Every generation has its own entry and exit. They have their own crisis and celebrations. This is an attempt to bring and connect the dotted lines between the generations. The collectively carefree voyage of everyone's day is "Sunday."
Every generation has its own entry and exit. They have their own crisis and celebrations. This is an attempt to bring and connect the dotted lines between the generations. The collectively carefree voyage of everyone's day is "Sunday."
2020-04-19
0
Six strangers are sitting in a conference room. They’re in a focus group, but how much is there really to say about yoghurt? There’s so much more to discover about each other.
David is a drummer supported by unemployment benefit, disappointed that life didn't turn out the way he planned. Now he's on the night ferry from Germany with three thousand ecstasy tablets taped onto his torso. The plan is to sell the pills in Sweden in order to get enough money to start all over somewhere else. But when David meets his first love Sara in the all you can eat buffet, he starts to question the course his life is taking.
We Are Not Here is a short film about a small derelict town, waiting for a road. Through a series of vignettes we take a glimpse into the life of the town and its residents.
A misunderstanding leads to sombre consequences as two flatmates recall very different turns of event from the previous night.
Henry and Marion have a lover's quarrel and part in anger. They do not reconcile, and ten years pass without contact. Marion becomes a society girl and spends her time at parties with her friends. Henry has become very ill and wishes to see Marion one more time. He writes asking her to visit. When she recieves the note, she laughs and tosses it on the floor, but, later, on a whim, decides to take all her drunken friends with her to visit him. When they arrive, Marion finds Henry dead, clutching her portrait in his hand. She sends her friends away and falls to her knees in remorse. Mary Pickford's debut!
Jean-Bernard Lambillotte, assistant of the direction of the FDCBPP, is under shock when his candidature for the position of director is rejected. After 17 years of good and faithful work for his company, it will not be him but Carl De Strooper: a type cold, distant, unable to smile... Why the hell have they chosen this guy?
Clara, 15, feels a strangeness she can not express and who will lead her to commit an irreparable act.
Rayvenn and Lourenço find themselves in new relationships but will their political differences drive them apart?
A woman takes time in private on a tiny island in Helsinki to contemplate a loss that has caused sudden changes in her life. This tragedy has challenged her to see the world in a different light. A light that is driven by a force of nature.
Tuesday explores a moment when responsibility and culpability share a thin line after a man leaves the scene of an accident and begins to fall apart from the ensuing guilt. Little does he know that there is more to what happened than what he thinks.
A masterclass in mood, the film plunges us into the darkness of the blackouts that ripple across Cuba. In the murk of shadow, the flickering of fire beckons stories from realms beyond the reach of light. Electricity cuts have revived a protest movement dormant since the revolution, one demanding that power be restored.
Arnaud and Guillaume are in their last year of high school. Summer is approaching and like any teenager, they're thinking about cigarettes, alcohol and sex. But boys or girls? Future looks so blurry when you're a teenager!
A young woman is invited to be a part of a book club but it soon becomes apparent that the women in this club are more than they appear to be
Opposites Adam and Evan live in a small village in the French countryside. They go to the same high school but have never spoken to each other. During the summer holidays a prank lands the pair in trouble, and as a result they are forced to get to know each other.
José is a boy who is living on the periphery of a true perception of reality after the death of his mother a few months ago. Meanwhile his father reminds him of his duties and obligations to help keeping the household economy and Sofia, a young girl distracts him with her invitations.
A doctor with the ability to visit people's dreams helps a young woman confront the terrifying reality of her nightmare
1525. In the midst of the Spanish conquest of America, an idealistic friar plans, along with other soldiers of the crown, to escape from a devastating expedition that only seeks riches.
After running away from an abusive relationship that lasted for 8 years, Alec moves to Ireland to start over and rediscover himself. However, his journey takes an unexpected turn after Jonathan enters Alec's life.
Based on an incident in the life of Beat icon Neal Cassady and his wife, the painter Carolyn, the film tells the story of a railway brakeman whose wife invites a respected bishop over for dinner. However, the brakeman's Bohemian friends crash the party, with comic results. Pull My Daisy is a film that typifies the Beat Generation. Directed by Robert Frank and Alfred Leslie, Daisy was adapted by Jack Kerouac from the third act of his play, Beat Generation; Kerouac also provided improvised narration.