Shows new methods in treating those afflicted with mental health issues. Contrasts past treatment regimes where people were locked away out of sight with the new, 1960s, psychiatric ideas of "group therapy" and talking therapy. Also shows practical behaviours aimed at returning patients to productive lives in society and outpatient services.
Self
Shows new methods in treating those afflicted with mental health issues. Contrasts past treatment regimes where people were locked away out of sight with the new, 1960s, psychiatric ideas of "group therapy" and talking therapy. Also shows practical behaviours aimed at returning patients to productive lives in society and outpatient services.
1964-01-01
0
As queer trans and gender non-conforming children of the Vietnamese diaspora, we are fragmented at the crossroads of being displaced from not only a sense of belonging to our ancestral land, but also our own bodies which are conditioned by society to stray away from our most authentic existence. Yet these bodies of ours are the vessels we sail to embark on a lifetime voyage of return to our original selves. It is our bodies that navigate the treacherous tides of normative systems that impose themselves on our very being. And it is our bodies that act as community lighthouses for collective liberation. Ultimately, the landscape of our bodies is our blueprint to remembering, to healing, to blooming.
An adaptation of David Williamson's play; John Hargreaves and Peter Cummins star as a good and bad cop who assist a battered wife as she tries to escape her belligerent husband.
The film features a conversation between Lucas and Francis Ford Coppola, producer of THX 1138. They discuss Lucas' vision for the film, including his ideas about science fiction in general and in particular his concept of the "used future" which would famously feature in his film Star Wars. Intercut with this discussion is footage shot prior to the start of production of THX 1138 showing several of its actors having their heads shaved, a requirement for appearing in the film. In several cases the actors are shown being shaved in a public location. For example, Maggie McOmie is shaved outside the Palace of Fine Arts in San Francisco, while Robert Duvall watches a sporting event as his hair is cut off. Another actor, Marshall Efron, who would later play an insane man in the film, cut off his own hair and was filmed doing so in a bathtub.
The lives of Jeff, Lauren and Lloyd—three very different people who share one common experience—have been transformed by speaking up for mental health. These inspiring stories depict what mental health in America really looks like and highlights just how important it is to speak up and seek help.
Her rise was a global phenomenon. Her downfall was a cruel national sport. People close to Britney Spears and lawyers tied to her conservatorship now reassess her career as she battles her father in court over who should control her life.
A brief encounter causes one man to reflect on the monumental impact that an 'ex' has had on his life...but whilst living with a broken heart & a cynical worldview, can the man rediscover his once sentimental soul and reconnect with the notion that “all you need is love”?
Is there a mental health crisis in agriculture in Colorado? Farming and ranching has become increasingly difficult over the years. An industry that is typically viewed as romantic, hardworking, and "salt-of-the earth" is actually a job full of tremendous stress outside of anyone's control. Combine that with the enormous generational pressure to continue the family farm, and you have a large group of people that are suffering silently. How do we take care of those that are taking care of us?
A First Nations boy in the Australian outback adopts an injured dingo. The two of them set off on a quest to find an emu.
A young man, suffering from social anxiety, finds surprising joy and romance after an unexpected encounter at a party encourages him to let loose.
The monotony of college life traps Murphey into disillusionment and apathy. She can't feel anything and can't figure out why until a phone call with her mother reminds her that there is life beyond school and that happiness is possible even when it has never felt further away.
Sex. Something that is part of human nature. Everyone does it and strives to have their happily ever after… Right? In a society where intimacy and romance are constantly everywhere, someone breaks from the mould after years of self-discovery. They send a letter to their past self full of their experiences and lessons learned, in the form of a short documentary. A-Okay brings attention to the hyper-sexualized and romanticized society we live in and how it’s expectations, stigmas, and stereotypes can be harmful to individuals on the aromantic and asexual spectrums.
Unveiling the harsh reality of substance use in Thunder Bay, Ontario, this universally themed documentary, told through personal narratives and expert insights, exposes a lack of resources while aiming to shatter stigmas and ignite compassion for those grappling with addiction.
Two estranged brothers, one a drug addict, the other, a schizophrenic, struggle to face their demons in the streets of Baltimore.
A teenager tries to track down a man he met at an anonymous sex party, trawling through hook-up apps to find him.
Charting the recovery of wildlife in the aftermath of Australia's catastrophic bushfires through stories of hope and resilience.
The Bridge is a controversial documentary that shows people jumping to their death from the Golden Gate Bridge in San Francisco - the world's most popular suicide destination. Interviews with the victims' loved ones describe their lives and mental health.
The King is the story of Graham Kennedy, Australia's first and greatest home grown TV superstar. It traces his rise from working class Balaclava kid, through radio, TV, film, and back to TV again. It also tracks Kennedy's personal tragedies - the loneliness, the unrealised ambitions and the terrible pressures of being Australia's first homegrown superstar in the 1950s and 60s.
While on a journey of discovery in exotic India, beautiful young Ruth Barron falls under the influence of a charismatic religious guru. Her desperate parents then hire PJ Waters, a macho cult de-programmer who confronts Ruth in a remote desert hideaway. But PJ quickly learns that he's met his match in the sexy, intelligent and iron-willed Ruth.
This is the story of teenage girl Steph, who is brought up by her fiery aunt Jude after her pregnant mother Jass and Vietnamese father are killed in a car crash. The arrival of her late mother's diary reveals the colorful, sexy secrets of Jude and the foreman Alan that allow Steph to reinvent her vision of the world.
Brett Sprague is a violent and psychopathic man, who is released on parole after serving a sentence for assault. As he returns to his family house and we watch him and his brothers, Stevie and Glenn, for the next 24 hours, it becomes clear this day will not end well.