Stage registration of the fifteenth show 'Breken' by the Flemish musical comedy duo Kommil Foo. The performance opens with the question 'How do you get a grown man into a matchbox?'
The bigger the audiences for Dutch comedian Micha Wertheim’s shows became, the less he had to do to make them laugh. In one early show, he suggested that the audience would be better off without him. So in 2016, he acted upon this suggestion with an experiment that made theater history: he wasn't physically present onstage but somewhere else. The audience wasn't aware of this in advance, though they did get a hint in the form of a pre-recorded "live" radio interview from a remote studio. "I see my audience as my children," Wertheim says in this interview. "You have to educate them, and that’s what I’ve been doing for the past 15 years. At first you have to constantly be there watching them, but there comes a time when you have to trust them to get on with it without you." With some help from a robot, a printer, a stereo and a set of headphones, the members of his audience were able to make their own performance.
TV recording of the hommage to the Dutch lyricist Jurrian van Dongen. Van Dongen wrote countless song lyrics for theater and television. He has been writing for the children's program Het Klokhuis for decades. He also writes for theater programs by Wende Snijders, Jenny Arean, Paul de Leeuw, Alex Klaasen and many others. In addition, he was a teacher at a cabaret academy for a new generation of lyricists.
The Dutch comedian Hans Teeuwen gradually loses his sense of reality when he has to stay inside because of the "intellegent lockdown" during the COVID-19 pandemic. He recorded a corona comedy special at his home.
Joe, Okita, and Serizawa hear of the armed robbery of a truck carrying one billion eighty million yen's worth of Mint paper. Knowing that the thugs will now need a counterfeiter to make the bogus bills, they each decide to cash in on it by selling them the idea that they need Sakamoto, the best counterfeiter in Japan. A seesaw game unfolds between the three men as each tries to outdo the other two in handing over Sakamoto for one million yen to Hijikata, the big boss, who intends to make counterfeit money with the stolen paper. A little belatedly, they realize it needs their combined forces to outwit Hijikata and they raid his place together. Outnumbered, however, they are thrown into a basement room and the gas is turned on. Certain death stares them in the face, but the three men are not ones to take things lying down....
Registration of the theatre program by the Dutch musical comedy duo Het Monica Da Silva Trio (Tim Kamps and Arjen Lubach).
Registration of the matinee performance written by the Dutch comedian Youp van 't Hek, commissioned by Toneelgroep Centrum.
Registration of the theater program of the same name by the Dutch musical theater duo (Thomas) Acda and (Paul) de Munnik. The program was an anthology from their previous three programs.
Registration of the fourth solo program by the Dutch comedian Hans Sibbel, in which the comedian takes a look at the evolution.
Registration of the fifth theatre program by the Dutch comedy duo (Erik) van Muiswinkel and (Diederik) van Vleuten. Two old friends meet in a Dutch park.
After five theatre programs, the comedy duo (Erik) van Muiswinkel and (Diederik) van Vleuten performed one more time with an anthology from their previous programs.
Registration of the second theatre program by the Dutch comedy duo (Erik) van Muiswinkel and (Diederik) van Vleuten. In their first program, the two comedians limited themselves to the earth and the strange peoples who inhabit it. In their second program they expand their explorations into the world of the unseen, where they test their strength with astrologers, illusionists, millennium preachers and similar figures. What mechanisms drive people to believe in supernatural madness, and to derive pleasure and comfort from it? Have we made any progress in the twentieth century? If Darwin, Freud and Einstein opened humanity's eyes, then a hundred years later there will be enough volunteers to close them again. Van Muiswinkel and Van Vleuten argue about it for a long time during this performance.
Registration of the fourth theatre program by the Dutch comedian Claudia de Breij.
Registration of the theatre program by the Dutch cabaret group Cabaret Nar, with Youp van 't Hek, Aletta de Nes and Hans van Gelder.
Theo Maassen puts his teeth in his first-ever New Year's conference. Twelve months, 52 weeks, 365 days, reduced to 70 nerve-wracking minutes. Maassen asked young super talent Tim Fransen for help writing this conference, his favorite band Stuurbaard Bakkebaard will accompany him.