

Filmed by Jonas Mekas from the 44th floor of the Time-Life Building, “Empire” explores the passage of time without the use of characters or a traditional narrative. The film, that consists of one stationary shot of the Empire State Building, was made from standard 1,200-foot rolls of 16mm film with a more than eight-hour runtime.

Filmed by Jonas Mekas from the 44th floor of the Time-Life Building, “Empire” explores the passage of time without the use of characters or a traditional narrative. The film, that consists of one stationary shot of the Empire State Building, was made from standard 1,200-foot rolls of 16mm film with a more than eight-hour runtime.
1965-03-06
4.307
7.8The definitive 3½-hour documentary about the troubled creation and enduring legacy of the science fiction classic 'Blade Runner', culled from 80 interviews and hours of never-before-seen outtakes and lost footage.
7.0A documentary about the making of David Fincher's 2008 film THE CURIOUS CASE OF BENJAMIN BUTTON. Virtually every element in the evolution of the Fincher's film is documented here, from the project's attachment to numerous other directors during the 1990s, to its shoot in 2006 and 2007 in New Orleans, to its complex, CGI-intensive postproduction process.
6.5Disaster seems imminent when scientists discover that the planet Mongo is about to crash into Earth. Luckily, heroic young Flash Gordon is on hand to lead an investigative mission into outer space and onto the speedily approaching planet. There, he and his best girl, Dale, who is along for the ride, learn that Ming, the devious ruler of Mongo, has purposely put the planet on a collision course with Earth, and only Flash can stop him.
7.9Taking inspiration from Peter M. Bracke's definitive book of the same name, this seven-hour documentary dives into the making of all twelve Friday the 13th films, with all-new interviews from the cast and the crew.
7.6A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.
6.4A documentary about how a dominant cultural and demographic institution both sustains their traditional activities and adapts to the digital revolution.
7.9Live Aid was held on 13 July 1985, simultaneously in Wembley Stadium in London, England, and the John F. Kennedy Stadium in Philadelphia, United States. It was one of the largest scale satellite link-ups and television broadcasts of all time: watched live by an estimated global audience of 1.9 billion, across 150 nations. "It's twelve noon in London, seven AM in Philadelphia, and around the world it's time for Live Aid...!"
7.5An intimate look at the Woodstock Music & Art Festival held in Bethel, NY in 1969, from preparation through cleanup, with historic access to insiders, blistering concert footage, and portraits of the concertgoers; negative and positive aspects are shown, from drug use by performers to naked fans sliding in the mud, from the collapse of the fences by the unexpected hordes to the surreal arrival of National Guard helicopters with food and medical assistance for the impromptu city of 500,000.
6.9An intense portrait of the iconic filmmaker, writer, actor, comedian and musician Woody Allen: his life, family and friends; his writing and directing habits, and his relationship with performers.
7.5We live in a world where the powerful deceive us. We know they lie. They know we know they lie. They do not care. We say we care, but we do nothing, and nothing ever changes. It is normal. Welcome to the post-truth world. How we got to where we are now…
7.6From its distinctive neighborhoods to its architectural homes, Los Angeles has been the backdrop to countless movies. In this dazzling work, Andersen takes viewers on a whirlwind tour through the metropolis' real and cinematic history, investigating the myriad stories and legends that have come to define it, and meticulously, judiciously revealing the real city that lives beneath.
7.8For decades, Freddy Krueger has slashed his way through the dreams of countless youngsters, scaring up over half a billion dollars at the box office across eight terrifying, spectacular films.
6.0As humanity picks up the pieces after the battle of Chicago, a shadowy group reveals itself in an attempt to control the direction of history…while an ancient, powerful new menace sets Earth in its crosshairs. With help from Cade Yeager, Optimus Prime and the Autobots rise to meet their most fearsome challenge yet.
8.2Oliver Stone charts the history of the United States from the Second World War to the present.
7.2Ethan Hunt and team continue their search for the terrifying AI known as the Entity — which has infiltrated intelligence networks all over the globe — with the world's governments and a mysterious ghost from Hunt's past on their trail. Joined by new allies and armed with the means to shut the Entity down for good, Hunt is in a race against time to prevent the world as we know it from changing forever.
7.7WrestleMania XXVI was the twenty-sixth annual WrestleMania PPV and was presented by Slim Jim. It took place on March 28, 2010 at the University of Phoenix Stadium in Glendale, Arizona. The first main event was a No DQ, no count-out match that featured The Undertaker versus Shawn Michaels. The second was a singles match for the WWE Championship that saw Batista defend the championship against John Cena. The third was a singles match for the World Heavyweight Championship featured the champion, Chris Jericho, defending against Edge for the title. Featured matches on the undercard included a 10-Diva tag team match, Bret Hart versus Vince McMahon in a No Holds Barred match, Rey Mysterio versus CM Punk, Triple H versus Sheamus, the sixth annual Money in the Bank ladder match, a Triple Threat match between Randy Orton, Ted DiBiase, and Cody Rhodes, and a WWE Tag Team Championship match between Big Show and The Miz, against John Morrison and R-Truth.
7.7With the price on his head ever increasing, John Wick uncovers a path to defeating The High Table. But before he can earn his freedom, Wick must face off against a new enemy with powerful alliances across the globe and forces that turn old friends into foes.
6.3In 2013, there are no highways, no I-ways, no dreams of a better tomorrow, only scattered survivors across what was once the United States. Into this apocalyptic wasteland comes an enigmatic drifter with a mule, a knack for Shakespeare, and something yet undiscovered: the power to inspire hope.
8.1A former assassin, known simply as The Bride, wakes from a coma four years after her jealous ex-lover Bill attempts to murder her on her wedding day. Fueled by an insatiable desire for revenge, she vows to get even with every person who contributed to the loss of her unborn child, her entire wedding party, and four years of her life. After devising a hit list, The Bride sets off on her quest, enduring unspeakable injury and unscrupulous enemies.
