A loose telling of filmmaker Ed Wood during his troubled final days, as he faces his faded career, alcoholism, and his own mortality.
Ed
A loose telling of filmmaker Ed Wood during his troubled final days, as he faces his faded career, alcoholism, and his own mortality.
2019-09-01
10
The only surviving play from the anthology series, Out of This World, presented by Boris Karloff.
A cathartic journey that Qais, a Pakistani-Canadian filmmaker embarks on as he traces the life of H.P. Lovecraft, from woodland cemeteries in Rhode Island, to the docks of New York and on to the cobbled stoned streets of Quebec City. A documentary that proves that the truth is weirder than fiction.
Tragedy doesn’t come any more Dickensian in tone or Shakespearian in scope than this dark social drama of the disintegration of a little family of four. A series of small debts triggers the swift domino effect that unleashes chaos on a well-meaning working class dad who has the bad judgment to speak truth to power.
HIDE is a contained psychological thriller about one resilient wife’s (Nadine Malouf) fight to escape her husband’s (Ben Samuels) escalating gaslighting and abuse during lockdown. The female-centric genre film is lensed in the wife’s evolving perspective as she slowly comes to see what is happening to her and finds the support to fight back. Visually mesmerizing and emotionally arresting, the film’s pace and pathos pull us into a story that will feel uncomfortably familiar to too many of us.
An ordinary man takes revenge only to find it's made him the target of a major crime lord and his army of psychopaths and professional killers.
A witty and mind-expanding exploration of data, with mathematician Dr Hannah Fry. This high-tech romp reveals what data is and how it is captured, stored, shared and made sense of. Fry tells the story of the engineers of the data age, people most of us have never heard of despite the fact they brought about a technological and philosophical revolution.
A hopeful Miss Europe 1966 and her girlfriends fall for an aircraftman and his friends. To be together, they take advantage of their commander's adoration for the famous actress, Rena Vlahopoulou. Who says no to a rendezvous with love?
LOOKING LIKE MY MOTHER is a film about family relationships and personal destiny, about realizing one's own potential and one's limitations. It traces the individual experience, showing the emptiness one can feel as well as the discovery of a sense of meaning in life. It is a very personal and courageous film that doesn’t search for scientific explanations but instead uses documentary and fictional material to weave an intimate biography. This combination of perception and memory suggests a deep reconciliation and allows tender feelings of a mother’s love to emerge.
Jimmy, a young boy, idolizes famed train engineer Casey Jones and is devastated when his hero is killed in a train wreck. The boy grows up to be a railroad engineer, too, but one day the train he is piloting loses its brakes and wrecks. Jimmy tries to fix it but has to jump off at the last minute. Unfortunately, stories begin to circulate that he turned coward and jumped off the train first, letting it be destroyed rather than try to save it. He sets out to clear his name.
A young film director returns to Venezuela, inspired to make a film based on his father's life in the Amazon jungle (La Fortaleza, Jorge Thielen Armand). He casts Father to play himself. What starts as an act of love and ambition — filmmaking to more deeply understand the self, and the other — spirals into a process which confronts Father’s struggles with addiction and his life devoid of his son. EL FATHER PLAYS HIMSELF holds a steady lens to the way the act of cinema unearths, binds, heals and destroys.
On Christmas Eve, two young women are stranded when their car breaks down.
Four twenty-something women, crammed into a small Manhattan apartment, have dead end jobs (or no job) and overdue rent. They discover cash and self esteem when they set up an illegal bookie joint in their kitchen. Suddenly they can pay their bills; they imagine joining the middle class; they even make corporate donations to charity. The film also explores their relationships with men, most of whom are unfit for anything lasting, and with their mothers, who appear in surreal, imagined conversations with their daughters.
Escaped outlaw Jose Gomez returns to his home town pursued by bounty killer Luke Chilson. The towns people protect Gomez, unaware, at first, that he is now a changed and dangerous man.