Oume
Okon
Oiwa
Otoki
Iemon Tamiya
1928-07-14
0
A semi-documentary experimental 1930 German silent film created by amateurs with a small budget. With authentic scenes of the metropolis city of Berlin, it's the first film from the later famous screenwriters/directors Billy Wilder and Fred Zinnemann.
In a futuristic city sharply divided between the rich and the poor, the son of the city's mastermind meets a prophet who predicts the coming of a savior to mediate their differences.
Francis, a young man, recalls in his memory the horrible experiences he and his fiancée Jane recently went through. Francis and his friend Alan visit The Cabinet of Dr. Caligari, an exhibit where the mysterious doctor shows the somnambulist Cesare, and awakens him for some moments from his death-like sleep.
Frank Prentiss, a multi-millionaire who hates and distrusts women, convinces his adopted son, Jack, that they are detrimental to a man's success. The overworked Frank is forced to rest at the country home of his friend, Mr. Gray, where he meets and falls in love with the host's daughter, Kate. She refuses his proposal at first, but later accepts because her father, who has two younger children, is experiencing financial difficulties. Following the wedding, Kate is subjected to Frank's verbal abuse and seeks solace with Jack. Their friendship enrages Frank, who tortures them with his accusations. During a dinner party, Frank accuses Jack and Kate of being lovers in front of the male guests. Jack is restrained from accosting his father, but Frank suffers a fatal heart attack. Later, Jack and Kate fall in love and are married.
In English known informally as "The Half of a Boy" and "Stepmother". Based on the novel by Kálmán Mikszáth. After his wife's death Gáthy Lörinc (in Serbian version: Mr. Wickfield) remarries and in secret he takes his son born from this second marriage to the same foster parents who take care his first son born from his first marriage and left without mother. Five years later, when both boys return home, his wife does not know which is her own child, and which is the child of the previous wife, so the husband's desire is fulfilled, his orphaned son doesn't have step-mother, because his wife loves both boys equally, as her sweet children.
Marianna advertises for work as a reader and is employed by the reclusive millionaire Dymov. Appreciative of her sensitive, artistic nature, and of her youthful innocence and purity, Dymov is protective of Marianna and shields her from the attentions of his philandering playboy son. Marianna confesses to her fiancé Sergei that, at times, she feels deeply conflicted, drawn by the seductive lure of wealth and luxury. When her protector Dymov dies, his son begins to pursue her. Can Marianna resist her attraction to the opulent lifestyle that Dymov's son offers?
A lonesome man at the threshold of death finds himself trapped in a place called the Endless.
Two families, abolitionist Northerners the Stonemans and Southern landowners the Camerons, intertwine. When Confederate colonel Ben Cameron is captured in battle, nurse Elsie Stoneman petitions for his pardon. In Reconstruction-era South Carolina, Cameron founds the Ku Klux Klan, battling Elsie's congressman father and his African-American protégé, Silas Lynch.
A married farmer falls under the spell of a slatternly woman from the city, who tries to convince him to drown his wife. Preserved by the Academy Film Archive in partnership with British Film Institute in 2004.
The daughter of a wealthy man secretly marries a man below her station— one whom her father violently disapproves of. The father, in an excess of parental concern, separates the lovers by sending his daughter away so that she might forget her lover, unaware of their married state. During this time, she gives birth to a daughter. After some months, the young mother returns to her family manor and presents her father with his new granddaughter, which causes a most unfortunate scene. Unbeknownst to the young woman, her enraged father falsely accuses his son-in-law of theft and has him incarcerated in order to separate the lovers in an irrational attempt to force his daughter to forget this "unworthy" young man.
A lonely artist leaves his paintings on the front doors of people's homes in an attempt to connect with them. However, one person won't accept his gift.
Adam and Eve are cast out of Eden. They discover that flowers can bring both joy and solace.
A gin bottle is personified with a spirit. As the gin bottle changes hands the spirit of the bottle tempts the various possessors to take a drink. A pro-prohibition movie, the story exemplifies the tragedies of drinking.
Amalia is a 1914 Argentine silent film directed by Enrique García Velloso and written by Eugenio Py. It was based on the novel by José Mármol. The film starred Dora Huergo and Lola Marcó del Pont. It is the first full length film ever produced in Argentine cinema history.
A mysterious man with a cup full of money stands in a dark alley. After a woman throws money into the cup, the two kiss. The woman has thus been cursed.
The first feature-length motion picture produced in Europe, running 90 minutes. Directed by Michel Carré, from his own three-act stage pantomime, The Prodigal Son. The film was basically an unmodified filmed record of his play. Filmed at the Gaumont Film Company studios in May 1907.
Dramatization of the real-life shooting of Stanford White by Harry K. Thaw.
The love story of an abused English girl and a Chinese Buddhist in a time when London was a brutal and harsh place to live.
A dramatized account of a great Russian naval mutiny and a resultant public demonstration, showing support, which brought on a police massacre. The film had an incredible impact on the development of cinema and is a masterful example of montage editing.