7.1A presentation of a case for a needed transition out of the current socioeconomic monetary paradigm which governs the entire world society. This subject matter will transcend the issues of cultural relativism and traditional ideology and move to relate the core, empirical 'life ground' attributes of human and social survival, extrapolating those immutable natural laws into a new sustainable social paradigm called a 'Resource-Based Economy'.
7.5A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
9.0The creative processes of avant-garde composer Philip Glass and progressive director/designer Robert Wilson are examined in this film. It documents their collaboration on this tradition breaking opera.
0.0Experimental video art shot in the Wallingford neighborhood of Seattle
0.0A trip that the author makes to a distant beach trying to find the place where his grandfather made a painting years ago.
8.6This programme tells the story behind the conception, recording and release of this groundbreaking album. By use of interviews, musical demonstration, performance, archive footage and returning to the multi tracks with Ahmet Zappa and Joe Travers we discover how Frank Zappa and The Mothers of Invention created the album with the help of legendary African- American producer Tom Wilson.
0.0A young adult's first-hand account of "accidentally becoming human again" after, and with, trauma induced depression. Lo-fi, vulnerable, and uniquely youthful, "The Afterlife" is a melancholic affirmation of life after death.
5.8A film in which the one 60-story skyscraper that soars in the spaces between roofs spins with incredible speed. I centered the circumference with its 400 or 500 meter radius on the skyscraper and divided it into 48 sections, then took photographs from those spots and shot the photographs frame by frame.
0.0A loose sequel to "Self Reflection", "Inner Reflection" is about art, memories, filmmaking, and the director themselves, told through disconnected visuals and a man suffering from violent delusions.
0.0An enigmatic glimpse of life through precarious vignettes, propelling a narrative through a nebulous and opaque structure that sutures the filmmaker's home movie footage to archival material—from Hollywood narrative films to political selfie videos. A handmade impression of a time suspended between past and present and the ghosts and places occupying it, contemplating the nature and meaning of vision, memory and image making.
0.0"This film explores how freedom of speech — including dissent — is afforded to all Americans, and shows freedom of expression in art, music, dance, architecture, and science. The film also emphasizes the importance of the individual’s contribution to the whole of society and demonstrates how a productive and creative society is formed by the open and respectful exchange of ideas. The film was written, produced, and directed by William Greaves" (National Archives).
5.2"Ryuta is 5 years old. Even though he is my son, I sometimes wonder what this small person is to me. Even though I see his joys and sadnesses and know the feel of his warmth on my skin when I hold him, there are moments when my feelings for him become vague and blank." - Takashi Ito
5.7A hearse cruises the streets of Medellín, while a young director tells his story in this city marked by conflicts, violence and paradoxes. He remembers his childhood and the discovery of his sexuality.
0.0The Road is a deeply personal experimental film by Jana Hammoudeh, chronicling her journey as a nomadic soul, always on the move yet never truly belonging. Shot across three separate road trips, the film blends visual poetry with intimate monologues in multiple languages, reflecting the fragmented nature of the protagonist’s life. The film’s segments—Leaving Amman, Scrambled Eggs, and Postcards to a Friend—explore themes of love, loss, and freedom. The first segment, set in Amman, presents a conflicted relationship with home, inspired by Charles Bukowski’s Let It Enfold You. The second, in French, revisits past romances, while the third, narrated in Kazakh and Urdu, contemplates departure and longing. Through dreamlike cinematography and raw reflections, The Road captures the bittersweet beauty of transient nature of life and self-discovery.
0.0Luis Bunuel, the father of cinematic Surrealism, made his film debut with 'Un Chien Andalou' in 1929 working closely with Salvador Dali. Considered one of the finest and controversial filmmakers with, 'L’Age d’Or' (1930), attacking the church and the middle classes. He won many awards including Best Director at Cannes for 'Los Olvidados' (1950), and the coveted Palme d’Or for 'Viridiana' (1961), which had been banned in his native Spain. His career moved to France with 'The Diary of a Chambermaid' with major stars such as Jeanne Moreau and Catherine Deneuve.
6.9In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?
0.0The constant movement of the wheels, threads, sprockets, feet and hands suggests restlessness, and this is paralleled by the soundtrack. The unknown woman could be Gretchen from Faust, hopelessly in love or Ariadne who gave Theseus the thread to find his way out of labyrinth or perhaps she is one of the fates, weaving destiny… Enlarged from Super-8 to 35mm, the film is very grainy, in itself an homage to the medium of film which is also emphasized by the depiction of all kinds of turning machines, both in image and sound.
0.0After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked on a new and more subversive public access endeavor: a collaboration with Scott Arford called Fuck TV. Whereas The Pain Factory predominantly revolved around experimental music performances, Fuck TV was a comprehensive and experiential audio-visual presentation. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. EPISODES: Yule Bible, Cults, Riots, Animals, Executions, Static, Media, Haterella (edited version), Self Annihilation Live, Electricity.
4.2An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.
6.8What starts off as a conventional travelogue turns into a satirical portrait of the town of Nice on the French Côte d'Azur, especially its wealthy inhabitants.
6.5In 1919 an art school opened in Germany that would change the world forever. It was called the Bauhaus. A century later, its radical thinking still shapes our lives today. Bauhaus 100 is the story of Walter Gropius, architect and founder of the Bauhaus, and the teachers and students he gathered to form this influential school. Traumatised by his experiences during the Great War, and determined that technology should never again be used for destruction, Gropius decided to reinvent the way art and design were taught. At the Bauhaus, all the disciplines would come together to create the buildings of the future, and define a new way of living in the modern world.