self
1997-01-01
0
A visual journey into the life and legacy of one of Australia's most celebrated artists, Brett Whiteley.
The personal odysseys of some of the most influential advertising visionaries of all time and the stories behind their campaigns.
Takes audiences behind the scenes of the new golden age of children’s picture books —a time when all children can see characters who look like them on the page; a time when creators come from diverse communities and backgrounds; and a time when instead of keeping the hard stuff out of stories for children, we put it in and provide context and counternarrative.
THE STORY WON’T DIE, from Award-winning filmmaker David Henry Gerson, is an inspiring, timely look at a young generation of Syrian artists who use their work to protest and process what is currently the world’s largest and longest ongoing displacement of people since WWII. The film is produced by Sundance Award-winner Odessa Rae (Navalny). Rapper Abu Hajar, together with other creative personalities of the Syrian uprising, a post-Rock musician (Anas Maghrebi), members of the first all-female Syrian rock band (Bahila Hijazi + Lynn Mayya), break-dancer (Bboy Shadow), choreographer (Medhat Aldaabal), and visual artists (Tammam Azzam, Omar Imam + Diala Brisly), use their art to rise in revolution and endure in exile in this new documentary reflecting on a battle for peace, justice and freedom of expression. It is an uplifting and humanizing look at what it means to be a refugee in today’s world and offers inspiring and hopeful vantages on a creative response to the chaos of war.
Exploring the rise and fall of the groundbreaking animated series Ren & Stimpy and its controversial creator, John Kricfalusi, through archival footage, show artwork and interviews with the artists, actors and executives behind the show.
This documentary celebrates the work of illustrator Reynold Brown, whose colorful and compelling art graced over 300 movie posters during the 1950s and '60s, ranging from star-studded westerns and studio epics to sensational creature features and low-budget B-movies. Art historians, writers, and movie producers discuss Brown's art within the context of the post-war social climate and an ever-changing movie industry.
A brief history of the DC Comics character Batman, created by Bob Kane in 1939.
Americans are preoccupied with the news, but need an escape from many of the events reported in the news. These escapes in the past have included dime store novels. The most accessible of these escapes is what are known as the funny papers, the set of serialized comic strips that are included within many newspapers. They appeal to all socio-economic classes, and all ages. Some of the earliest known from the late 19th century include the Yellow Kid, Little Nemo, Happy Hooligan, the Katzenjammer Kids, Mutt & Jeff, and Bringing Up Father. Many cartoonists are seen in action. Some originated their characters, while others have taken over following the passing of the originator. The joy of many comic strips are the absurd and the fantastical, which are limited only by the imagination of the cartoonist. Others are grounded in reality, which add to their poignancy within the public mindset.
Short documentary on "the Walt Disney of Eastern Europe", Czech puppet animation director Jirí Trnka.
Charles Santore, in an expansion of his discussion in “Oz: The American Fairyland” (1997) (V), tells about his experience making an abridged storybook of “The Wizard of Oz”. He tells of his inspirations, the little girl who modeled for Dorothy, the tin man in folk art, and a left to right progression in a journey of identity, with opposing forces pushing the movement in art back to the left.
The illustrator and author paints scenes from a 70-year-long career, including his work with Roald Dahl. With David Walliams, Joanna Lumley, Peter Capaldi, Ore Oduba and Michael Rosen.
For the first time ever, Tasha Tudor has permitted a film crew unprecedented access to document her daily life. An intimate and charming portrait of one of America's best-loved artists.
He may not be household name, but Joe Caroff is one the most influential graphic designers of the 20th century. His work is a history of the pop culture of our time: from iconic corporate logos (like ABC News and ORION Pictures) and book jackets (Norman Mailer’s The Naked and the Dead) to some of the most instantly recognizable “title treatments” for such classics as WEST SIDE STORY, A HARD DAY'S NIGHT, CABARET, LAST TANGO IN PARIS, MANHATTAN, and the James Bond gun logo. Caroff’s story is told by the centenarian himself, with reminiscences of growing up during the Depression and service in WWII, along with interviews with Phyliss Caroff, his wife of over 70 years, producer Mike Medavoy, and others.
Len Lye (1901-1980) was a pioneer of experimental animation, and also of kinetic sculpture. This short film dramatically presents 18 minutes inside the head of the artist as a teenager. The opening scenes are set in New Zealand in the year 1917, on the day when Lye (setting out on his bicycle to deliver newspapers) makes his excited discovery that motion can be the basis for a radically new approach to art.
Czech painter and illustrator Alphonse Mucha (1860-1939) ranks among the pioneers of the Art Nouveau movement at the end of the 19th century. Virtually overnight, he becomes famous in Paris thanks to the posters that he designs to announce actress Sarah Bernhardt’s plays. But at the height of his fame, Mucha decides to leave Paris to realize his lifetime project.
An account, in his own words and those of his relatives, of the life and work of the brilliant Manuel Pérez-Sanjulián Clemente, one of the most important Spanish illustrators of all times.