For Mahler, symphonies always were a means of interpreting the most convoluted philosophical problems that couldn’t be resolved verbally. The ambitious structure of the five-part Fifth Symphony spans from the Funeral March to the roaring finale. It is a forthright attempt to resolve the tragic conflict with the surrounding world. The brilliant fourth part of the symphony, Adagietto, resembles a beautifully mysterious flower that every conductor reimagines in their own style. As one of the twentieth century’s most influential maestros, Mahler redefined the conductor’s role. For him, the conductor is just as integral to his own musical works as they are to the composer. When a maestro steps onto the podium and opens the score, he recreates musical universes from scratch. Teodor Currentzis and the musicAeterna orchestra have performed Mahler’s symphonies around the world for many years. The Fifth Symphony has earned its place as one of the highlights of the cycle.
Self – Orchestra
Frank, a gay school teacher, has a very active sex life and an interest in making films. One evening, he meets Bernd and they become lovers. But while Bernd is attentive and caring, Frank gets bored and continues his polymorphously perverse ways.
Ten years after the first American Pie movie, three new hapless virgins discover the Bible hidden in the school library at East Great Falls High. Unfortunately for them, the book is ruined, and with incomplete advice, the Bible leads them on a hilarious journey to lose their virginity.
Shaggy and Scooby-Doo quit their Saturday morning TV series in pursuit of Hollywood stardom.
Koyomi Araragi was turned into a vampire by the legendary vampire, Kiss-shot Acerola-orion Heart-under-blade, and he needs to revive the weakened vampire back to her complete form to return to being human again. The only way for Koyomi to achieve his goal is to fight the three vampire hunters – Dramaturgy, Episode and Guillotinecutter.
Scooby-Doo and Shaggy must go into the underworld ruled by The Goblin King in order to stop a mortal named The Amazing Krudsky who wants power and is a threat to their pals: Fred, Velma, and Daphne.
Lara Jean's love life goes from imaginary to out of control when her secret letters to every boy she's ever fallen for are mysteriously mailed out.
Beethoven is back -- and this time, he has a whole brood with him now that he's met his canine match, Missy, and fathered a family. The only problem is that Missy's owner, Regina, wants to sell the puppies and tear the clan apart. It's up to Beethoven and the Newton kids to save the day and keep everyone together.
Jon and Garfield visit the United Kingdom, where a case of mistaken cat identity finds Garfield ruling over a castle. His reign is soon jeopardized by the nefarious Lord Dargis, who has designs on the estate.
Barbie stars as Blair Willows, a kind-hearted girl who is chosen to attend Princess Charm School: a magical, modern place that teaches dancing, how to have tea parties, and proper princess manners. Blair loves her classes -- as well as the helpful magical sprites and her new friends, Princesses Hadley and Isla. But when royal teacher Dame Devin discovers that Blair looks a lot like the kingdom’s missing princess, she turns Blair’s world upside down to stop her from claiming the throne. Now Blair, Hadley and Delancy must find an enchanted crown to prove Blair’s true identity in this charming and magical princess story!
Leaving the safety of their nursery behind, Wendy, Michael and John follow Peter Pan to a magical world where childhood lasts forever. But while in Neverland, the kids must face Captain Hook and foil his attempts to get rid of Peter for good.
One year after outwitting the FBI and winning the public’s adulation with their mind-bending spectacles, the Four Horsemen resurface only to find themselves face to face with a new enemy who enlists them to pull off their most dangerous heist yet.
Justin McLeod is a former teacher who lives as a recluse on the edge of town after his face is disfigured from an automobile accident ten years earlier, in which a boy was incinerated--and for which he was convicted of involuntary manslaughter. Also suspected of being a paedophile, he is befriended by Chuck, causing the town's suspicions and hostility to be ignited.
A Marine travels to Louisiana after serving three tours in Iraq and searches for the unknown woman he believes was his good luck charm during the war.
Three children evacuated from London during World War II are forced to stay with an eccentric spinster. The children's initial fears disappear when they find out she is in fact a trainee witch.
When his boss is killed, Detroit cop Axel Foley finds evidence that the murderer had ties to a California amusement park called Wonder World. Returning to sunny Beverly Hills once more, Foley reunites with Detective Billy Rosewood to solve the case. Along with Billy's new partner, Detective Jon Flint, they discover that Wonder World is being used as a front for a massive counterfeiting ring.
