Stage registration of the thirteenth show by the Flemish cabaret duo Kommil Foo. About man and his everyday tragedy. And that that man is a wolf to his fellow man...
Does anyone still wear a hat? Yes: three-time Tony Award-winner Patti LuPone. And her hat is filled with songs, both new and old. See Patti up close and unscripted as she sings and tells stories from her illustrious career—whatever she pulls from the hat. Filmed live at 54 Below on New Year's Day 2023.
This show is a TV adaptation of Jasperina de Jongs second theater show. The show contains songs about abortion, about revolving flowers, about a man born with inexplicable suicidal tendencies, about the objectification of women and many more.
In the last theater show (1981) of the Dutch cabaret company Don Quishocking, the internal dispute is central. When George Groot returns from Pune, it appears that he has joined the Bhagwan movement. All group members deal with it in their own way, but it seems inevitable that the group members have grown apart.
The Lord sends his archangel Raphael to earth to finish some unresolved matters. Raphael ends up in Amsterdam and gets entangled in local troubles, including womenemancipation, secularisation and the impending restructuring of the city center. The musical alludes to local, then topical issues. This musical was on the occasion of the seven hundredth anniversary of the city of Amsterdam, and loosely based on 'Gijsbrecht van Aemstel', the 17th-century history play by Joost van den Vondel.
In her first show Jasperina de Jong sings songs about Sibylle, the last striptease dancer, about a Bach concert with a Woodstock vibe, about a nunnery where everyone gets addicted to mind-altering substances, about a provincial girl who travels to Amsterdam, and many more.
The bigger the audiences for Dutch comedian Micha Wertheim’s shows became, the less he had to do to make them laugh. In one early show, he suggested that the audience would be better off without him. So in 2016, he acted upon this suggestion with an experiment that made theater history: he wasn't physically present onstage but somewhere else. The audience wasn't aware of this in advance, though they did get a hint in the form of a pre-recorded "live" radio interview from a remote studio. "I see my audience as my children," Wertheim says in this interview. "You have to educate them, and that’s what I’ve been doing for the past 15 years. At first you have to constantly be there watching them, but there comes a time when you have to trust them to get on with it without you." With some help from a robot, a printer, a stereo and a set of headphones, the members of his audience were able to make their own performance.
All his shows have been sold out, night after night. The best of his shows has been compiled in one live show, "The Best of Najib Amhali".
Mind you is the fourth theater of the Dutch comedian Hans Teeuwen. He performed the show in 2001. The last show was filmed in 2002 and aired on television, the same year that the show on CD and DVD published. It's Teeuwen's most famous and most frequently quoted show. He takes everything on the heel, including racism, blacks, world religions, AIDS patients, women, Jostiband and the Queen of the Netherlands.
Stage registration of the seventh comedy special 'Troosten' by the Dutch comedian Jochen Otten. His inability to make his daughter stop crying was the reason for Otten to make this performance about emotions. How can you reach someone's emotions.
Live broadcast from Tilburg, where Marc-Marie Huijbregts talks about the highlights of 2018.
Registration of the seventh solo show by the Dutch comedian Pieter Derks.
Jandino Asporaat riffs on the challenges of raising kids and serenades the audience with a rousing rendition of "Sex on Fire" in his comedy show.
In his second comedy show the Dutch comedian Kees Torn sings about postmen who wonder about street names, Rotterdam by night, playing Mozart and being trapped in your own limited body.
In his third comedy show the Dutch comedian Kees Torn tells and sings about his girlfriend. He is in love and therefore affraid that it will end. He also fears that he is too in love to write about anything else and that his audience will get tired of him.
In his fourth comedy show the Dutch comedian Kees Torn has resolved not to talk about his girlfriend anymore, as that got out of hand in his previous show. This performance is therefore about other matters: how progress does not always actually bring about progress.
In his fifth comedy show the Dutch comedian Kees Torn reflects on addictions. Torn himself struggles with a dependence on whiskey and cigars, but also rhyme, Bach and his girlfriend José.
In his sixth comedy show the Dutch comedian Kees Torn tells that his impresario no longer allows him to talk about his girlfriend, his love for cigars and whiskey. That's why he's only talking about politicians, television personalities and important things like the QWERTY keyboard layout.
In his (Poelifinario price winning) seventh comedy show the Dutch comedian Kees Torn remembers the death of loved ones. Torn reflects, in his own way, on life and death.
In his ninth and last comedy show the Dutch comedian Kees Torn tells about his passion for science and on what he wants to do after his last tour.