19.20.21(2023)

Spaced Out(en)

It's a pretty unusual story about a guy experiencing surrealistic things a night before his exams.

Return(fr)

Jennifer Lopez: Let's Get Loud(en)

"Let's Get Loud" was Jennifer Lopez's NBC Special, which premiered on November 20, 2002 and was recorded over 2 nights in Puerto Rico in the fall of 2001. It was Jennifer's first-ever headlining concert appearance, showing off her talents as a vocalist and dancer. The performance features a variety of Spanish and English songs, including: "Love Don't Cost A Thing", "If You Had My Love", "I'm Real", "Plenarriqueña", and many more.

Star!(en)

Gertrude Lawrence rises to stage stardom at the cost of happiness.

Cambalhota(en)

A girl mixes fiction with reality while writing a letter to her grandmother.

Red(en)

Based on the true story of Louis "Red" Deutsch. A New Jersey bar-owner is plagued with prank phone calls that prompt him to flip into psychotic, profanity-laden rages.

1-2-3(tl)

Miley Cyrus: Live at the O2(en)

Miley Cyrus appears in her first network TV special. The concert was filmed at the famed O2 Arena in London during her sold-out worldwide tour "Wonder World" in 2009 and contains excerpts from her live show. The program captures how Miley, who has grown up in the public eye, has grown as an artist, and reveals her natural progression and sophistication.

The Royal Dutch Marine Corps(nl)

Het korps Mariniers is a documentary about the Royal Dutch Marine Corps, which Paul Verhoeven made while being assigned to the Marine Film Service as a documentary filmmaker.

Jackpot Island - Kumanthong Returns(vi)

The "Jackpot Island - Kumanthong Returns" continues to spread obsession and doubts about one of Southeast Asia's most terrifying divinities. Who is really hiding behind the evil, monstrous face and holding terrifying secrets? What does a deadly island and the terrifyingly mysterious appearance of monstrous mermaids have to do with this brutal and terrifying spell?

Return(en)

Static images of an old country house are combined with voices of the past to evocative effect. Haunting and nostalgic, 'Return' conveys the life that exists in old, abandoned places.

Twelve in a Box(en)

At a school reunion dinner in a remote country mansion, a dozen people are offered the chance to collect a million pounds each if they can stay on the estate, cut off from the outside world, for 96 hours.

One Way Boogie Woogie(en)

In summer 2011, James Benning returned to his hometown of Milwaukee to make a third version of his seminal 1977 film 'One Way Boogie Woogie'. In 1977 he filmed 60 locations in Milwaukee’s industrial valley each for 60 seconds, creating short, minimal, playful narratives. In 2004 he remade the film as Twenty Seven Years Later, with the same 60 camera positions. This 2012 installation version, presents 18 locations similar to, and reminiscent of, the original.

Health for the Americas: Hookworm(en)

Non-theatrical government - war short Produced for Coordinator of Inter-American Affairs

Red(en)

Three years living in Sunset Park, living between the BQE and the Greenwood Cemetery, accumulating footage of junkyard cats, Park Slope strollers, burned out cars, flying birds.

Torso: The Evelyn Dick Story(en)

The 1946/1947 murder trial of young and beautiful Evelyn Dick remains the most lurid murder case in Canadian history. After children find only the torso of her missing husband, John, Evelyn is arrested for his murder.

The Do-It-Yourself Cartoon Kit(en)

Tracey Emin C.V. Cunt Vernacular(en)

Emin's video CV is an accompaniment to her work on paper, Tracey Emin CV 1995 (Tate T07632), which is a potted history of the artist's professional and emotional life from conception until 1995. This CV, read aloud by Emin, constitutes the sound-track to the video and provides contrasting background to the visual information on display. As Emin narrates her story of trauma and abuse, mixed with pleasure and success, the video takes the viewer on a journey through the artist's home. The artist is not visibly present in person until the last frames when she appears curled up naked on the floor of her sitting-room at the feet of her mother (who wears black sunglasses and looks away from both her daughter and the camera). Like Emin's handwritten CV, the video constitutes her self-portrait, in this instance adding the component of a journey around the space of her apartment to her narrating voice. -Tate