The television movie is set in the city of Dimmsdale and centers on the series' main protagonist Timmy Turner with his fairy godparents Cosmo and Wanda and his fairy godbrother Poof. In the movie, Timmy is now 23 years old but is still in fifth grade with his fairy-obsessed fifth grade teacher Mr. Crocker. Despite being grown up, Timmy finds a loophole in the fairy rulebook Da Rules: if he continues to act like a kid, he will still get to keep his fairies. However, the dilemma rises when Tootie, who was once a dorky girl when she was 10 years old, returns to Dimmsdale as an attractive woman. Timmy falls in love with her, a sign that he is growing up to an adult, which means he is closer to losing his fairies. Meanwhile, an oil business tycoon named Hugh J. Magnate, Jr., who teams up with Mr. Crocker, plans to use Timmy's fairies' magic in order to promote his oil business.
When the Muppets graduate from Danhurst College, they take their song-filled senior revue to New York City, only to learn that it isn't easy to find a producer who's willing to back a show starring a frog and a pig. Of course, Kermit the Frog and Miss Piggy won't take no for an answer, launching a search for someone to take them to Broadway.
In the not so distant future, Theodore, a lonely writer, purchases a newly developed operating system designed to meet the user's every need. To Theodore's surprise, a romantic relationship develops between him and his operating system. This unconventional love story blends science fiction and romance in a sweet tale that explores the nature of love and the ways that technology isolates and connects us all.
Teddy Duncan's middle-class family embarks on a road trip from their home in Denver to visit Mrs. Duncans Parents, the Blankenhoopers, in Palm Springs. When they find themselves stranded between Denver and Utah, they try to hitch a ride to Las Vegas with a seemingly normal older couple in a station wagon from Roswell, New Mexico. It turns out that the couple believes they are the victims of alien abduction. The Duncan's must resort to purchasing a clunker Yugo to get to Utah, have their luggage stolen in Las Vegas, and survive a zany Christmas with Grandpa and Grandma Blankenhooper.
The gang's vacation to Paris takes a wrong turn when Scooby and Shaggy miss their flight and end up on a skydiving expedition in the Himalayas. To make matters worse, upon arrival they must outrun the Abominable Snowmonster.
The evocative music of Claude Debussy has been described as the foundation of modern music. But how did the composer come to develop his unique style? On this video, maestro Francois-Xavier Roth and the London Symphony Orchestra present the UK premiere of a previously lost work by the young Debussy, alongside some of his earliest inspirations. Debussy's newly discovered Premiére Suite gives a rare insight into the mind of a young composer on the cusp of innovation. It's a work filled with Romantic and Eastern influences and glimpses of the unexpected harmonies that came to define Debussy's work. Paired alongside the composer's role models - from Wagner's powerful intertwining motifs, the abundant Spanish influences in Lalo's rarely-heard Cello Concerto performed here by Edgar Moreau, and Massenet's majestic Le Cid - Francois-Xavier Roth gives a fresh perspective on the much-loved composer.
Conductor: Claudio Abbado. Orchestra/Ensemble: Berlin Philharmonic Orchestra. 1.Symphony no 1 in C major, Op. 21 2. Symphony no 2 in D major, Op. 36 3. Symphony no 3 in E flat major, Op. 55 "Eroica" 4. Symphony no 4 in B flat major, Op. 60 5. Symphony no 5 in C minor, Op. 67 6. Symphony no 6 in F major, Op. 68 "Pastoral" 7. Symphony no 7 in A major, Op. 92 8. Symphony no 8 in F major, Op. 93 9. Symphony no 9 in D minor, Op. 125 "Choral"
Mozart’s Requiem – his final and unfinished masterpiece – is an extraordinary work. Discover the piece at the Salzburg Festival in the hands of conductor Teodor Currentzis, the ensemble musicAeterna, Anna Prohaska (soprano), Katharina Magiera (contralto), Mauro Peter (tenor), and Tareq Nazmi (bass). Few musical works are as steeped in legend as Mozart’s Requiem in D minor, K. 626. Commissioned anonymously by the eccentric count Franz von Walsegg, the funereal oeuvre would become Mozart’s last: when he died on December 5, 1791, only the Requiem aeternam and Kyrie movements were fully composed and orchestrated. Completed by other composers (Mozart’s student Franz Xaver Süssmayer in particular) using Mozart’s sketches and notes, the resulting work weaves the emotions we associate with death into a timeless musical exploration of every human being’s destiny, and constitutes a powerful final testament to its creator’s genius.
