A girl reads and discusses about 20 poems.
Lauren Thomas is turning 40 and no one is more excited than her. She is married to Andrew, an amazing husband, a true provider and father. Andrew's brother, Franklin, is in a wheelchair due to a military attack. His wife, Mahogany, is currently pregnant with their first child. The two couples, along with three other couples and a few friends, are celebrating Lauren's birthday during the holidays since she is a Christmas baby. However, once the other women grow tired of Lauren bragging about her success, even though she is a stay-at-home wife, attitudes and snide comments take control. Over the course of the evening, things escalate and the entire cast gradually gets involved in the free-for-all until everything hits the proverbial fan.
It's San Francisco in 1957, and an American masterpiece is put on trial. Howl, the film, recounts this dark moment using three interwoven threads: the tumultuous life events that led a young Allen Ginsberg to find his true voice as an artist, society's reaction (the obscenity trial), and mind-expanding animation that echoes the startling originality of the poem itself. All three coalesce in a genre-bending hybrid that brilliantly captures a pivotal moment-the birth of a counterculture.
Set in the Faubourg à mélasse district of Montreal, Quebec, in the 1950s, the film centres on a conflict between the Roman Catholic Church and a young team of baseball players.
After Tsutomu Tamaki graduated from high school, he has worked at his family farm and raises ume (plum). He becomes interested in a class for “poetry boxing” and decides to take the class. There, he meets a female high school student who has her own problem.
Martin (Joe Newton) is a casualty of society. He is under appreciated and overworked as a salary man in the city. With mounting pressure on his shoulders, he experiences a breakdown at work and loses his job. After visiting his childhood home to collect some possessions, he opts not to go home but instead chooses to live off grid in the vast woodland. Here he attempts to survive, to try and find himself again, through being amongst nature and his love of writing poetry.
Being educated and knowing how drink, A-Ni is seen as the town's madwoman. Yulu is entranced by her.
17-year-old Asher is split between his charismatic teacher and his brash father, who wants him to take over his scaffolding business.
Two teenage pseudo-intellectual hipsters spend the day driving around their hometown in search of culture and adventure
A popular high school girl strains her relationship with her close-knit clique when she begins falling for a reclusive, lower-class schoolmate.
Testament of Youth is a powerful story of love, war and remembrance, based on the First World War memoir by Vera Brittain, which has become the classic testimony of that war from a woman’s point of view. A searing journey from youthful hopes and dreams to the edge of despair and back again, it’s a film about young love, the futility of war and how to make sense of the darkest times.
All but abandoned by her family in a London retirement hotel, an elderly woman strikes up a curious friendship with a young writer.
A sexagenarian South Korean woman enrolls in a poetry class as she grapples with her faltering memory and her grandson's appalling wrongdoing.
When a marriage is threatened by a long excursion for work, domestic trouble is buffeted by family and friends.
Ismail Merchant's feature directorial debut addresses a subject close to his heart: the expressive Urdu language of Northern India, in danger of extinction as political trends and modernization obscure its contributions to Indian culture. Merchant 's treatment is wry and good humored , as his characters - an aging Urdu poet (Shashi Kapoor) and a worshipful young college lecturer - clash despite their shared passion for the beauty of words.
Oliveiro is a young poet living in Buenos Aires where sometimes he has to sell his ideas to an advertising agency to make a living or exchange his poems for a steak. In Montevideo, he meets a prostitute, Ana, with whom he falls in love. Back in Buenos Aires, he accepts a contract with a publicity agency to get the money for three days of love with her. Will he get what he's searching for when his ideal of love's pleasure is literally going in levitation while making love?
Based on an incident in the life of Beat icon Neal Cassady and his wife, the painter Carolyn, the film tells the story of a railway brakeman whose wife invites a respected bishop over for dinner. However, the brakeman's Bohemian friends crash the party, with comic results. Pull My Daisy is a film that typifies the Beat Generation. Directed by Robert Frank and Alfred Leslie, Daisy was adapted by Jack Kerouac from the third act of his play, Beat Generation; Kerouac also provided improvised narration.
A young woman relives her last moments with her fiancé before having to say goodbye.
A lone wind ensemble musician photographs an ongoing performance as she's suddenly joined by a past lover.