In this documentary, giants of italian cinema such as Rossellini, De Sica, Fellini and Zavattini talk about the importance of cinema after WW2, and about huge moments of social rebellion. This movie gives the floor to the creators of italian neorealism.
Self
In this documentary, giants of italian cinema such as Rossellini, De Sica, Fellini and Zavattini talk about the importance of cinema after WW2, and about huge moments of social rebellion. This movie gives the floor to the creators of italian neorealism.
1967-01-01
0
Hello explores changes in two people’s working lives: a Mexican trash picker who separates and collects recyclable materials from landfills to sell by the kilo, and a German freelance computer-animation designer working for the advertising industry in Berlin. The double interview is controlled and manipulated by a computer-generated severed hand which Maria describes as an object once discovered in the trash while working in the violent northern town of Mexicali. This CGI hand was in turn produced by Max, who was born with no arms, and sought refuge in computer-imaging as a means to operate and manipulate a digital reality.
People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.
A man, his business partner, and his wife are enlisted to transport an unknown object from a Russian military base, only to discover that the object is a giant, genetically-altered python.
A lonely tow-truck driver gets caught in a deadly struggle between a pair of bank robbers with a beautiful hostage, local cops, and a monster that has come down from the Arizona mountains to eat human flesh.
Top level CIA agent Avery Graves is blackmailed by terrorists into betraying her own country to save her kidnapped husband. Cut off from her team, she turns to her underworld contacts to survive and help locate the coveted intelligence that the kidnappers want.
Based on true events, "Nitram" lives with his parents in suburban Australia in the mid-90s. He lives a life of isolation and frustration at never fitting in. As his anger grows, he begins a slow descent into a nightmare that culminates in the most heinous of acts.
Outskirts of Moscow. A girl comes to an unfamiliar apartment to look after a dog. After a while, she realizes that the owner of the apartment has disappeared. She finds herself into a series of people that have been taking care of the dog for years in that same apartment, creating a weird community around this strange absence of the owner.
Delphine, a disillusioned humanities teacher, makes an agreement with her students : they leave her in peace, as they get A+ grades. But these excellent results turn into a nightmare when the class is qualified for the Latin World Championships, in Naples.
Sean and Billie are undercover cops and martial arts masters. Investigating the death of a cop, they uncover a deadly ring of murder and corruption at a glitzy nightclub, where the rich are entertained by seductive women and protected by martial arts experts. Billie goes undercover to infiltrate the crime ring, leading to an explosive finale.
Synopsis 1. "Today's Superpower" (26min, 오늘의 초능력, o-neul-eui cho-neung-ryeok) by Lee Min-seob People who claim to be able to use superpowers once a day gathered! But why can't they use their superpowers? Do they really have superpowers in the first place? 2. "1+1" (30min, 1+1) by Han Jay "Toot! I'm 1+1!" One day, the same alter ego as me appeared! 3. "Jangah & Chichung" (35min, 장아치청, jang-a-chi-cheong) by Kim Tae-hoon-II "Burp!" Once you start burping, there's nothing you can do. A comedy action movie limited to 60 minutes, filled with real superpowers by superheroes. 4. "LOVE SICK" (23min, 러브씩, reo-beu-ssik) by Jung Seung-hoon A year after the end of the zombie crisis, Seung-beom prepares an unforgettable proposal for his girlfriend Ji-yoon who saved him.
Four best friends take their book club to Italy for the fun girls' trip they never had. When things go off the rails and secrets are revealed, their relaxing vacation turns into a once-in-a-lifetime cross-country adventure.
'J' tells the story of a man who lives an isolated life before encountering a woman that will open up, for a while, his controlled world. In 'J', time is at first an internal condition and, as the story unfolds, the effect of a mysterious mirror, where solitude is a condition of space itself and nearness and love are but a position of an impossible witness. Can space hold all the memories of a life without witnesses?
December 30, 1941. Vyazma ('Vyazemsky cauldron') is a small detachment of Soviet soldiers, by fatal coincidence, in an unequal battle with a special unit of the Wehrmacht. However, none of them think about giving up. Each of them was ready to sacrifice his life in order to protect his native land. None of these brave people was born a hero. The myth of the red ghost is a heroic deed without a soldier's Soviet soldier in the Great Patriotic War who instilled in the animals, deadly fear of German soldiers. In place of one of the dead hero was inserted another, and the born myth of the invincible Soviet soldier. The film 'Red Ghost' is about the hope that each soldier will have.
A team of special agents discovers a revolutionary new computer program to bait and trap online predators. After teaming up with the program's troubled developer, they soon find that the AI is rapidly advancing beyond its original purpose.
This time the "amici" (friends) are just four: Necchi, Meandri, Mascetti and Sassaroli. Nevertheless they are older they still love to spend their time mainly organizing irresistible jokes to everyone in every kind of situation. Mascetti is hospitalized in a geriatric clinic. Of course the place become immediately the main stage for all their jokes. After some jokes they decided to place an ultimate incredible and farcical joke to the clinic guests.