Like many of John Adams’ operas, Doctor Atomic is based on recent world historical events—here, the effusive Robert Oppenheimer, “father of the atomic bomb,” anxiously awaits the bomb’s first test in Los Alamos, New Mexico. Adams adapted the work into a symphony, comprising its three main acts. In the second half of the program, Adams conducts his 2015 violin concerto, Scheherazade.2, which restages the tale of the One Thousand and One Nights heroine as a strong woman navigating a patriarchial society, incarnated by the solo violin part. The work was composed specifically for Canadian-American virtuoso Leila Josefowicz and co-commissioned by the Royal Concertgebouw Orchestra, who perform it to perfection. The evening then closes out with Tromba Lontana, an orchestral fanfare written to mark the 150th anniversary of Texas’s independence from Mexico in 1836.
Guiseppe Verdi’s Requiem is still heard mainly in theatre and concert halls. However, the author himself intended this composition to be performed in church, and on special occasions. Conducted by Teodor Currentzis and performed by soloists and musicAeterna choir and orchestra, Verdi’s famous funeral mass returns from the concert stage to Milan’s Church of San Marco, the same place where it was premiered in 1874. The seven parts of the Requiem become steps on the way to comprehending the sacrament of death, the operatic character of orchestral and vocal writing acquires the strictness of the Catholic tradition, and musical images of rage, despair, and rebellion against the inevitable end are crowned with appeasement.
Every year, the Berliner Philharmoniker hold a kind of classical-music fête with a bright, cheerful concert to end the season. In 2009 about 22,000 people had come together at the Berlin Waldbühne to enjoy the traditional summer picnic concert. The theme of the evening was “Russian rhythms”, and star conductor Sir Simon Rattle, the Berliner Philharmoniker and Yefim Bronfman, one of the most famous pianists in the world today, presented a superb selection of Russian music. Repertoire Tchaikovsky: The Nutcracker, op. 71, Overture, The Christmas Tree, March, Pas de deux (Intrada) Rachmaninoff: Piano Concerto No.3 in D minor, op. 30 Stravinsky: Le Sacre du printemps Lincke: Berliner Luft
Repertoire Modest Mussorgsky: Night on Bald Mountain; Antonín Dvořák: Song to the Moon from “Rusalka”, Op. 114; Aram Chatschaturjan: Adagio from “Spartacus”; Richard Strauss: Final Scene from “Capriccio”, Op. 85; Richard Wagner: Overture to “Rienzi, der Letzte der Tribunen”; E. W. Korngold: Mariettas Lied from “Die tote Stadt”; Richard Strauss: Zueignung, Op. 10 No. 1; Sir Edward Elgar: Salut d’amour; Giacomo Puccini: Donde lieta uscì from “La bohème”; Tu che di gel sei cinta from “Turandot”; Ruggero Leoncavallo: Musette svaria sulla bocca viva from “La bohème”; Mimì Pinson, la biondinetta from “La bohème”; Piotr Tchaikovsky: “Romeo and Juliet” (Fantasy Overture)
The Waldbühne in Berlin, one of the most appealing outdoor amphitheatres on the European continent, is the home of the Berliner Philharmoniker’s summer concerts. With audiences of more than 20,000, these are some of the most popular classical music concerts in the world. Riccardo Chailly is famous for having one of the broadest and most eclectic repertoires. Here, under his baton, the orchestra presents perennial favourites by Shostakovich, Rota and Respighi. Live recording from the Waldbühne, Berlin, 23 August 2011, directed by Kasten Henning, produced by Jan Bremme. TV Producer: Dorothea Diekmann, RBB. Repertoire Dmitry Shostakovich: Suite No. 2 for Jazz Orchestra (Suite for Variety Orchestra), Lady Macbeth of Mtsensk Suite – Allegretto; Nino Rota: ‘La Strada’ Ballet Suite; Ottorino Respighi: Fountains of Rome • Pines of Rome • Danza gueresca ‘Belkis’; Paul Lincke: Berliner Luft
The renowned orchestra presents the world's biggest annual classical open air concert live from their hometown Vienna, Austria on Thursday, May 29th, 2014. The Summer Night Concert with the Vienna Philharmonic is an annual open-air event that takes place in the magical setting of the Schönbrunn Palace Park in Vienna with the palace as a magnificent backdrop. Everyone is invited to come to this unique occasion with free admission. Each year up to 100,000 people can take up the invitation, or enjoy on radio and TV in over 60 countries.
In celebration of its 100th anniversary in 1983, the Metropolitan Opera hosts a four-hour performance uniting some of the world's most spellbinding opera singers and conductors. The event includes a ballet from Samson et Dalila and boasts incredible classical performances from Kathleen Battle, Plácido Domingo, Jose Carerras, Leonard Bernstein, Marilyn Horne, Leona Mitchell, Luciano Pavarotti and many more.
