Walkatjurra: Our Actions Will Never Stop(NaN)

Servant or Slave(en)

During the time of the Stolen Generations, thousands upon thousands of Aboriginal girls were taken from their families and pressed into domestic servitude by the Australian Government. They were supposedly employed as servants, but with total control over their movements, wages and living conditions, their lives all too frequently became an inescapable cycle of abuse, rape and enslavement, with consequences that echo powerfully to this day. Recounting the stories of five of these women – Rita, Violet and the three Wenberg sisters – Servant or Slave is a commanding piece of first-person testimony to a dark and unacknowledged corner of Australian history. Shot with admirable craft and humanity by documentarian Steven McGregor (Croker Island Exodus, MIFF 2012), Servant or Slave is a work of great sadness and urgency, bringing to forceful life the human tragedy of Australia's Indigenous history in the unadorned words of those who lived it.

Firestarter: The Story of Bangarra(en)

Taking us through Bangarra Dance Theatre’s spectacular growth, we follow the story of how three young Aboriginal brothers — Stephen, David and Russell Page — turned the newly born dance group into a First Nations cultural powerhouse.

Ella(en)

Ella Havelka made history in 2013 by becoming the first Indigenous dancer at the 50-year-old Australian Ballet. In this engaging, MIFF Premiere Fund-supported world premiere, Ella – a descendant of the Wiradjuri people – charts her inspiring journey from growing up in modest circumstances as the only child of a single mother in rural Australia to gaining entry to National Ballet School, then spending formative years with the acclaimed Bangarra Dance Theatre before accepting the invitation of The Australian Ballet's artistic director David McAllister to join one of the world's foremost ballet companies.

Cracks in the Mask(en)

A century ago the Torres Strait Island were the subjects of the famous Cambridge Anthropological Expedition - the resulting depletion of their cultural artifacts left them with nothing but a history of remembered loss. The only people in the Pacific to make elaborate turtleshell masks have none left - they are all in foreign museums. In a quest to reclaim the past, Ephraim Bani, a wise and knowledgeable Torres Strait Islander, travels with his wife to the great museums of Europe where his heritage lies. The film, an SBS Independent production, shows that the thickest of masks cracks when a descendant of the original owners enters a museum.

Looky Looky Here Comes Cooky(en)

A new songline for 21st century Australia - a fresh look at the Cook legend from a First Nations' perspective - the songline tells of connection to country, resistance and survival and features the cheeky, acerbic and heartfelt showman - Steven Oliver and a host of outstanding, political Indigenous singer/songwriters.

Radio Bikini(en)

It starts with a live radio broadcast from the Bikini Atoll a few days before it is annihilated by a nuclear test. Shows great footage from these times and tells the story of the US Navy Sailors who were exposed to radioactive fallout. One interviewed sailor suffered grotesquely swollen limbs and he is shown being interviewed with enormous left arm and hand.

100 Years of the Atom(fr)

The exciting story of the splitting of the atom, a scientific breakthrough of incalculable importance that ushered in the nuclear age, has a dark side: the many events in which people were exposed to radiation, both intentionally and by accident.

In My Blood It Runs(en)

The story of Dujuan, a 10-year-old Aboriginal boy living in Alice Springs, Australia, who is struggling to balance his traditional Arrernte/Garrwa upbringing with a state education.

Black Man's Houses(en)

In 1832 the government of Van Diemen’s Land sent the last Aboriginal resistance fighters into exile at Wybalenna on Flinders Island, bringing an end to the Black War and opening a new chapter in the struggle for justice and survival by Tasmanian Aboriginal people. Black Man’s Houses tells a dramatic story of the quest by Aboriginal people to reclaim the graves of their ancestors against a background of racism and denial. Documenting a moving memorial re-enactment of the funeral of the great chief Manalargenna, the film also charts the cultural strength and resilience of his descendants as they are forced to fight for recognition in a society that is not ready to remember the terrible events of the past.

Intervention: Stories From the Inside(en)

On June 21 2007, the Howard Federal Government launched an intervention into Aboriginal communities in the Northern Territory. It was one of the most dramatic policy shifts in the history of Aboriginal affairs. Relentless media attention focuses on ideological arguments for and against the Intervention, while the voices of those affected by the policy are rarely heard. For this film more than 40 Alice Springs town camp residents were interviewed in depth over the course of eight months to find out the answer to the question - is it working?

Burning Sky(en)

Uluru & the Magician(en)

Follows the incredible journey of Dave Welsman, a Sydney kids' magician determined to reboot his life with a grand illusion to make Uluru disappear. As Dave works alongside the Rock’s traditional owners and Indigenous Custodians to pull off this spectacular stunt, he discovers the profound cultural and spiritual significance of Uluru, and his own illusions about fame and success begin to disappear.

Ray Martin: Mysteries Of The Outback(en)

Ray Martin goes on a grand quest to locate a mysterious outback rock formation he spotted and photographed from an airliner 37,000 feet in the air.

My Survival as an Aboriginal(en)

Essie Coffey gives the children lessons on Aboriginal culture. She speaks of the importance of teaching these kids about their traditions. Aboriginal kids are forgetting about their Aboriginal heritage because they are being taught white culture instead.

Freeman(en)

The story of a nation coming together around Indigenous athlete Cathy Freeman who delivered when it mattered on the greatest stage on earth. 20 years on, Freeman sheds light on one of Australia's proudest moments. In 49.11 seconds, Cathy Freeman's win at the 2000 Sydney Olympics brought Australia together as a nation.

Cop It Sweet(en)

In the winter of 1991 an ABC film crew spent six weeks following Sydney's Redfern police. The inner city patrol of Redfern is predominantly working class with a large aboriginal and migrant population. The police in this film are general duties officers mostly on mobile patrols. At the time of filming 78% of police at Redfern were under the age of 25.

Yellow Fella(en)

In 1978, Tom Lewis appeared in the Australian feature film, The Chant of Jimmie Blacksmith. The life of the character he played was hauntingly close to his own, a young, restless man of mixed heritage, struggling for a foothold on the edge of two cultures. Tom's mother is a traditional Indigenous woman of southern Arnhem Land, his father a Welsh stockman who he never really knew. Yellow Fella is a journey across the land and into Tom's past, as he attempts to find the resting place of his father and to finally confront the truth of his most inner feelings of love and identity.

Australia: The Wild Top End(en)

Narrated by Indigenous elder Balang T E Lewis, this inspiring documentary will take you on an adventure to explore the culture and wildlife of Australia’s remote wild north. Far Northern Australia is a land of extremes, from bushfires to torrential floods. Explore the wildlife and meet the people in Australia’s wild top end, from the Kimberley coast through the mysterious Arnhem Land, and deep into the world’s oldest rainforest in Cape York.

Silent Bombs: All for the Motherland(en)

In the remote region of Semipalatinsk in North-Eastern Kazakhstan live the victims of hundreds of Soviet nuclear tests carried out from 1949 through 1989.

Hidden Exposure: The Truth About the H-Bomb Tests(en)

In 1954, the United States tested 6 hydrogen bombs on Bikini Atoll in the Pacific Ocean. Numerous Japanese fishing boats were operating in surrounding waters, and their crews were exposed to radioactive fallout. But the Japanese government has acknowledged the cases of just 23 crewmembers. Now, scientists from Hiroshima have shed light on facts that had been buried for 60 years.