When Max (Eric Stoltz), urged on by "Risk Management," a self-help book for the hapless, decides to approach his fellow ferry-commuter Rory (Susanna Thompson), he hopes simply saying hello might change his life for the better. But Rory only accepts contact by contract. Max finds he can play along. As the two negotiate a whirlwind relationship on paper, Rory slowly lets down her guard; but when her unresolved personal life intervenes in the form of Donald (Kevin Tighe), Max must manage a little more risk than he bargained on.
Documentary film about early years of Russian cinema: its first directors, cameramen, producers and actors. Includes rare fragments of pre-revolutionary feature films, newsreels and Starewicz's animation.
A director (P. Chann) tries to make a movie following the guise of Joseph Campbell's framework.
Hollywood producer Alexander Meyerheimer has hired drunken writer Richard Benson to write his latest movie. Benson has been in Paris supposedly working on the script for months, but instead has spent the time living it up. Benson now has just two days to the deadline and thus hires a temporary secretary, Gabrielle Simpson, to help him finish on time.
A documentary which, as the name suggests, is about the early years of the Daleks. Presented by Peter Davison, it contains many interviews and clips plus full episodes from the incomplete stories "The Dalek Master Planet" episodes 5 & 10 and "The Evil of the Daleks" episode 2.
A documentary about the early years of the Cybermen. Introduced by Colin Baker, this includes several interviews and rare clips. Also included are four surviving episodes from the incomplete stories "The Moonbase" (episodes 2&4) and "The Wheel in Space" (episodes 3&6). A VHS classic!
Following on from the other documentaries 'The Hartnell Years' and 'The Troughton Years', which showcased rare surviving episodes from incomplete stories. There are no missing Pertwee episodes, so instead, using a similar format with interviews and clips, Jon Pertwee introduces full episodes from his favourite stories - "Inferno" (episode 7), "The Frontier in Space" (final episode) and Pertwee's personal favourite, the final episode of "The Daemons".
A documentary where Tom Baker watches and gives spontaneous reactions to numerous excerpts from his tenure on Doctor Who. Released on two VHS cassettes with nearly 3 hours of clips.
A documentary where Colin Baker himself recalls the Colin Baker years, revealing some of his own favourite memories and clips from the period as well as his appearances on shows including Jim'll Fix It and footage from the Doctor Who exhibition in Blackpool.
Intimate documentary following the Ferdinand family as Rio's fiancée Kate Wright integrates into the family and becomes a step mum to Rio's three children, Lorenz, Tate and Tia.
Four people - Brittany, Hannah, Nick, and Ylonda - tell their stories about how access to abortion in their community helped them empower themselves to lead lives they want to live.
Why has the German film and television industry so far not found a natural way of dealing with people with a migration background? The documentary "Kino Kanak" begins a complex search for traces.
Eddy Haymour is a barber, an eccentric entrepreneur, a psychiatric patient, a kidnapper, and a hostage taker. A controversial character, he has been called both madman and visionary. Our 90 minute documentary, Eddy's Kingdom, chronicles the saga of Haymour's obsession with creating an island theme park in Kelowna BC, which culminated in a hostage taking in Lebanon. His present day quest is to confront the current BC government and get the island back in his possession. At his side is his daughter Fadwa, the only family member who still talks to him.
Michel Legrand, jazz musician and composer extraordinaire, has left his mark on the history of cinema, including the films of Jacques Demy, especially The Umbrellas of Cherbourg, the 60th anniversary of which is being celebrated in Cannes. Using never-before-seen archives and personal accounts, the film looks back on a lifetime dedicated to music, and the career of a man who served it masterfully to the very end.
At the end of his life, gravely ill, François Truffaut took refuge with his ex-wife Madeleine Morgenstern. She tried to keep him occupied during his long agony. The filmmaker confided in his friend Claude de Givray, with the intention of writing his autobiography. Too weakened, he abandoned the project. The film reveals part of this final story.
KIM Dong-ho is the founder of the Busan International Film Festival and one of the key figures in the rise of Korean cinema. Starting his career as a civil servant, he dedicated his whole life to the sheer passion for films. With his deep commitment and instinctive creativity, he will keep “walking in the movies.”
Through honest reflection, complemented by insight from colleagues and friends, Faye Dunaway contextualizes her life and filmography, laying bare her struggles with mental health while confronting the double standards she was subjected to as a woman in Hollywood.
Jane Elliott, an internationally acclaimed diversity champion, conducts her Blue-eyed, Brown-eyed Exercise in Glasgow, Scotland with thirty-five volunteers from across the United Kingdom. Many of the blue-eyed participants were shocked at their own reactions to what for many of them was the new experience of being powerless. Many of the brown-eyed participants were shocked at how easy they found it to go along with what was happening even though they knew it was wrong. They all have a better understanding of the systematic nature of racism as well as the awareness of how their actions or inaction can reinforce and perpetuate it. Eye Opener shows this exercise is as relevant and necessary in the UK today as it was in Riceville, Iowa in 1968.
The last sovereign Zulu King, a female British missionary, an ambitious colonial official and a young Welshman are all voiced by actors to make AMASHINGA a beautiful and epic explanation of the British invasion of the Zulu Kingdom in 1879.