Indifferent landscapes, refracting light, some lonely bird and the window to the sebum-laden living room made of patterned wallpaper and trivialities. Cut. Tenacious sequences inflate moments to cliff-hangers and shatter their tremulous spectatorship. Thundering leitmotifs – in constant intoxication by German disinterest – with no backrest or lederhosen. Black-red-gold at full mast, the cinema is dead.
Female Narrator
Male Narrator
Indifferent landscapes, refracting light, some lonely bird and the window to the sebum-laden living room made of patterned wallpaper and trivialities. Cut. Tenacious sequences inflate moments to cliff-hangers and shatter their tremulous spectatorship. Thundering leitmotifs – in constant intoxication by German disinterest – with no backrest or lederhosen. Black-red-gold at full mast, the cinema is dead.
2022-11-04
0
Long live the cinema!
The definitive documentary on the history of nudity in feature films from the early silent days to the present, studying the changes in morality that led to the use of nudity in films while emphasizing the political, sociological and artistic changes that shaped that history. Skin will also study the gender inequality in presenting nude images in motion pictures and will follow the revolution that has created nude gender equality in feature films today.
This experimental short traces the lifespan of the graffiti and murals present at the occupation of NYC’s City Hall in June and July of 2020. The encampment formed to demand the abolishment of the NYPD and the reallocation of its resources to housing, education, and other social programs.
Somewhere in the Balkans, in a garden hidden by a large house, a story unfolds of a great love between two young women. Neither of them wishes to accept that their relationship might ever end. What happens, then, when one day fate takes an unexpected turn? Is it possible to part so suddenly from your beloved?
The documentary BERLINIZED describes this very Berlin-specific attitude in a reflection on and a journey to mid-1990s' Berlin. Filmmaker Lucian Busse, an active protagonist of the period, documents the transformation of Berlin after the Wall. But Berlinized represents more than just the 1990s - it is a metaphor for this virally catching creative feeling, the slightly rough directness, spiced up with a big dash of typical Berlin humor. Berlinized lets the former protagonists reflect how that temporary feeling of freedom shaped their individual lives, and to what degree that freedom can still be found among the neat order of today's Berlin. These reflections are as diverse as the interviewees and as multifaceted as the changes in those times.
The film takes its title from a short documentary 'Diviner Water in Luppitt' (1976), housed in the South West Film and Television Archive (SWFTA) in Plymouth. ‘Diviner’ is a term originating from the 15th century to describe a person who might use special powers to predict future events, or for someone who seeks out water under the ground with the use of a divining or dowsing rod. ‘Diviner’ is formed almost entirely from moving image material held at SWFTA, apart from the opening sequence, which was filmed on 16mm in the archives. ‘Diviner’ meditates on our understanding of the transmitted image, and suggests that history, rather than occurring within a linear narrative, is cyclical and bound to repeat.
The Via Emilia changes and becomes an open-air museum: hidden installations - although architecturally majestic - invite us to shift our perspective, to rethink the journeys that we thought we knew by heart.
During the women's demonstration on March 8, 1972, Mariasilvia SPOLATO was there with a placard: Liberazione omosessuale. A month later, Simone de Beauvoir came to Rome to give an interview, and this placard illustrated her article. Mariasilvia could no longer teach, ended up homeless and spent her life on the trains.
Moscow, January 1996. Boris Yeltsin gets ready to run for a second mandate of the presidency of the young Russian Federation. Polls are in the single digits. A painful economic transition, war in Chechnya, and the rise of criminal groups have left the majority of Russians dissatisfied with Yeltsin… and willing to vote for the communist leader Gennady Zyuganov. Yet six months later, Yeltsin won the election with nearly 54% of the vote. How did that happen?
A documentary focused on Melbourne's music scene around the year 2006. Features bands such as HTRK, The Stabs, Cosmic Psychos, Rod Cooper, and Love of Diagrams.
A documentary view of the galas of Paris’s Palais Garnier in the 1950s and ’60s.
A young Holocaust survivor who descends into crime; an Italian-Jewish engineer who wants to see a movie; a German Christian who forgives her husband’s murderer because of her Buddhist faith; and a Jewish woman who carries on an affair with a Nazi and exposes members of the resistance so that she and her children may survive: their fates intersect when two bullets are fired into a queue of people waiting to see “A Man Escaped” at Tel Aviv’s Cinema North in 1957.
This documentary follows the lives and careers of a collective group of do-it-yourself artists and designers who inadvertently affected the art world.
Fight alongside Sylvester Stallone as he creates a brand-new director's cut of Rocky IV: ROCKY VS. DRAGO. This feature-length documentary offers a personal and uncompromising look into the editing process, captured by Sly's longtime friend and fellow filmmaker John Herzfeld.
Shere Hite’s 1976 bestselling book, The Hite Report, liberated the female orgasm by revealing the most private experiences of thousands of anonymous survey respondents. Her findings rocked the American establishment and presaged current conversations about gender, sexuality, and bodily autonomy. So how did Shere Hite disappear?
Set in past, present, and future South Africa — an invitation into a poetic, memory-driven exploration of love, intimacy, race, and belonging by the filmmaker, who grew up during apartheid but didn't know it was happening until it was over.
A short kid from a Canadian army base becomes the international pop culture darling of the 1980s—only to find the course of his life altered by a stunning diagnosis. What happens when an incurable optimist confronts an incurable disease?
At underground film of the 1st Popular Festival of Catalan Poetry filmed in the Proce Theater in Barcelona on May 25, 1970, in solidarity with political prisoners. The participating poets were: Agustí Bartra, Joan Oliver (Pere IV), Salvador Espriu, Joan Brossa, Francesc Vallverdú and Gabriel Ferrater.