A2 is a continuation of director Tatsuya Mori's film A (1998), an incredible view inside the compound of Japan's Aum Shinrikyo cult after its leaders carried out the deadly sarin gas attacks on the Tokyo subway in 1995. Most followers had no idea that the attacks were being planned, or even that their new religion had violent aspirations. After the attacks, these followers were left to rebuild the religion where they had once found peace in the face of overwhelming, and understandable, condemnation from the rest of Japan. Central focus is placed on Hiroshi Araki, a young man who finds himself elevated to chief spokesman for Aum after its leaders are arrested. Araki faces extreme hostility from the Japanese public, who find it hard to believe that most followers of the cult had no idea of the attacks and even harder to understand why these followers remain devoted to the religion, if not the violence.
A2 is a continuation of director Tatsuya Mori's film A (1998), an incredible view inside the compound of Japan's Aum Shinrikyo cult after its leaders carried out the deadly sarin gas attacks on the Tokyo subway in 1995. Most followers had no idea that the attacks were being planned, or even that their new religion had violent aspirations. After the attacks, these followers were left to rebuild the religion where they had once found peace in the face of overwhelming, and understandable, condemnation from the rest of Japan. Central focus is placed on Hiroshi Araki, a young man who finds himself elevated to chief spokesman for Aum after its leaders are arrested. Araki faces extreme hostility from the Japanese public, who find it hard to believe that most followers of the cult had no idea of the attacks and even harder to understand why these followers remain devoted to the religion, if not the violence.
2001-10-03
7
A passionate coming-of-age tale set amidst the conservative confines of modern Tbilisi, the film follows Merab, a competitive dancer who is thrown off balance by the arrival of Irakli, a fellow male dancer with a rebellious streak.
Spanning the years 1945 to 1955, a chronicle of the fictional Italian-American Corleone crime family. When organized crime family patriarch, Vito Corleone barely survives an attempt on his life, his youngest son, Michael steps in to take care of the would-be killers, launching a campaign of bloody revenge.
Set more than a decade after the events of the first film, learn the story of the Sully family (Jake, Neytiri, and their kids), the trouble that follows them, the lengths they go to keep each other safe, the battles they fight to stay alive, and the tragedies they endure.
While working underground to fix a water main, Brooklyn plumbers—and brothers—Mario and Luigi are transported down a mysterious pipe and wander into a magical new world. But when the brothers are separated, Mario embarks on an epic quest to find Luigi.
All unemployed, Ki-taek's family takes peculiar interest in the wealthy and glamorous Parks for their livelihood until they get entangled in an unexpected incident.
Hutch Mansell, a suburban dad, overlooked husband, nothing neighbor — a "nobody." When two thieves break into his home one night, Hutch's unknown long-simmering rage is ignited and propels him on a brutal path that will uncover dark secrets he fought to leave behind.
Thirty years after the events of the first film, a new blade runner, LAPD Officer K, unearths a long-buried secret that has the potential to plunge what's left of society into chaos. K's discovery leads him on a quest to find Rick Deckard, a former LAPD blade runner who has been missing for 30 years.
In the not so distant future, Theodore, a lonely writer, purchases a newly developed operating system designed to meet the user's every need. To Theodore's surprise, a romantic relationship develops between him and his operating system. This unconventional love story blends science fiction and romance in a sweet tale that explores the nature of love and the ways that technology isolates and connects us all.
In 1630, a farmer relocates his family to a remote plot of land on the edge of a forest where strange, unsettling things happen. With suspicion and paranoia mounting, each family member's faith, loyalty and love are tested in shocking ways.
Two astronomers go on a media tour to warn humankind of a planet-killing comet hurtling toward Earth. The response from a distracted world: Meh.
Caught in a bizarre and terrifying time warp, college student Tree finds herself repeatedly reliving the day of her murder, ultimately realizing that she must identify the killer and the reason for her death before her chances of survival run out.
Unlucky assassin Ladybug is determined to do his job peacefully after one too many gigs gone off the rails. Fate, however, may have other plans, as Ladybug's latest mission puts him on a collision course with lethal adversaries from around the globe—all with connected, yet conflicting, objectives—on the world's fastest train.
The Guardians must fight to keep their newfound family together as they unravel the mysteries of Peter Quill's true parentage.
