We live with films every day, and it seems nothing easier than answering the question: what is a film? Obviously, a film is, first and foremost, a document, a testimony of the world that surrounds us. The rich expressional possibilities of film are based on the imperfection of the human eye, its sluggishness, so thanks to the stroboscopic effect we can animate a still image. Film is therefore a kinetic image, or a moving image. It can make the invisible visible, bring the distant closer, enlarge the small, speed up the slow, slow down the fast, and return the end to the beginning. The technological basis of film: light, film tape, camera, projector, film screen. Expressive possibilities of film: scientific, documentary, communicative, artistic. Basic film genres: differences among films.


Survey conductor

We live with films every day, and it seems nothing easier than answering the question: what is a film? Obviously, a film is, first and foremost, a document, a testimony of the world that surrounds us. The rich expressional possibilities of film are based on the imperfection of the human eye, its sluggishness, so thanks to the stroboscopic effect we can animate a still image. Film is therefore a kinetic image, or a moving image. It can make the invisible visible, bring the distant closer, enlarge the small, speed up the slow, slow down the fast, and return the end to the beginning. The technological basis of film: light, film tape, camera, projector, film screen. Expressive possibilities of film: scientific, documentary, communicative, artistic. Basic film genres: differences among films.
2006-01-01
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The order comes in the summer of 1941 from propaganda minister Joseph Goebbels himself: The best animators are summoned to Berlin. Their task: Producing feature-length cartoons in ‘Disney-Quality’ with the newly founded ‘Deutsche Zeichenfilm GmbH’. To get trained, the Disney movie “Snow White” is re-traced frame by frame. After the final victory, one new feature-length production of quality shall be released every year from 1947 onwards. – that is the plan. Only in 1943, the first production is completed: “Armer Hansi” a 17-minute-long colour movie, realized with the effortful Multiplane-technology. The second film by the ‘Deutsche Zeichenfilm’ is only completed in 1946 – by DEFA. In the territories occupied by Germany, cartoons are produced as well, sometimes harmless ones, sometimes propagandistic ones. With excerpts from animated movies, life-action film documents, and witness reports by contemporaries, this documentary draws a picture of the cartoon production in the third Reich.
6.8A retrospective look at the global impact of Alien, the science fiction and horror masterpiece directed by British filmmaker Ridley Scott in 1979, exploring the origins of its unique aesthetic and the audacity of its screenplay.
6.6An intimate portrait and saga of four film pioneers--Harry, Albert, Sam and Jack who rose from immigrant poverty through personal tragedies persevering to create a major studio with a social conscience.
0.0Since the beginning of August 2010, Bioskop Permata has been closed down. This film tries to explain about the end of a long Yogyakarta cinema history which, at one point, had reached twenty theaters.
9.0Among the pieces featured in Fragments are the final reel of John Ford's The Village Blacksmith (1922) and a glimpse at Emil Jannings in The Way of All Flesh (1927), the only Oscar®-winning performance in a lost film. Fragments also features clips from such lost films as Cleopatra (1917), starring Theda Bara; The Miracle Man (1919), with Lon Chaney; He Comes Up Smiling (1918), starring Douglas Fairbanks; an early lost sound film, Gold Diggers of Broadway (1929), filmed in early Technicolor, and the only color footage of silent star Clara Bow, Red Hair (1928). The program is rounded out with interviews of film preservationists involved in identifying and restoring these films. Also featured is a new interview with Diana Serra Cary, best known as "Baby Peggy", one of the major American child stars of the silent era, who discusses one of the featured fragments, Darling of New York (1923).
6.2Using testimonies by pioneers and witnesses of the times, delve into the feverish visual culture the media generated – with far-fetched examples of canine television games, seduction manuals, aerobics class while holding a baby, among others.
6.4Deep Throat, a pornographic film directed by Gerard Damiano, a film-loving hairdresser, and starring Linda Lovelace, a shy girl manipulated by a controlling husband, was released in 1972 and divided audiences, who began to talk openly about sex, desire and female pleasure; but also about violence and abuse; and about pornography, until then an almost clandestine industry, as a revolutionary cultural phenomenon.
6.7A retrospective documentary about the groundbreaking horror series, Friday the 13th, featuring interviews with cast and crew from the twelve films spanning 3 decades.
6.5The story of Italian cinema under Fascism, a sophisticated film industry built around the founding of the Cinecittà studios and the successful birth of a domestic star system, populated by very peculiar artists among whom stood out several beautiful, magnetic, special actresses; a dark story of war, drugs, sex, censorship and tragedy.
4.6In the late 1990s, iconic photographer Bruce Weber barely managed to convince legendary actor Robert Mitchum (1917-97) to let himself be filmed simply hanging out with friends, telling anecdotes from his life and recording jazz standards.
7.4Composed of numerous archives and film clips, this documentary is the story of a transgressive actor, a pirate who came to crack America's too perfect mask to reveal its most infantile and moronic face, right in the heart of the Hollywood system.
6.8A portrait of a man of rare elegance and enigmatic charm, versatile and successful: Jean-Louis Trintignant, one of the most critically acclaimed French actors of the last sixty years, known for his numerous roles on stage and screen.
7.3A new documentary film revisits the golden age of kung fu stuntmen and action directors in Hong Kong during the 1960s-'80s, exploring their pain and struggles. The documentary is a tribute to kung fu stuntmen. “They risked their lives for stunts,” said kung fu choreographer Yuen Bin. In their heyday, these stuntmen and choreographers presented the best, most creative and most complicated kung fu fight sequences anywhere in the world, creating stunts that looked seemingly impossible.
8.5Jack L. Warner, Harry Warner, Albert Warner and Sam Warner were siblings who were born in Poland and emigrated to Canada near the turn of the century. In 1903, the brothers entered the budding motion picture business. In time, the Warner Brothers moved into film production and would open their own studio in 1923.
7.8An investigation of how Hollywood's fabled stories have deeply influenced how Americans feel about transgender people, and how transgender people have been taught to feel about themselves.
6.6E. T. the Extra-Terrestrial, Steven Spielberg's endearing movie released in 1982, achieved the triple feat of bringing to life one of the most iconic characters in pop culture, revolutionizing science fiction cinema and establishing itself as one of the highest-grossing family movies in the history of cinema, capable of making the whole world laugh and cry.
6.6Robert Altman's life and career contained multitudes. This father of American independent cinema left an indelible mark, not merely on the evolution of his art form, but also on the western zeitgeist. With its use of rare interviews, representative film clips, archival images, and musings from his family and most recognizable collaborators, Altman is a dynamic and heartfelt mediation on an artist whose expression, passion and appetite knew few bounds.