A webcam tunes the body. The corpo-reality of the image in the process of transmutation.
wn1g5/Eva
A webcam tunes the body. The corpo-reality of the image in the process of transmutation.
2022-08-29
0
A spiral of dreams and ages unravel as two celestial characters awaken and transmutate into a mythological being.
After a series of murders begin to happen at Gregory Hills school, a group of friends decide to investigate the bodies, thus beginning a great search for the truth and discovering the real killer.
After marrying on February 12, 2021, Maya and Andi faced strange events and Andi's worsening illness, believed to be caused by witchcraft, endangering both their lives.
Margot enjoys life pleasures: eating, drinking, smoking, dressing in nice clothes. However, when her proposal for an advertising campaign is rejected, she becomes aware of how lonely she feels. Then Anna stands at her door. Anna was sent by the health insurance to make Margot lose weight. Every evening Anna prepares a healthy, light dinner for Margot. Margot is gradually overcomes her aversion towards Anna, who keeps her company during their dinners. A fine and fragile friendship develops. Yet, when Margot gains weight again, the insurance orders Anna to end the mission. At their last dinner, their friendship is put to the test and secrets are unveiled.
Strange experimental short film that follows four days of a writer.
Akbari was diagnosed with breast cancer in 2007 and she lost her breasts due to the cancer. After she directed, wrote and acted 10+4 which showed her struggle with the cancer, the depiction of the artists body became central in her works. In the same year, Akbari photographed her own naked body for the photo project titled Devastation. Although it was pretty risky, put herself in danger and prohibited to exhibit Devastation in Iran due to the naked images of her own body, Akbari continued to depict her own body as a new medium and new material so that she provided a video secretly as well. In 2012, after Akbari left Iran due to the barred situation of filmmaking and arresting film makers, she uses the video that shoot secretly from her own body in 2007 and juxtaposed with new images and the song of Ahangaran, who was a singer for the war time between Iran and Iraq. As a result of her action and performance, the video project titled In my country, Men Do Have Breasts happened.
Laetitia and Yéliz are two teenage girls from a small suburban town who cherish the dream of opening a hairdressing salon together.
When a friend calls in the middle of the night, anybody would worry about the reason. Hesitant and curious, a friend embarks on a journey with an unknown destination. His only clues are a shovel in the back and the stoic expression worn in the driver’s seat
Dance becomes a vehicle to show love's different phases. Amor y Asfixia consists of three scenes that seek to dismantle certain social stereotypes linked to the women's body and its role in dance. It's a short film that experiments with the human body to initiate a bigger discussion.
Defiant 18-year-old Adela León pushes her father and an unbending headmistress to the limit in this delicious comedy.
Women’s voices rise to deliver testimonies of victims of sexual violence. By reconstructing a story with these fragments of experience, a societal portrait is painted throughout the documentary. Like a mosaic, the pieces stick together to build a unique story that could belong to any human.
The confluence of words and movement propels this multi-layered collaboration by Atlas, choreographer Douglas Dunn, and poets Anne Waldman and Reed Bye. Dunn's athletic choreography is performed to the rhythms, cadences, and associative meanings of the poets' "cascade of words," which function as music. Atlas introduces narrative references, ironically staging the dance in unexpected locations, including domestic interiors and vehicles. In a self-referential deconstruction that punctures the theatrical illusion, the poets are seen reading their texts and interacting as self-conscious performers within the dance. Atlas and his collaborators intersect the language of words with the language of the body.
A festival of digestion on many scales, from planetary to microbial.
Once 8 year old Simon gets shrunk down to a microscopic level by a talking teddy bear, he ventures into the body of his ailing grandfather in search of the source of his illness.
A video work which reflects on the conflicting natures of gender, bodies, queerness, algorithms, glitches, and data.
Brussels, La Monnaie Opera House. Three people near the end of their lives meet with choreographers, actors and musicians. They take part in a unique experience which involves music, dance and silence. Their journey becomes a tribute to the fragility of the human condition, between reality and representation, tragedy of the body and freedom of the spirit. Together they question their own relationship with death.