
On September 11, 2004, filmmaker Robert Morin shot Que Dieu bénisse l'Amérique, set on September 11, 2001. For artistic reasons, he decided to shoot the feature in a single day. Philippe Falardeau witnessed this tumultuous day, which ended tragically. At the same time, filmmaker Louis Bélanger criticizes Robert Morin's working methods.

Réal Chabot
Jean-Pierre St-Louis
Catherine Hébert

On September 11, 2004, filmmaker Robert Morin shot Que Dieu bénisse l'Amérique, set on September 11, 2001. For artistic reasons, he decided to shoot the feature in a single day. Philippe Falardeau witnessed this tumultuous day, which ended tragically. At the same time, filmmaker Louis Bélanger criticizes Robert Morin's working methods.
2005-01-01
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10.0A 25-year-old former cult member seeks out his family in a closed world of neon crosses, deadly alcoholism, and abuse.
0.0With a scuba suit and a GoPro in hand, a 65-year-old shoe store owner is determined to clean up Malta’s seas, one piece of rubbish at a time.
7.1This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
7.3Join self confessed petrol-head Guy Martin as he learns about the alternative to the internal combustion engine, Electric. In this TV special, Guy learns about the advantages of electric transport and the different varieties that exist from bicycles, cars and vans up to buses. Guy also learns some of the disadvantages from range anxiety and with the help of the Leicestershire Fire Brigade, how to deal with a fire. The ultimate aim is to produce a record breaking electrified retro road car that is suitable for the Drag strip, with Guy behind the steering wheel.
8.0An aspiring photojournalist takes a trip to Julian, CA to learn about the history of two wolf species and what caused their population decline throughout history.
7.2Go behind the scenes with the crew of Sea Lions of the Galapagos to showcase not just the production of a film, but the world that inspired it.
0.0Documentary film about the making of Arttu Haglund's feature film Gone.
0.0Canadian director Catherine Annau's debut work is a documentary about the legacy of Pierre Trudeau, the long-running Prime Minister of Canada, who governed during the 1970s. The film focuses particularly on Trudeau's goal of creating a thoroughly bilingual nation. Annau interviews eight people in their mid-30s on both sides of the linguistic divide. One tells of her life growing up in a community of hard-core Quebec separatists, while another, a yuppie from Toronto, recalls believing as a child that people in Montreal got drunk and had sex all day long. Annau has all of the interviewees discuss how Trudeau's policies affected their lives and their perceptions of the other side, in this issue that strikes to the heart of Canada's national identity.
This early work from Pierre Perrault, made in collaboration with René Bonnière, chronicles summer activities in the Innu communities of Unamenshipu (La Romaine) and Pakuashipi. Shot by noted cinematographer Michel Thomas-d’Hoste, it documents the construction of a traditional canoe, fishing along the Coucouchou River, a procession marking the Christian feast of the Assumption, and the departure of children for residential schools—an event presented here in an uncritical light. Perrault’s narration, delivered by an anonymous male voice, underscores the film’s outsider gaze on its Indigenous subjects. The film is from Au Pays de Neufve-France (1960), a series produced by Crawley Films, an important early Canadian producer of documentary films.
2.0A Paul Joyce documentary on the American independent film scene.
Documentary showing a couple of photographers driving for 35 days, leaving Brazil for Ushuaia.
0.0A documentary film about the Slovenian filmmaker Boštjan Hladnik.
Pearl Gluck travels to Hungary to retrieve a turn-of-the-century family heirloom: a couch upon which esteemed rabbis once slept. En route for the ancestral divan, Pearl encounters a colorful cast of characters who provide guidance and inspiration.
0.0The story of the Quebec Mosque Shooting—the first ever mass shooting in a mosque in the West—is known around the world, but the story of the community that survived the attack is all but unknown. The Mosque: A Community's Struggle is an intimate portrait of the resilient Muslim community of Ste-Foy, Québec, as they struggle to survive and shift the narrative of what it means to be a Muslim, one year after the devastating attack that took the lives of six of their members. As the world moves on, this small mosque and its community fights Islamophobia, harassment and hate speech. How will the community heal and how will they stop the rhetoric that threatens to precipitate further violence?
0.0"If all these cameras start talking to you.." A short documentary on a vintage camera museum, established by an archivist and photographer Mr. Aditya Arya
7.4Composed of numerous archives and film clips, this documentary is the story of a transgressive actor, a pirate who came to crack America's too perfect mask to reveal its most infantile and moronic face, right in the heart of the Hollywood system.
6.5To celebrate the release of a new movie for their 20th anniversary, this documentary offers some behind-the-scenes footages.
10.0WORDS FROM HOME is a poetic documentary that explores the kinds of affection and identity in the portuguese language spoken in Brazil. Through migrants' stories and their reflections, the movie reveals how expressions, accents and memories form emotional and cultural bonds, showing how speaking connects us, differentiates us and, above all, brings us closer together.
0.0A journey through the Brazilian Amazon, guided by the eyes of Renato, a Carioca turned Amazorioca. A reflection on identity, the legacy of an ancestral territory, and the cost of progress. An ode to the forest and the fragility of what remains.