JANBAL(2017)

Asante Market Women(en)

As retailers, wholesalers, and negotiators, Asante women of Ghana dominate the huge Kumasi Central Market amid the laughter, argument, colour and music. The crew of this `Disappearing World' film have jumped into the fray, explored, and tried to explain the complexities of the market and its traders. As the film was to be about women traders, an all female film crew was selected and the rapport between the two groups of women is remarkable. The relationship was no doubt all the stronger because the anthropologist acting as advisor to the crew, Charlotte Boaitey, is herself an Asante. The people open up for the interviewers telling them about their lives as traders, about differences between men and women, in their perception of their society and also about marriage.

Ongka's Big Moka(en)

The film follows Ongka's struggles to accumulate huge numbers of pigs and other items of value to present at a Moka ceremony to another tribe.

Star Wars Kid: The Rise of the Digital Shadows(fr)

Ghyslain Raza, better known as the “Star Wars Kid,” breaks his silence to reflect on our hunger for content and the right to be forgotten in the digital age.

Themepark 1984(en)

Filmed on the 60th anniversary of the republic, this dark-humor documentary delves on the highs and lows of living in North Korea.

Die Magie von Gesicht und Stimme(de)

Chasing Bonnie & Clyde(en)

'Don't build prisons, they cost too much!' In this era of Great Recession, the conservative and tough-on-crime State of Texas takes an unprecedented path by becoming a social justice leader with programs that rehabilitate offenders. Looks like rape, abuse and death are no longer parts of the solution for modern-day Bonnie and Clyde...

Who Killed Fourth Ward?(en)

Originally founded as Freedman’s Town after the Civil War, The Fourth Ward is one of the oldest and most culturally significant black communities in Houston, Texas. In the 1970s, the city along with big business interests planned to redevelop the Fourth Ward in order to revitalize the dilapidated real estate and freshen the image of downtown Houston. The price of progress in this case would be the removal of many poor black families. The film explores a complex series of encounters with elected city officials, businessmen and the people of Fourth Ward in order to better understand how a city like Houston works. Who makes the decisions about where resources are spent and so determines the growth and wealth of the community.

Just Like You: Anxiety + Depression(en)

10 brave kids, 2 Emmy award winning journalists, 1 clinical psychologist at Columbia University and 1 determined mother take on the fear and stigma plaguing the mental health community, leaving us enlightened, empowered and equipped to either live life or lift up life with these challenging and even life threatening conditions.

Wanda Gosciminska – A Textile Worker(pl)

The life of a female weaver is thrown onto the socio-political canvas of pre-war and post-war communist Poland through the use of expressive allegorical and symbolic imagery in this imaginative take on the documentary form.

Nine(en)

Two friends faced with an internal conflict struggle to find a way of communication.

The Waterfowl People(et)

A documentary about the histoy and linguistic ties of the Finno-Ugric, and Samoyedic peoples. Speakers of the Kamassian, Nenets, Khanty, Komi, Mari, and Karelian languages were filmed in their everyday settings in the late 1960s and early 1970s. The footage was shot in Altai Krai, the Nenets Okrug, Khantia-Mansia, Uzbekistan, the Komi Republic, Mari el, Karelia, and Estonia. The first documentary in Lennart Meri's "Encyclopaedia Cinematographica Gentium Fenno - Ugricarum (1970 - 1997)" series.

The Winds of the Milky Way(et)

Sequel to the "The Waterfowl People". The author interprets the kinship, linguistic and cultural relationships of the Finno-Ugric peoples. Finns, Vepsians, Votes, Setos, Erzya-Mordvinians, Mansi, Hungarians, Sami, Nganasans, and Estonians appear in the film. The film was shot in 1977 on location in northern Finland, Sapmi, Vepsia, Votia, Mordovia, Khantia-Mansia, Hungary, the Taymyr Peninsula, the Setomaa region in Estonia, and on the Estonian islands of Saaremaa and Muhu. Footage was also shot in 1970 in the Nenets Okrug. The second documentary in Lennart Meri's "Encyclopaedia Cinematographica Gentium Fenno - Ugricarum" series.

The Sounds of Kaleva(et)

A three-act film-essay about memory and the historical-cultural ties of the Finno- Ugric peoples. The first chapter is dedicated to ancient Bearese of memory, such as Karelian cliff drawings, Kalevala runo song and Khanty bear feast rituals. the second act portrays the visit of Elias Lonnrot, compiler of the Finnish national epic Kalevala, to Estonia and his meetings with local intellectuals. Part three re-enacts an ancient smelting and blacksmith ritual set to Veljo Tormis' cantata 'curse upon iron'. Filmed in 1985 in Uhtuo, Karelia; in Khantia-Mansia at the Agan river, a tributary of the Ob; and in Estonia (Tallinn, Kuusalu, Tartu, Voru, Litsmetsa in Voru county, Lullemae, Karula, Rongu, Narva, and at a bend of the Pirita river). The third documentary in Lennart Meri's "Encyclopaedia Cinematographica Gentium Fenno - Ugricarum" series.

Son of Torum(et)

In the same vein as Meri's other documentations, this one takes advantage of the glasnost policy to discuss the social and ecologic impact of the Russian oil industry on the natives and the lands they inhabit.

The Shaman(et)

"Shaman" was filmed on July the 16th, 1977 in the northernmost corner of Eurasia, on the Taymyr Peninsula, at the Avam river, concurrently with the shooting of the documentary "The Winds of the Milky Way". The Nganasan Shaman Demnime (1913-1980) was 64 years old at the time. The documentary about Demnime's incarnation ritual was completed 20 years later. The fifth and final documentary in Lennart Meri's "Encyclopaedia Cinematographica Gentium Fenno - Uricarum" series.

What Is a Woman?(en)

Matt Walsh's controversial doc challenges radical gender ideology through provocative interviews and humor.

Megalopolis facing sea level rise(fr)

Baobab Play(en)

Children and teenagers throw sticks, berries, and leaves at each other from perches in a large baobab tree.

N/um Tchai: The Ceremonial Dance of the !Kung Bushmen(en)

Tchai is the word used by Ju/'hoansi to describe getting together to dance and sing; n/um can be translated as medicine, or supernatural potency. In the 1950's, when this film was shot, Ju/'hoansi gathered for "medicine dances" often, usually at night, and sometimes such dances lasted until dawn.

N!owa T'ama: The Melon Tossing Game(en)

Women from three separate Ju/'hoan bands have gathered at a mangetti grove at !O to play an intense game in which under-tones of social and personal tensions become apparent.