Short Belgian documentary on volcanos.
Short Belgian documentary on volcanos.
1955-01-01
0
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
What life was like in the ancient Roman city of Pompeii moments before it was devastated by the eruption of Mount Vesuvius in A.D. 79.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
This documentary short is a visual portrait of “Prairie Sentinels,” the vertical grain elevators that once dotted the Canadian Prairies. Surveying an old diesel elevator’s day-to-day operations, this film is a simple, honest vignette on the distinctive wooden structures that would eventually become a symbol of the Prairie provinces.
Dimitris Pistiolas, a retired employee for the Greek Post Office, is the owner of the largest cinema museum in the world. In two tiny venues in Athens lies his renowned by the Guinness World Records collection. Now, 90 years old, Dimitris recounts his past, hidden in his machines, hoping that his memories are not going to be lost forever.
A group of writers from Hidalgo get together to generate their works and create a community around literature.
Steal This Film focuses on Pirate Bay founders Gottfrid Svartholm, Fredrik Neij and Peter Sunde, prominent members of the Swedish filesharing community. The makers claimed that 'Old Media' documentary crews couldn't understand the internet culture that filesharers took part in, and that they saw peer-to-peer organization as a threat to their livelihoods. Because of that, they were determined to accurately represent the filesharing community from within. Notably, Steal This Film was released and distributed, free of charge, through the same filesharing networks that the film documents.
Longtime playwrights and performers of the Abbey Theatre share colourful reminiscences of the national institution founded by W.B. Yeats and Lady Gregory in 1904. Oscar Nominee: Best Documentary Short
The Man in Gray is a 1961 Italian short documentary film produced by Benedetto Benedetti. It was nominated for an Academy Award for Best Documentary Short.
The earliest surviving celluloid film, and believed to be the second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), possibly on 14 October 1888. The film shows Adolphe Le Prince (Le Prince's son), Mrs. Sarah Whitley (Le Prince's mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. The Roundhay Garden Scene was recorded at 12 frames per second and runs for 2.11 seconds.
A film by Louis Aimé Augustin Le Prince, shot in late October 1888, showing pedestrians and carriages crossing Leeds Bridge.
Documentaries by Katia and Maurice Krafft feature some of the amazing footage shot by the renowned volcanologists, who perished in 1991 while filming a volcano in Japan. The duo documented more active and erupting volcanos than any other scientists in the world, and their dedication shows in Deadly Peaks and Killer Volcanos, two educational films that capture the scientists on the edge of a hot ash blast and floating on a lake of sulfuric acid. The films visit Mount Kilimanjaro and examine some of the less-known dangers such as carbon monoxide gas that builds under crater-formed lakes. They also take an in-depth look at the eruption of Mount St. Helens and the lengths to which people will go to save their communities. Venturing to places where most people would never dare, the Kraffts gave their lives to promote the study of volcanos and left behind a legacy of courage in the name of science. --Shannon Gee
The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890.
Spring 2017, in between the two rounds of the French presidential election. Pierre, a 25-year-old scholarship holder studying in a big Parisian school, lives with 75-year-old Francine, who is disabled and wheelchair-bound. Politically and socially opposed, they are perplexed and disoriented as they witness the unfolding electoral spectacle. While waiting for the results, they engage with each other, as Pierre tries to take care of Francine’s body and she attempts to heal his voiceless resentment.
Ethno-fiction: a sociological portrait of a small Belgian village, Moulbaix, through the passion for amateur theater.
A short documentary about the Disco legend Sylvester. Sylvester James began as a child gospel singer and sashayed past barriers of race and sexual identity to become the definitive anthemist of disco and dance soul. With a vibrant falsetto and genderbending persona, he redefined what it means - on stage and in life - to be "mighty real." This documentary will restore to the spotlight a pivotal performer whose music defined an era and whose influence is still felt by dozens of current vocalists.
The film was shot as the final part of the play "Drink the sea, Xanthos" theatre-Studio "NEO" (St. Petersburg 1987-1989). As a result, the performance was changed and the film gained independence. He became an allegory of acting.