
Footage shot in and around North Bergen, New Jersey presented in a minimalist series of fixed camera angles and long-takes accompanied by the ambient noise of city streets.

Footage shot in and around North Bergen, New Jersey presented in a minimalist series of fixed camera angles and long-takes accompanied by the ambient noise of city streets.
2022-12-26
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0.0Two young documentarists travel around a forsaken island in the aftermath of a cataclysmic volcanic eruption. Their wanders lead them to the encounter of Professor Pereda, an acoustic geologist, conducting researches on geo-acoustics.
0.0Through the Fondren Fellows program, the Rice Media Center Archive Project has spent the past few months sifting through material stored at the now-defunct Rice Media Center. The team has identified several films as especially notable and will be presenting them in conjunction with documentary footage the team shot of people involved with the films. From lectures featuring Roberto Rossellini and Werner Herzog to films from former Rice students and faculty, the film presentation will tell the narrative of the Rice Media Center through the films and filmmakers that passed through its corridors.
“This film was a gift to me. I make no claims for it, nor do I offer any apologies. It comes from work on The Thoughts That Once We Had. There was one shot we had to cut whose loss I particularly regretted. It was a shot of a train pulling into Tokyo Station from Ozu’s The Only Son (1936). So I decided to make a film around this shot, an anthology of train arrivals. It comprises 26 scenes or shots from movies, 1904-2015. It has a simple serial structure: each black & white sequence in the first half rhymes with a color sequence in the second half. Thus the first shot and the final shot show trains arriving at stations in Japan from a low camera height. In the first shot (The Only Son), the train moves toward the right; in the last shot, it moves toward the left. A bullet train has replaced a steam locomotive. So after all these years, I’ve made another structural film, although that was not my original intention.”
6.5An extremely lovely tribute to Ozu, on the 20th anniversary of his death. It uses a combination of footage from vintage films and new material (both interviews and Ozu-related locations) shot by Ozu's long-time camera-man (who came out of retirement to work on this). Surprisingly (or perhaps not), it focuses less on Ozu's accomplishments as a film-maker than on his impact on the lives of the people he worked with..
7.7With exclusive behind-the-scenes access into Herzog’s everyday life, rare archive material and in-depth interviews with celebrated collaborators – including Christian Bale, Nicole Kidman, and Robert Pattinson, we are given an exciting glimpse into the work and personal life of the iconic artist.
0.0Unveiling Yasujiro Ozu’s legacy through his personal diaries, letters, and interviews, the documentary delves into his life, creative process, and lasting impact on filmmaking.
RECONQUEST OF THE USELESS, a documentary film which follows the adventures of three young men as they journey nearly 5000 miles through the Peruvian Amazon, searching for inspiration and the legacy of Werner Herzog's classic film Fitzcarraldo & Les Blank's Burden of Dreams thirty years after they were made.
0.0A pre-fame Werner Herzog (Adam Ezagouri) is asked to share a flat with a strange new actor only known as Klaus Kinski. Herzog agrees but soon regrets his generous decision as Kinski proves to be one uncanny flatmate. Despite their disagreements, both decide to try and shoot Herzog's own version of Don Quixote, with disastrous consequences.
9.5It seemed like a typically quiet night... but the most unexpected encounter leads Chris to a difficult choice.
0.0In 1898, barely 18 years old, the German Hans Schomburgk, a native of Hamburg, set foot on the black continent for the first time. In 1912, he was admitted to the Royal Geographical Society in London and convinced a production company to finance his first film expedition to Africa. Two years later, the apprentice director achieved immense success with the documentary "Hiking and trails in Africa". Tested by the two world conflicts - the Allies confiscated his reels during the Great War, just like the Nazis, in 1940 - Hans Schomburgk managed to bounce back by setting out again to film the endangered wildlife of Kruger Park or the ancient traditions of the San, until to his farewell to Africa in 1956.
0.0Michael Cockerell tells the story of how prime ministers have coped with life after Number Ten, after Tony Blair became the youngest member of the ex-PMs' club for a hundred years. The film reveals who left office bankrupt, who did TV commercials for Cheshire cheese, who had his own chat show and who has never had a single happy day since leaving Number Ten. Cockerell, who met the eight PMs prior to Blair, looks at what Tony planned do next and just how many millions he could make from being an ex-PM.
0.0A documentary about the relation between music and war.
0.0A young aristocrat is seduced by a young man who appeared to her in a dream one spring afternoon. Captive of this impossible love, the young girl is dying of melancholy. But the constancy of her love is stronger than death; she wins the pity of the judge of the underworld, manages to find her lover and come back to life. The opera "The Peony Pavilion" was composed in 1598 by the poet Tang Xianzu (1550-1617), one of the greatest playwrights of the Ming period. Of all the forms of Chinese opera that have followed one another since the 12th century, the kunqu is the one that best preserves the image of a classical art highly appreciated in educated circles for its musical, literary and gestural refinement.
0.0A documentary film that explores the history and cultural politics of how people commemorate december 6th at Chaityabhumi and its relevance in contemporary India.
5.0"I just want to be seen as who I am today!" John shares his thoughts on identity, body and gender and gives a very personal insight into his life–and an intimate proximity to his body.
0.0Claude Goretta directed “L'invitation” in 1973. For filmmaker Lionel Baier, born in 1975, it is like a “travelling companion”, to adapt Serge Daney’s expression. He feels it is definitive proof that a Swiss can be deeply Chekhovian. The young filmmaker goes to Geneva to ask his elder how he achieved the whoosh of water effect in the film, why attention to detail matters so much, and how to film great actors such as François Simon. This encounter with Claude Goretta – but also with Isabelle Huppert, Nathalie Baye, Michel Robin and Frédérique Meininger – leads one of the greatest of Swiss filmmakers to open up about his work.
9.0In a city of disconcerting nature, homeless animals are looking for shelter for the night. They take refuge in the Bear's house, creating an ephemeral community that will dissolve with the first rays of sun. A tale of exclusion as recounted by crossed destinies out of sync.