Through a series of extraordinarily honest and intimate conversations, filmmaker Aurora Brachman examines the intergenerational fallout of experiences her mother endured as a child. Together, they forge a path forward that offers them a new beginning.
Self
Self
Through a series of extraordinarily honest and intimate conversations, filmmaker Aurora Brachman examines the intergenerational fallout of experiences her mother endured as a child. Together, they forge a path forward that offers them a new beginning.
2022-11-15
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Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
It examines the daily life of the residents and cops at a Rio de Janeiro favela one year after the arrival of a Pacifying Police Unit.
Friends and admirers of iconoclastic film director Sam Fuller read from his memoirs in this unconventional documentary directed by Fuller's only child, Samantha.
Three young commuter cyclists set out to bike from San Francisco to Orlando, interviewing crash victims, urban planners, activists and law enforcement to investigate what makes the U.S the most dangerous developed country for cyclists. Shot on location, the trio travel to each interview by bicycle, with cameras, tripods and microphones strapped to their front-racks. Carrying the stories of fellow cyclists killed on American roads, SPOKE is an adventure-tale that looks to empower users of the humble bicycle.
The life of Jeremiah Tower, one of the most controversial, outrageous, and influential figures in the history of American gastronomy.
"A man stands amid unpacked boxes in his new home, delivering an extended monologue on indecision and dislocation. This rarely seen, overlooked gem created by Akerman for television explores the quotidian crises and profound feelings of alienation that run through her work." - BAM
This is the story of a rational, skeptical woman, a mother and wife, who does not remember her dreams. Except once, when she dreamed her horse was dying. She woke so scared she went outside in the night. She found him dead. The next dream told her she would die herself, when she was 48.
Dramatizes the case of a family in which the father respects and loves his wife and children, permitting each to develop as an individual, and contrasts this family with one where discord and hostility prevail.
A 91-year-old Polish Holocaust survivor donates his violin of 70 years to a local instrument drive, changing the life of a 12-year-old schoolgirl from the nation’s poorest congressional district, and unexpectedly, his own.
The Democratic People's Republic of Korea is a country with a very strong social cohesion and the unprecedented admiration of the people for their leader, which is absolutely unique and incomprehensible especially from a Western point of view. The native Korean director Sung-Hyung Cho tries to understand this by accompanying several Koreans from different backgrounds in their daily lives. The film shows the country and its people in a way, as it is rarely done in Western media, non-judgmental and respectful towards the people.
Road's End is the story of Daina who lives in Latgale in Eastern Latvia, close by the Russian border. She lives two miles from the nearest road, with no electricity or running water. The roof has collapsed. She is completely dependent upon herself in order to cope with her everyday life. Daina’s children have both emigrated, her son to Norway and her daughter to Italy. When she feels lonely, she goes to her husband's grave and sits there talking with him as if he were still alive. Road’s end is a both poetic and existential film about choices we make in life, about obstinacy, love and betrayal.
Director Sara Broos examines the relationship between herself and her mother, painter Karin Broos.
A young woman escapes the war in Syria and ends up in the forest in Sweden. Listening to music is a way for her to survive and bring her back, in dreams and memories, to her homeland.
A dive, the midday sunlight filtering down through the water. The air in her lungs has to last until she can dislodge the abalone. Dives like these have been carried out in Japan for over 2000 years by the Ama-San.
Documentary about the musical and social phenomenon of Brazilian funk (or Carioca Funk), a style derived from Miami Bass, based on repetitive bass drum loops and lyrics full of sexual and violent overtones, not directly related to American funk/soul music. This style emerged in the slums and poor neighborhoods of Rio de Janeiro, and is deeply associated with the lower social classes, but is gradually being accepted on higher social circles. The film is specially interested in women's participation, focusing on its major female stars.
Chasing Asylum tells the story of Australia's cruel, inhumane treatment of asylum seekers and refugees, examining the human, political, financial and moral impact of current and previous policy.
“Once upon a time, before people came along, all the creatures were free and able to be with one another”, narrates the voiceover. “All the animals danced together and were immeasurably happy. There was only one who wasn’t invited to the celebration – the frog. In his rage about the injustice, he committed suicide.” Something Romani and frogs have in common is that they will never be unseen, or stay unnoticed. In her film, young director Leonor Teles weaves the life circumstance of Romani in Portugal today with the recollections of a yesterday. Anything but a passive observer, Teles consciously decides to participate and take up position. As a third pillar, she establishes an active applied performance art that becomes integrated in the cinematic narrative. Thereby transforming “once upon a time” into “there is”. “Afterwards, nothing will be as it was and the melody of life will have changed”, explains a voice off-camera. Golden Bear for Best Short Film 2016
Bryce Dallas Howard, J. A. Bayona, Colin Trevorrow, Chris Pratt, and Jeff Goldblum chat about all things Jurassic.
The story of The Beatles' last song featuring exclusive footage and commentary.