In postwar Japan, Godzilla brings new devastation to an already scorched landscape. With no military intervention or government help in sight, the survivors must join together in the face of despair and fight back against an unrelenting horror.
After reuniting with Gwen Stacy, Brooklyn’s full-time, friendly neighborhood Spider-Man is catapulted across the Multiverse, where he encounters the Spider Society, a team of Spider-People charged with protecting the Multiverse’s very existence. But when the heroes clash on how to handle a new threat, Miles finds himself pitted against the other Spiders and must set out on his own to save those he loves most.
Several friends travel to Sweden to study as anthropologists a summer festival that is held every ninety years in the remote hometown of one of them. What begins as a dream vacation in a place where the sun never sets, gradually turns into a dark nightmare as the mysterious inhabitants invite them to participate in their disturbing festive activities.
In the 1820s, a frontiersman, Hugh Glass, sets out on a path of vengeance against those who left him for dead after a bear mauling.
A ticking-time-bomb insomniac and a slippery soap salesman channel primal male aggression into a shocking new form of therapy. Their concept catches on, with underground "fight clubs" forming in every town, until an eccentric gets in the way and ignites an out-of-control spiral toward oblivion.
Journey with the musicians of the Berlin Philharmonic and their conductor Sir Simon Rattle on a breakneck concert tour of six metropolises across Asia: Beijing, Seoul, Shanghai, Hong Kong, Taipei and Tokyo. Their artistic triumph onstage belies a dynamic and dramatic life backstage. The orchestra is a closed society that observes its own laws and traditions, and in the words of one of its musicians is, “an island, a democratic microcosm – almost without precedent in the music world - whose social structure and cohesion is not only founded on a common love for music but also informed by competition, compulsion and the pressure to perform to a high pitch of excellence... .” Never before has the Berlin Philharmonic allowed such intimate and exclusive access into its private world.
Roughly chronological, from 3/96 to 11/96, with a coda in spring of 1997: inside compounds of Aum Shinrikyo, a Buddhist sect led by Shoko Asahara. (Members confessed to a murderous sarin attack in the Tokyo subway in 1995.) We see what they eat, where they sleep, and how they respond to media scrutiny, on-going trials, the shrinking of their fortunes, and the criticism of society. Central focus is placed on Hiroshi Araki, a young man who finds himself elevated to chief spokesman for Aum after its leaders are arrested. Araki faces extreme hostility from the Japanese public, who find it hard to believe that most followers of the cult had no idea of the attacks and even harder to understand why these followers remain devoted to the religion, if not the violence.
Atsushi Sakahara, a victim of the 1995 sarin gas attack in Tokyo's subway system, travels with Hiroshi Araki, an executive of Aleph (formerly Aum Shinrikyo), the attack's perpetrators, visiting their respective hometowns and the university they both attended. Conversations unfold, building intimacy: we learn why Araki joined the infamous organization led by Shoko Asahara and why, still, Araki remains an executive member of the cult, even though he was not directly involved in any of the crimes.The beginning of a friendship, a trip for redemption, or the confirmation that each human has to go their own way.
Summer, 2006. A 5th grader Ryuhei discovers a notebook entitled "Tokyo Exploring Records." It was a journal kept by his father, Shohei, when he was around Ryuhei's age. Ryuhei forms his own exploration party with his friends Shun and Yoshio. One summer day, the party and Ryuhei's younger brother Sasuke who happens to tag along, heads to the dungeon looking for a treasure indicated on the journal
While visiting Japan, Big Bird wanders off from a guided tour bus in Tokyo, and is lost until a Japanese woman helps him get to where he needs to go. The woman, however, is hiding a secret.
Don’t be misled by the title and put your lube away: True Gore II (aka Empire of Madness) (1989)–M Dixon Causey’s follow-up to the eponymous first entry–has virtually no true gore in it at all. Instead, the first half is a compilation of faux-snuff vignettes akin to something you’d find in a SOV horror collection like Snuff Perversions 1 & 2, Snuff Files, The Dead Files, Violations I & II, or even more recent titles like Murder Collection Volume 1. The second half is in turn a send-up of satanic panic style videos like Law Enforcement Guide to Satanic Cults, Devil Worship: The Rise Of Satanism, and countless others shat out during the 80s/90s. The vignettes are hilariously inept to the point where it seems clear that Causey was parodying the shockumentary form. Even the credits are a joke, mocking the seriousness with which shocku producers take themselves, crediting a ‘researcher’ for a film that clearly had none, and a ‘visual archivist’ being listed in place of a cameraman.
