Peero/TP Monster
The Devil/Peero
Bored with her mundane life, aspiring writer Lucy Simon embarks on a psychedelic road trip to the planet Mars with her brash, unnamed drug dealer behind the wheel. Danger, thrills and cosmic wonder ensues in this existential adventure presented entirely through the use of close-up photography.
A collage hosted by "The Pointless", a dying overlord.
An abstract horror artefact conceptualising trans doubt and dysphoria as a physically invasive force - a virus. https://www.youtube.com/watch?v=ewaVwmReGKM
Lulu the dog gets a job at the local convenience store and stays up all night cleaning the back room. Short created for Adult Swim Smalls.
A girl sitting on an autumn leaf-filled sidewalk communicates with a mysterious figure across the street.
Yoshika has had a crush on Ichimiya, whom she calls "the One" since she was in middle school. Now, a 24-year-old salarywoman, her all-consuming fixation has prevented her from even considering another candidate for boyfriend until an office colleague asks her out.
A man desperately struggles against a powerful, unseen force.
Forced to confront adulthood, a teenage girl detached from reality prepares to leave her childhood home.
Deluge is a 2010 post-apocalyptic short film directed by Australian musician Lulu Collard.
A teenager is trapped in an anomalous realm with no way out, as if there is no flow of life. Everything goes strangely and incomprehensibly.
Upset with where his life has gone, Torgo seeks to make some changes
After Billy finds a winning scratch ticket, the gas station gets a new lottery machine that becomes the talk of the town. Part of [adult swim] smalls and second Gassy's Gas n Stuff short
“Leda + Swans” depicts an infernal, mythic birth of cinema, dredging the violence and horror from Wallace McCutcheon’s comic short film “Photographing a Female Crook” (1904). Leda, who may or may not be a falsely accused young woman, is brought in for a mugshot by two officers. She first attempts to avoid the camera’s gaze, and, when overpowered and manhandled, contorts her face to ruin the photograph. However, her small rebellion proves futile; she was already being recorded, objectified, mapped, and co-opted by the Godhead of the director. As her body and image are repurposed and transmuted ad infinitum, the filmic universe also explodes into a supernova. What is born out of this suffering and manipulation is another example of our sublime medium and modern muse. She will not be last the Leda, and she may not even be the first. Who is the guilty party here? Is beauty a chimera in traditional cinema? Has the ephemeral cinema of the attractions and distractions era gone anywhere?
Amongst the contemplative static shots of decaying architecture weaves an abstract narrative unveiling the life-cycle of a higher perception, too large to perceive. Shot at various sites across south-east England, INFRASTRATA is a study on the concept of super-organisms, and the relationship between structure and nature.
A subway passenger suffers from hallucinations and sees the metro that he has just boarded accelerate and gain speed quickly.