0
For the past twenty years, in the Burgundy region of France, archaeologists and craftsmen have been working on the reconstruction of the fortified castle of Guedelon using the same techniques and materials available in medieval times; a fascinating project that brings to the present a vivid image of the past.
This documentary explores the construction of the Château de Guédelon, a site where a team of craftsmen with the expertise of archaeologists, rebuild the site using only historical methods.
The three protagonists play, eat and argue together. In this, at least, they are no different from other boys their age. But they are different in one crucial way, because nine-year-old Daniel and Habtom and Yohannes, both aged 12, live on the street, sleeping in an abandoned car on the side of the road. Without money or any form of adult support, they struggle to survive in Addis Ababa, the capital of Ethiopia. And there are around 270,000 other street kids like them. The film records the three boys’ daily lives without being overly sentimental.
Love and desire fill the minds of villagers in a Hungarian speaking village in Transylvania, Romania, even in their old age. Time has stood still here, and although most of the village’s inhabitants are elderly, they are refreshingly young at heart.
Khalo Matabane spent two years making the film, interviewing those who knew and loved Mandela, and also those who criticised him. Global thinkers, politicians and artists including the Dalai Lama, Henry Kissinger and Ariel Dorfman talk about the effect of his policies and his decision making. Their thoughts are weighed equally with ordinary South Africans like Charity Kondile, who refuses to forgive her son's apartheid operative murderer. Through these interviews, completed in the last months of Mandela's life, Matabane interrogates for himself the meaning of freedom, reconciliation and forgiveness. By doing so he challenges Mandela's enduring impact in today's world of conflict and inequality. Thought-provoking and reflective, Mandela, the Myth and Me is a moving film which frames Mandela from a fresh, deeply personal perspective. (Storyville)
Inspired by films including "Rattle and Hum" and "Endless Summer," Fading West follows Grammy-winning alternative-rock band Switchfoot as they travel the globe in search of new musical inspiration and perfect waves. Filmed during Switchfoot's 2012 World Tour, Fading West charts the creation of the fivesome's upcoming album in its earliest and most unpredictable stages. As the band visits legendary surf breaks in Australia, New Zealand, Africa, and Bali, brothers Jon and Tim Foreman breathe fresh life into their songs by harnessing the spirit of their surroundings and mining new emotional depths. Part rock documentary, surf film, and travelogue, Fading West offers rare glimpses of the longtime surfers on their boards, captures the frenetic energy of their live shows, and portrays a journey both epic and intimate.
With commentary from zombie enthusiasts and cult experts, virologists and mathematical epidemiologists, this unique show separates the truths from the fiction that surrounds one of popular culture's most tangible monsters.
From the boy who played on the streets to the man who won the Golden Ball, "Eusébio, a Pantera Negra" shows the life of the portuguese football idol, since the first kicks, passing through the great moments of his personal life, till his consagration as football player.
Documentary which aired on television in 2004, about the two daughters of Judy Garland and their relationship.
After an absence of five years, six times Mr Olympia winner Arnold Schwarzenegger makes a comeback and attempts to take the World Body Building Championship for the 7th time.
An intimate encounter with Marie-Lise through a wishlist of activities of her own.
A description of the work of a research director of a United Steel Workers Union in Canada. The painstaking research and analyses of economic information, and the arrangement of arguments that lie beneath the negotiations of labour unions for better wages and working conditions are shown.
In January 2006, a Northern bottlenose whale swam into the River Thames. This is her story and the story of her rescue.
When Francois Truffaut approached Alfred Hitchcock in 1962 with the idea of having a long conversation with him about his work and publishing this in book form, he didn't imagine that more than four years would pass before Le Cinéma selon Hitchcock finally appeared in 1966. Not only in France but all over the world, Truffaut's Hitchcock interview developed over the years into a standard bible of film literature. In 1983, three years after Hitchcock's death, Truffaut decided to expand his by now legendary book to include a concluding chapter and have it published as the "Edition définitive". This film describes the genesis of the "Hitchbook" and throws light on the strange friendship between two completely different men. The centrepieces are the extracts from the original sound recordings of the interview with the voices of Alfred Hitchcock, Francois Truffaut, and Helen Scott – recordings which have never been heard in public before.
Welcome to the new Bar of the Century, where in 1918 - with the establishment of an independent Czechoslovakia - the story of the relationship between music and the establishment of power began.
The extraordinary tale of Dean Reed, the American popstar who packed out stadiums in the 70s and inspired a generation, until he was found drowned in a lake in East Berlin.
The great composer Arvo Pärt at work, whilst the artists who perform his music and are inspired by it illustrate the different aspects of the phenomenon the man is.
VHS was the first in Brazil to reach a mark of 100,000 copies sold. In 2000, it was released on DVD and added 6 bonus clips, which were not part of VHS.
Why is it that art by male artists always sells for more than that of female artists? Is it subject matter? Is it machismo? Or is it plain old sexism? In this film, Tracey Emin crosses the country on a quest to find out. She meets artists such as Dame Maggi Hambling and Rachel Whiteread; curators such as Norman Rosenthal and gatekeepers such as Oliver Baker from Sotherby's? Have things changed? Or is it society that needs to change before the art market can follow?