Brings together the existential ponderings of the people around us who most deserve to be listened to, those who have lived the longest. We travel the world hearing memories of love and loss, of joy and hardship.
A documentary about young people just starting their higher education and their professional life.
This Feature documentary is about the lives of Louis Brunke and Vladimir Fissenko who rode on horseback from the southern tip of Argentina to Prudhoe Bay, Alaska. It took them five years to cross 14 countries -- and they filmed it all.
"In Spring, 1963 Show Magazine called me and asked that I make a film on arts in New York. I told them, why did they want me to make it - didn't they know I was a bit unusual? ... 'We want something unusual,' they said. So I went out and made a newsreel on arts. Show people looked at the rough cut of the film and became very angry. 'But there is nothing about Show Magazine and DuPont fabrics in the movie,' they said. 'What has that to do with the arts in New York!' I said. The battle was short. The film was destroyed. Really, I have no idea what they did with it. This workprint of the first FILM MAGAZINE OF THE ARTS is the only print in existence, as far as I know." -- J.M.
This fascinating journey of exploration of the connection of all things in the Universe is narrated by the legendary Sir Patrick Stewart. The film explores the mechanism of connection of all things in the Universe.
Stories of hope and homecoming intersect as Indigenous multimedia changemakers learn and document the teachings of their Elders. Ecko Aleck of the Nlaka'pamux Nation (Lytton, BC,) Alfonso Salinas of the shíshálh Nation (Sunshine Coast, BC,) and Charlene SanJenko of Splatsin of the Secwépemc Nation (Shuswap, BC,) are learning and documenting the traditional cultural teachings and legacies of their Elders, including the impacts of genocide resulting from Canada's Indian Residential School (IRS) system. Calling the audience's attention to the filmmaking process of narrative collaboration between an Indigenous and settler team, this character-driven documentary connects the transformative stories of three Indigenous multimedia changemakers and their four Elders. Infused by Indigenous ceremony, s-yéwyáw: Awaken walks alongside the process of intergenerational healing.
The Russian invasion of Ukraine created an avalanche of abandoned dogs and cats that are now multiplying causing unforeseen consequences.
Between One Eyed Jacks (1961) and The Godfather (1972), Marlon Brando appeared in twelve feature films. The actor called this period his "F*** You Years" and it was during this time that his on-set behavior hit erratic and unpredictable new heights. The qualities of the roles and the films themselves vary, but this video essay examines the historical and aesthetic profiles of this cinematic so-called "dirty dozen." Were these projects really beneath him? And what led him to this decade of perceived ignominy?
Dziga Vertov-directed Soviet newsreel covering: Streetcar collision / Arms manufacturing plant resumes operation / Assembling an automobile / Bicycle and motorcycle races / A parade of Red Army armored units and an attack exercise.
Take to the sky... and SMASH on any sucka caught sleepin'... Drop a dime for a rim bendin' alley oop... Crossover and blow past your man. Is basketball your life? Is ball more than just a game? Then you gotta have this street ball classic. Ballin' Outta Control, the follow-up to the double platinum Ball Above All, has combined the most ridiculous moves ever caught on video. Check out the hottest dunks and crosses ever seen hooked up with the bangin'est hip-hop beats. Nonstop highlights of the REAL best athletes in the world from New York, D.C., Atlanta, L.A., Chicago, Philly, North Carolina, and more. You heard it here, straight from the streets. Ballin' Outta Control is the hottest sh*# ever! 46 minutes.
Profile of the life and music of the legendary reggae singer.
The character of this story lives far from the worlds of the material and the spirit. He has built his own subsistence conditions. He often goes to the neighboring villages, although he doesn’t communicate with other people. He collects some waste but doesn’t beg. He prowls about the ruins of deserted villages, as an animal or as a ghost. Under double political and economical pressure, most of people are depriving of their last dignity into a world where it exists a lack of material and spirit. But a human being stays a human being. He is looking for reasons to continue to live. —Wang Bing