Schaub and Schindelm’s documentary follows two Swiss star architects, Jacques Herzog and Pierre de Meuron, on two very different projects: the national stadium for the Olympic summer games in Peking 2008 and a city area in the provincial town of Jinhua, China.
Himself
Himself
Schaub and Schindelm’s documentary follows two Swiss star architects, Jacques Herzog and Pierre de Meuron, on two very different projects: the national stadium for the Olympic summer games in Peking 2008 and a city area in the provincial town of Jinhua, China.
2008-01-22
0
The Richardson Olmsted Campus, a former psychiatric center and National Historic Landmark, is seeing new life as it undergoes restoration and adaptation to a modern use.
The 2008 Summer Olympics opening ceremony was held at the Beijing National Stadium, also known as the Bird's Nest. It began at 8:00 p.m. China Standard Time (UTC+8) on August 8, 2008, as 8 is considered to be a lucky number in Chinese culture. Featuring more than 15,000 performers, the ceremony lasted over four hours and cost over $100 million USD to produce.
This is a story about youth with music. It all happens at the Dandelion School, Beijing’s first middle school specifically established for the children of migrant workers. Every year when new pupils arrive, Ms. Yuan Xiaoyan, who has worked in the school choir for eight years, would choose a group of music-loving first-years with solid musical foundations to join the choir. A new group of children join the choir while those who have advanced to the second year have to discuss with their families their future choices. For choir members, their music career in middle school will eventually stop due to the pressure of high school entrance examinations and the inevitable parting. But along this journey accompanied by music, they have been savoring the joys and sorrows of their youth, burying them deep in their hearts, and transforming them into growth-promoting nutrients.
This documentary explores the creation of the Holocaust Memorial in Berlin as designed by architect Peter Eisenman. Reaction of the German public to the completed memorial is also shown.
October 1st, 1957. Dusk descends on Tiananmen Square, Peking. Fireworks crackle light across the night sky, above a city alive with National Day festivities and celebrations. Two intrepid New Zealand film-makers - Rudall and Ramai Te Miha Hayward - are there, documenting the life and times of communist China. The distinction of being the first English speaking foreigners to film unfettered in communist China was significant. The invitation to visit China was facilitated through the New Zealand China Friendship Society. They filmed in Canton, Shanghai, Peking (Beijing) and Wuhan. It was a small window of opportunity for Westerners to gaze on a country that was largely a mystery to the outside world since 1949. The unfortunate irony was that two of the documentaries; “Wonders of China”, and “Inside Red China”, were considered to be communist propaganda, and were not distributed outside of New Zealand.
Known for his bold, abstract and stark white buildings, American architect Richard Meier now takes on the challenge of building the Jubilee Church in Rome. Holding the location in high regard, Meier praises the vibrant visual layout of the city and tells us, "Rome is a city of architecture; it's a city of walls and columns and spaces and places and defined places and wherever you look there's architecture" (Richard Meier). Staying true to his signature design style, Meier has created a structure resembling grand soaring sails which appear steady and peaceful as they stand in striking opposition to the city's landscape. Three curved walls separate three distinct spaces: the main sanctuary, the weekday chapel and the baptistry, each with its own entrance. As a contrast he shows us his favorite churches in Rome by his famous colleagues from earlier times.
Visiting examples of Herzog and de Meurons ground-breaking style, this film reflects their capacity to astonish and explore the way in which they transform what might otherwise be ordinary through new treatments and techniques.
Catalan architect Antonio Gaudí (1852-1926) designed some of the world's most astonishing buildings, interiors, and parks; Japanese director Hiroshi Teshigahara constructed some of the most aesthetically audacious films ever made. With camera work as bold and sensual as the curves of his subject's organic structures, Teshigahara immortalizes Gaudí on film.
"Cecil Balmond: Visionary Engineer and Architect" is a compelling documentation of a unique thinker and practitioner at the height of his architectural career. Through his conversation with architecture theorist and critic, Sanford Kwinter, Balmond reveals his vision and talent while the two tour his retrospective exhibition at the Graham Foundation in Chicago. Since the early 1980s Balmond has collaborated with many of today's important contemporary architects such as Toyo Ito, Rem Koolhaas and Daniel Libeskind. With his astounding aesthetic algorithms, Balmond has introduced innovative structural concepts that have resulted in some of the most challenging buildings in the canon of contemporary architecture.
Behind the iconic Eiffel Tower lies the story of an incredible challenge to erect a thousand-foot tower that went far beyond a design competition, and marked a major turning point in engineering history. It was the beginning of radical transformation where iron was pitted against stone, engineering against architecture, and modern design against ancients. Press campaigns, lobbying, public conferences, denigration of opposing projects, bragging about big names - all participants engaged in a fierce battle without concession. Using 3D recreations, official sources (reports, letters, drawings...) and intimate archives obtained from their descendants, this film will bring to life this vertical race through a fresh and visual way to mark the centenary of Eiffel death.
A documentary covering the 2008 Olympic Games in Beijing.
No understanding of the modern movement in architecture is possible without knowledge of its master builder, Mies van der Rohe. Together with documentation of his life, this film shows all his major buildings, as well as rare film footage of Mies explaining his philosophy. Phyllis Lambert relates her choice of Mies as the architect for the Seagram building. Mies's achievements and continuing influence are debated by architects Robert A.M. Stern, Robert Venturi, and Philip Johnson, by former students and by architectural historians. Mies is seen in rare documentary footage.
World-famous architect Louis Kahn (Exeter Library, Salk Institute, Bangladeshi Capitol Building) had two illegitimate children with two different women outside of his marriage. Son Nathaniel always hoped that someday his father would come and live with him and his mother, but Kahn never left his wife. Instead, Kahn was found dead in a men's room in Penn Station when Nathaniel was only 11.
Tadao Ando, a self-taught architect, proposes an international architecture that he believes can only be conceived by someone Japanese. His architecture mixes Piranesian drama with contemplative spaces in urban complexes, residences and chapels. This film presents the formative years of his impressive career before he embarked on projects in Europe and the United States.
The award-winning feature-length documentary about the revolutionary and brilliant Chicago architect Louis Sullivan (1856-1924). Known by historians as the 'father of the skyscraper' and creator of the iconic phrase 'form follows function,' Sullivan was on top of his profession in 1890. Then a series of setbacks plunged him into destitute obscurity from which he never recovered. Yet his persistent belief in the power of his ideas created some of America's most beautiful buildings ever created, and inspired Sullivan's protégé, Frank Lloyd Wright, to fulfill his own dream of a truly American style of architecture.
A historical documentary documenting the rise, function, and abandonment of a 17 story building that once housed The Rochester Psychiatric Center. This film tells the story of the building through historical footage, interviews of former staff and patients who recount their memories of the behemoth facility while also exploring the abandoned building as it is today.
For Chinese parents, finding out that their kid is gay usually presents a major tragedy, with the big majority utterly unable to accept the homosexuality of their son or daughter. However, during recent years a fresh rainbow wind has been blowing over the Chinese mainland: a pioneer generation of Chinese parents has been stepping up and speaking out on their love for their gay kids. This documentary features 6 mothers from all over China, who talk openly and freely about their experiences with their homosexual children. With their love, they are giving a whole new definition to Chinese-style family bonds.
A modern explorer leads us on a global journey to discover how nine of the world's greatest architects are shaping our future.