Based on the short story 'Coffee, Coffee, Coffee,' Last Stop is a story about observation and contradictions. A surreal look into a young photographers world as she documents her daily commute through a train station.
Based on the short story 'Coffee, Coffee, Coffee,' Last Stop is a story about observation and contradictions. A surreal look into a young photographers world as she documents her daily commute through a train station.
2014-10-21
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The sun is setting on couples Rico and Eva and Friedrich and Julia's forest road trip. Tight bonds have formed across the group, none more so than between free-spirited Rico and vertical thinker Friedrich, who is coming to terms with a side of his sexuality that had previously remained in the shadows. As the foursome drink, party, swim and while away the hours by a picturesque lake, the food supplies dwindle, and the sheen starts to come off their idyllic escape.
En El Mismo Equipo (On The Same Team, in English) is about the mixed feelings of a young rugby player. He tries to keep in the secret that he is gay, due to conformity mostly, but he struggles with it almost everyday. He longs to be free, but what exactly is freedom to the young man? He isn’t so sure himself.
It is 1941. It is winter. The sky is grey and a mist hangs over a typical small fishing town on the Atlantic coast of France. But things are not what they seem, and when something strange and beautiful washes up on the shore their lives will change forever.
María allows Cecilia to dye her hair while they wait for Agustín's rehabilitation therapy to finish. This simple fact will change the way mother and daughter perceive their relationship and help them cope with the difficult time they are experiencing.
Every day, Martin fills the set he works on with excitement. However, in his personal life he feels a great emptiness.
Three characters are about to have the time of their lives… until a strange phenomenon shows up to interrupt everything.
A female Basque virologist spends lockdown in a state-of-the-art laboratory to try to find a coronavirus vaccination.
For some women to gain freedom, they must forget to remember.
Esther, a highly anxious 23-year-old, has accepted a second date with Romeo, her colleague at the Temple de la Gaufre.
Transformed into a salmon, an Indigenous street artist travels through decayed urban landscapes to the forests of long ago, in this sublime mixed animation.
The discharge of the nuclear sewage has brought great crisis to the environment. A particular mermaid becomes victim to it all.
12-year-old Terry is in emergency care with guardians after his mother’s arrest. Cheeky and living with a disability, he outwits one guardian and connects with the other in a surprising way.
A successful mod photographer in London whose world is bounded by fashion, pop music, marijuana, and easy sex, feels his life is boring and despairing. But in the course of a single day he unknowingly captures a death on film.
Reclusively withdrawn Tobias is hospitalized in a psychiatric institution. Here, he meets the boy Emil, a boy with an entirely different view on life and the situation he and Tobias are in. The two boys develop a close friendship that puts the mind and boundaries of Tobias to the test.
A teenage boy is in love with his straight best friend, but a traumatic experience has changed the dynamics between them.
Crocodile Dreaming is a modern day supernatural myth about two estranged brothers, played by iconic Indigenous actors David Gulpill and Tom E. Lewis. Separated at birth, they have different fathers. One is readily accepted as a full-fledged member of the tribe and is looked on to fulfill the duties of jungaiy, an important ceremonial role which obliges him to be caretaker for his mother's dreaming, the crocodile totem. The other, whose father was white, is younger and has had to struggle to fit into the tribe who see him only as a yella fella.
You Take Care Now, an early student film, is a perfect exemplar of Ann Marie Fleming's idiosyncratic vision and stands as one of her signature works. Made on 16mm, and incorporating found footage, original material, animation, and processed images (Vancouver's groundbreaking avant-garde cinema of the 1970s is a decided influence here), Fleming's film offers a visually dazzling, emotionally wrenching, oddly humorous account of two profound personal traumas.