Near Lunar New Year, Liang Zhe makes the long trek home to his village in rural Shanxi. Along the way, he encounters acquaintances, estranged friends, and potential love interests. Though everyone seems impressed by his life in Beijing, Zhe can’t help but reflect on his failures both past and present. Based on his own experiences, Jian Haodong’s take on the well-worn road movie genre is a melancholic and quietly engrossing journey of self-reflection, relatable to anyone who has left home for greener pastures. Best Film, Pingyao Film Festival.
Near Lunar New Year, Liang Zhe makes the long trek home to his village in rural Shanxi. Along the way, he encounters acquaintances, estranged friends, and potential love interests. Though everyone seems impressed by his life in Beijing, Zhe can’t help but reflect on his failures both past and present. Based on his own experiences, Jian Haodong’s take on the well-worn road movie genre is a melancholic and quietly engrossing journey of self-reflection, relatable to anyone who has left home for greener pastures. Best Film, Pingyao Film Festival.
2024-01-12
6
Three friends are arrested after committing an accident with their car. After finishing their sentence, they become partners with the owner of a decoration workshop. But he deceives them and spends the money in gambling. They force him to sign a waiver of his workshop but he wants to get it back.
When his sister disappears after leaving their home in hopes of singing stardom, Luis tracks her down and discovers the grim reality of her whereabouts.
Short film built from photographs, sped up like a traditional stop motion and is meant to be an evocation of the English Eerie and Folk Horror.
Through seven scenes, the film follows the life and destinies of stray dogs from the margins of our society, leading us to reconsider our attitude towards them. Through the seven “wandering” characters that we follow at different ages, from birth to old age, we witness their dignified struggle for survival. At the cemetery, in an abandoned factory, in an asylum, in a landfill, in places full of sorrow, our heroes search for love and togetherness. By combining documentary material, animation and acting interpretation of the thoughts of our heroes, we get to know lives between disappointment and hope, quite similar to ours.
Once known for his intellectual prowess, a retired professor (Anupam Kher) begins experiencing memory gaps and periods of forgetfulness. But while he tries to laugh it off, it soon becomes clear that the symptoms are a sign of a more serious illness, prompting his grown daughter (Urmila Matondkar) to move in as his caretaker. Meanwhile, as his mind regresses, he recalls a traumatic childhood memory involving the death of Mahatma Gandhi.
In the summer of 1942, during the Second World War, a group of young paratroopers from the Folgore Division, after having been subjected to a long and tiring training in Italy, was transported by air to the Libyan desert to cover the Italian-German front.
Mao's revolutionary thoughts have been collected into a small red book, which is one of the most widely read in the world. The Maoist movement in Finland during the 1960s and 1970s was also small and red. Where did it go?
A documentary about unemployed people who bought fruit and vegetables at moderate prices at the wholesale market and sold these in the streets of Frankfurt. Since they had no permits they were constantly with their bulky carts on the run from the police. One part of the film was shot at the fairgrounds in front of the wholesale market. Newspaper and lottery ticket vendors, propagandists offering their ware for a few pfennigs, all convey the mood of a time when need made people inventive.
How can we visualize Body Ownership? We connected Body Ownership with an I-perspective, looking for images that uncover the multiplicity of the ‘I’ First person plural. Strapping two body cameras (GoPros) to our chests, we move in direct body contact. Our premise is that both I-perspectives of the cameras are at interplay with each other, showing that gaze is never produced by a singular entity. Instead, it is the result of bodies touching and reacting constantly to each other. The body cameras are joined by an external camera – a third-person perspective. While it may hold a position of power as the one who frames the image from the outside, it desires to dive into the collective I-perspective. BE-LONGING. At one point the gazes of the I-perspectives and the outside camera meet – they look at each other looking. Gazes conjoined with bodies. Body is spatiosocially bound, is situated.
A small town in Spain, October 1955. Isabel, a 35-year-old dreamer who feels like a failure because she is not married yet, becomes the new target of a group of soulless pranksters.
Spring is in the air and Puck and Einar, as well as Christer Wijk are invited to a wedding in Skoga. The day before the wedding, the bride-to-be enters a flower-shop in order to inspect her bridal bouquet of lily of the valley, but suddenly vanishes without at trace. When she eventually turns up again, it is Christer who finds her. She lies dead outside her home with a bouquet of lily of the valley in her hand. Everybody close to the bride are suspects, not least her best friend, whom Christer has just begun flirting with. Everybody seems to have something to hide. Question is: are their secrets connected to the murder?
An animated road-movie set across the vast and barren landscape of Australia's Nullarbor Plain.
Kevin and James deal with the aftermath of their brush with death on Halloween night. As Hazel Falls P.D. arrive on the scene, they quickly realize the nightmare isn't over just yet.