2015-04-12
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7.0In 1962 Joris Ivens was invited to Chile for teaching and filmmaking. Together with students he made …A Valparaíso, one of his most poetic films. Contrasting the prestigious history of the seaport with the present the film sketches a portrait of the city, built on 42 hills, with its wealth and poverty, its daily life on the streets, the stairs, the rack railways and in the bars. Although the port has lost its importance, the rich past is still present in the impoverished city. The film echoes this ambiguous situation in its dialectical poetic style, interweaving the daily life reality (of 1963) with the history of the city and changing from black and white to colour, finally leaving us with hopeful perspective for the children who are playing on the stairs and hills of this beautiful town.
0.0There was once, in 1910, a train able to cross the wild territories between Argentina and Chile, making possible a mythical journey, joining two oceans with a single ticket, from Buenos Aires to Valparaiso. The last trip of the BAP was in 1979; in the nineties, its various branches were permanently abandoned. Since then, travelers have been inhabiting the railway landscape as they dream, desire, remember or yearn: as part of their own being and national history.
10.0When you listen to The Years, the debut studio recording from Urbanites, you're hearing a band in progress. They wanted to make The Years differently, and decided to record the album together, live, in the same space - Studio A of Electrical Audio in Chicago, Illinois. With the exception of limited overdubs, (vocals, drum ensembles and laptop atmospherics) each song represented one collective take, warmly captured to two inch analogue tape. This recording method embraced the mistake as much as the moment. They also chose to document the making of the record with a film, appropriately titled, 'You Can't Rewind The Years'. With a new understanding and years of progress to come, these longtime friends are making the music that they'd always hoped to. As they sing, in The Years' standout track Restless, "Not without trial, not without err - this brokenness is ours to share."
7.5Photographic and sound story, through the encounter of characters with their stories of a time without end.
0.0Through unpublished archives and the voices of its inhabitants, Ándate a la punta del cerro reconstructs the living memory of a community that has stood strong in the face of abandonment. From its founding roots in the 1970s, through the communal soup kitchens of the pandemic, to the current perspective of Luisa Maraboli, a symbol of female leadership, the documentary weaves a choral portrait of identity, territory, and self-management. More than a local story, it is a declaration of existence: at the top of the hill, people not only survive, they create, love, and start over.
7.0Twisting in from Chile, Guillermo Ribbeck’s phenomenal EMPTY JARS is a stylishly directed dark fantasy set in a decaying student residence where a woman (Ana Burgos, THE SEA) frees a ghost from a jar and works to find it a suitable human vessel to possess. Potent, inventive and wildly entertaining with a prankster heart and a melancholic soul.
6.3Chile, September 1986. Tamara, commander of the communist guerrilla group Manuel Rodríguez Patriotic Front, and her comrades-in-arms set out to overthrow the military regime installed in 1973 by assassinating the dictator Augusto Pinochet.
9.0In an inner world suspended between oblivion and creation, a female figure moves through a dreamlike space where forgotten ideas take shape. Genesis is an experimental piece that explores the journey toward the origin of an idea — of oneself.
0.0After the social uprising in Chile in October 2019, Camilo el Hueto seeks refuge in Italy, attempting to escape the memories that haunt him. However, a letter will force him to return to his homeland, where he is no longer welcome, determined to get rid of that cursed horn once and for all.
0.0Every year the Swedish entertainment industry is taken over for weeks by a single television show trying to find Sweden's representative at the Eurovision Song Contest. Melodifestivalen has grown into a center around which a large portion of the Swedish music industry revolves and is financed by. Is it really reasonable that so much power is wielded by a single production?
Dušan Hanák's final film: a bitter documentary about the history of Communism in Czechoslovakia.
0.0A celebration of love and resilience, Butterflies follows Quinn and Josh, who met in their high school special education program. They reflect on their prom night which turned a mother's fears into a moment of triumph. Through heartfelt stories and reflections, this short documentary challenges perceptions of disability, demonstrating that love knows no boundaries and those little moments of joy are always worth celebrating.
0.0On the battlefields, a remarkable group serves the United States with limitless courage and unparalleled loyalty. Devoted to protecting their comrades, military working dogs serve beside their human partners in Afghanistan. They only ask for affection in return.
7.0The Purity Ball symbolizes a father's protection over his daughter's virginity, but how does this reflect in the choices she makes, understanding her sexuality, and knowing her worth as a woman? This documentary examines the effects of Abstinence-Only Programs versus Comprehensive Sex Education in schools and what society can do to help lower teen pregnancies, abortions, and STDS, as well as poverty and sexual abuse.
7.0A biography of the short-lived character actor Laird Cregar.
Red Storm Rising” looks at the rise and fall of the American Communist Party, examining its political context, its leadership, its appeal to the American public, and why it never became mainstream.
6.0Actual footage by the United States Signal Corps of the landing and attack on Arawe Beach, Cape Glouster, New Britain island in 1943 in the South Pacific theatre of World War Two, and the handicaps of the wild jungle in addition to the Japanese snipers and pill-box emplacements.
6.7An intimate documentary exploration of heritage and history against the backdrop of a brewing Afro-centric revolution as the U.S. government prepares to invade the island nation of Grenada. First hand accounts from activists Angela Davis, Fania Davis and Fannie Haughton weave together director Damani Baker’s family portrait of utopian dreams, resistance and civil unrest with a film score composed by music luminary Meshell Ndegeocello.