estate Char's mother goes missing. When she returns Char is determined to uncover the truth of her disappearance and unearth the dark secrets of her family.

The Stranger in Me(de)

A young couple in love: Rebecca (32) and her boyfriend Julian (34) are expecting their first child and are full of pleasant expectation. As Rebecca gives birth to a healthy boy their luck seems to be perfect. But instead of the unconditional motherly love she was expecting she is thrown into an emotional turmoil. Helplessness and desperation reign and her own baby is a stranger to her. With every day that passes her inability to meet the demands of motherhood become more and more apparent. Unable to admit this to anyone, not even Julian, she falls into a deep darkness - to the point that she realises she is becoming a threat to her child. Now only unconditional love can bring her back on track…

The Lullaby(en)

Returning to her home town, overwhelmed by the birth of her firstborn, nineteen-year-old Chloe van Heerden tries to come to terms with motherhood. Despite the support from her own mother, Chloe struggles with the demands of caring for a newborn child. The incessant crying of her baby, the growing sense of guilt and paranoia send her into a dark depression. With a heightened urge to protect her son, she sees danger everywhere.

A Happy Event(fr)

She drove me into a corner, then forced me to go beyond my limits. She made me confront the absolute: love, sacrifice, tenderness, abandonment. She dislocated me, transformed me. Why didn't anyone warn me? Why doesn't anyone ever talk about this?" Un heureux événement, or an intimate view of motherhood, sincere and with no taboos.

Alma et les autres...(fr)

After giving birth to her first child at age 20, Mona Achache had the idea to make a film on childbirth. She filmed the work of midwives to produce this documentary, which became a reference in more than 500 maternity wards and private midwives' offices in France during birth preparation sessions.