For their annual season end concert, the Berliner Philharmoniker take the audience on a dreamy, magically journey through the river Rhine with Schumann’s beloved 3rd Symphony Rhenish. Pieces from Wagner’s Der Ring des Nibelungen under the baton of dynamic conductor Gustavo Dudamel complete this evening.
Opera greats Luciano Pavarotti and Joan Sutherland -- one of the most acclaimed tenors and one of the most beloved sopranos of the 20th century -- take the stage at the Met for a gala evening of opera scenes with special guest Leo Nucci. Filmed in 1987, the memorable program includes scenes from the first and third acts of Donizetti's "Lucia di Lammermoor," the third act of Verdi's "La Traviata" and the third act of Verdi's "Rigoletto."
Between 1981 and 1984 Leonard Bernstein recorded nearly all of Brahmss orchestral works with the Wiener Philharmoniker to honor the 150th anniversary of the composer's birth in 1983. For the concertos, Bernstein enlisted the services of some of the finest Brahms interpreters of the time: the violoninst Gidon Kremer, the cellist Mischa Maisky and the pianist Krystian Zimerman. Leonard Bernstein, Krystian Zimerman, and the Wiener Philharmoniker, it's very hard to get a better group of musicians for these masterpieces. Mr. Zimerman and Mr. Wolfgang Herzer's piano cello duets in the third movement of Brahms' second is simply tearful.
With nearly 450 years of tradition, the Staatskapelle Berlin is one of the oldest orchestras in the world. Daniel Barenboim has served as its music director since 1992, and in 2000 the orchestra appointed him Chief Conductor for Life. Having already performed important cycles such as Beethoven, Brahms and Schumann together, Daniel Barenboim and the Staatskapelle turned their focus toward Anton Bruckner's last six Symphonies, performed in the Philharmonie Berlin in the course of only one week in June 2010. This music is more serious and more significant than one had thought, the Berliner Zeitung summarized in its review of Daniel Barenboims celebrated Bruckner cycle with the Staatskapelle Berlin. Bruckners unfinished Symphony No. 9 brought to an end, in a poignant manner, the work of one of the greatest symphonic composers of the Classic-Romantic era.
There is hardly a better way to approach Ludwig van Beethoven than through his piano concertos. Beethoven’s own instrument was the piano, and in his improvisations – which made him the darling of the Viennese salons – he merged virtuosity and unbridled expression. The piano concertos give a clear idea of these performances. At the same time, they are prime examples of Beethoven’s ability to create large orchestral works with seemingly endless arcs of tension. The complete recording of all five works with Mitsuko Uchida and Sir Simon Rattle was one of the most spectacular projects of the Berliner Philharmoniker during the Rattle era – and at the same time the highlight of the collaboration between the orchestra and the pianist, which began in 1984.
These recordings, filmed in March and April 1974 for the BBC, occurred at the tail end of the old performance era and the very start of the new. Vladimir Ashkenazy was a graduate of the same Soviet school of piano playing that produced Sviatoslav Richter, Emil Gilels, Lazar Berman and a host of others of that era. There are simularities that unite them, including a broad romanticism, a degree of Lisztian showmanship coupled with periods of introspection, powerful technique that occasionally borders on pounding and an intellectual streak that produces some deeply insightful playing. Ashkenazy was younger than the others, more modern in his playing.
In April 1981 violinist Gidon Kremer performed Vivaldi's Four Seasons leading the English Chamber Orchestra recorded in the baroque library of the monastery in Polling, near Munich. It is, as one would expect from a master violinist, a superbly insightful performance. The sound is resonant and satisfying although surely not true 5.1, and those who wish to have this music on video might well investigate it.
Valery Gergiev is widely recognised as the greatest modern interpreter of Tchaikovsky’s music and the Mariinsky holds a peerless reputation in the repertoire. Together they deliver definitive interpretations of Tchaikovsky’s most popular symphonies. These acclaimed performances were filmed at Salle Pleyel in Paris during January 2010, directed by Andy Sommer. The themes of fate and death pervade Tchaikovsky’s final symphonies. The composition of the Fourth Symphony coincided with the breakdown of Tchaikovsky’s marriage and a failed suicide attempt, yet he considered it to be his greatest. In contrast he believed his Fifth to be flawed and uninviting, yet today this heartfelt work is widely regarded as one of his finest. The subject of fate is further instilled in the Sixth Symphony, premiered shortly before Tchaikovsky’s death. It was posthumously entitled ‘Pathétique’ by his brother and is a deeply melancholic work, full of dynamic extremes and an inherent sense of finality.