An experimental tribute to Jean-Luc Godard, his documentary works and his insights in our modern world.
An experimental tribute to Jean-Luc Godard, his documentary works and his insights in our modern world.
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A mosaic-style comedy following the life of a woman as time passes in her long-term casual BDSM relationship, low-level corporate job, and quarrelsome Jewish family.
Bud Clay races motorcycles in the 250cc Formula II class of road racing. After a race in New Hampshire, he has five days to get to his next race in California. During his road trip, he is haunted by memories of the last time he saw Daisy, his true love.
Born in 1981, Roman was a brilliant young man, promised a bright future but he died crushed by a car in 2015. His friend Eugenia could not accept this disappearance and decided to create an “intelligent” chabot. Feeding it all his texts, the software learned to speak like him thanks to an artificial intelligence.
A triple exposure on EXR 50D 16mm film: two layers shot in summer, and the third captured on the cusp of winter. A collection of statues fading in and out of consciousness, around the Weissensee lake in northeast Berlin, where the filmmaker lives.
A student videoperformance about a group of emotions of a girl in a ritual of tiredness and it’s obsolescence.
Augusto M. Torres makes a tour of images in honor of the CIRCUS THEATER of Orihuela.
The fan's self-sacrificing blades dance in the air, generating a refreshing breeze that wipes away the sweat of others and brings solace on a scorching day.
A compilation of avant-garde artwork and talent of the mid to late 20th century hosted by Ryuichi Sakamoto.
Gradiva deals with a man who constructs/creates an idealized image of a woman, seductive but false.
Sebastian, an ambitious magazine creator wants to explore the world and document his experiences. During his maladaptive daydreams, reality comes crashing down on him.
In Slot in Memory, a 2013 short from Syrian filmmaker Khaled Abdulwahed, images of war are only visible through a tiny crack in an otherwise dark frame. Abdulwahed cuts between this crack and simple footage of children from Lebanon’s Sabra and Shatila refugee camps playing happily on a swing. Abdulwahed has said he had initially set out to tell a more direct account of war and trauma, but because he was physically unable to reach warzones inside Syria, he felt he couldn’t do such a project justice. Instead, filming the kids, he discovered the swing they were playing on had a crack in it, which inspired him to make the visual connection with the obscured war footage.
Martina and Sonja, cross-dress in vampire capes and werewolf claws, re-enacting familiar horror tropes. A corresponding soundtrack of stock screams and "scary" music suggests that the girls' toying with gender roles and power dynamics may have dire consequences.
A short film collaboration between director Kristian Day and make up artist Patrick Boltinghouse. Patrick had created the make up for Pride Weekend 2010 in Des Moines, Iowa. After the parade, he called Kristian up explaining that he was in make up and had a bird on his shoulder. Kristian's only reply was "I'll get the camera ready". Filmed entire in his home, Kristian made two versions: a single play version and a "locked groove" version which played on a loop at the Resident Artists: Guns Blazin' show on July 9th, 2010 in Des Moines.