Paul Feig's directorial debut, a USC School of Cinematic Arts short film produced in 1983
Paul Feig's directorial debut, a USC School of Cinematic Arts short film produced in 1983
1983-12-15
0
It's a dreary Christmas 1944 for the American POWs in Stalag 17 and the men in Barracks 4, all sergeants, have to deal with a grave problem—there seems to be a security leak.
Thief Gaston Monescu and pickpocket Lily are partners in crime and love. Working for perfume company executive Mariette Colet, the two crooks decide to combine their criminal talents to rob their employer. Under the alias of Monsieur Laval, Gaston uses his position as Mariette's personal secretary to become closer to her. However, he takes things too far when he actually falls in love with Mariette, and has to choose between her and Lily.
Two musicians witness a mob hit and struggle to find a way out of the city before they are found by the gangsters. Their only opportunity is to join an all-girl band as they leave on a tour. To make their getaway they must first disguise themselves as women, then keep their identities secret and deal with the problems this brings - such as an attractive bandmate and a very determined suitor.
The mostly true story of the legendary "worst director of all time", who, with the help of his strange friends, filmed countless B-movies without ever becoming famous or successful.
Geeky teenager David and his popular twin sister, Jennifer, get sucked into the black-and-white world of a 1950s TV sitcom called "Pleasantville," and find a world where everything is peachy keen all the time. But when Jennifer's modern attitude disrupts Pleasantville's peaceful but boring routine, she literally brings color into its life.
Summer of 1960. A detachment of exploration geologists is working in the steppe region, and among them is Alyoshka, a guy who, before entering the geological exploration institute, decided to walk with geologists. Unskillful and messy in everyday life, he becomes the object of their jokes and practical jokes, which are not always harmless. However, his persistent character, his timid and pure love for the switchwoman Zinka, who lives with her grandfather on a crossing lost in the steppe, makes the guys from the squad take a different look at this inconspicuous guy and at his relationship with each other.
Overwhelmed by her suffocating schedule, touring European princess Ann takes off for a night while in Rome. When a sedative she took from her doctor kicks in, however, she falls asleep on a park bench and is found by an American reporter, Joe Bradley, who takes her back to his apartment for safety. At work the next morning, Joe finds out Ann's regal identity and bets his editor he can get exclusive interview with her, but romance soon gets in the way.
The Marquise de Saint-Ange wants to marry her niece Nicole, but the young girl, put off by the chosen suitor, flees with her friend Jacques.
Wahid provides a brief account of his life beginning with his move to the city in search for employment after persuasion from his girlfriend, Rahmah. He soon finds himself caught in a host of sticky situations as he navigates towards finding steady employment. Gado Gado is one of the 91 sole-surviving Cathay-Keris Malay Classics film titles made during Singapore’s Golden Cinema era from the 1950s to early 1970s, and preserved by the Asian Film Archive. In 2014, the collection was inscribed onto the UNESCO Memory of The World Asia-Pacific Register, a list of endangered library and archive holdings. At 35 minutes long, the film is the only musical variety short from the Cathay-Keris catalogue.
Juliet Forrest is convinced that the reported death of her father in a mountain car crash was no accident. Her father was a prominent cheese scientist working on a secret recipe. To prove it was murder, she enlists the services of private eye Rigby Reardon. He finds a slip of paper containing a list of people who are 'The Friends and Enemies of Carlotta'.
El Mono relojero is a 1938 Argentine animated short film directed by Quirino Cristiani. It is the only film from this director that exists up to this day, since all his other productions (including the first two animated feature films, El Apóstol (1917) and Sin dejar rastros (1918), as well as the first animated film with sound, Peludópolis (1931)) were lost in a series of fires at the facilities where the negatives and copies were stored.
A tramp cares for a boy after he's abandoned as a newborn by his mother. Later the mother has a change of heart and aches to be reunited with her son.
The film consists of a series of tightly interlinked vignettes, the most sustained of which details the story of a man and a woman who are passionately in love. Their attempts to consummate their passion are constantly thwarted, by their families, by the Church and bourgeois society in general.
Jerry Powell is a gas-huffing thief with memory distrust syndrome. At the brink of insanity, Powell finds himself chased by a pulpy gang of criminals as he attempts to deliver a mysterious package for a money-launder.
A pretty female drummer charms the rural swains. She borrows money and makes away with it. The village belle then refuses to take back her old admirers and weds another.
The story of Elwood P. Dowd who makes friends with a spirit taking the form of a human-sized rabbit named Harvey that only he sees (and a few privileged others on occasion also.) After his sister tries to commit him to a mental institution, a comedy of errors ensues. Elwood and Harvey become the catalysts for a family mending its wounds and for romance blossoming in unexpected places.
Father Brown is only too happy to interfere with the work of the police in solving tricky criminal cases, usually with resounding success. That's why the clergyman is transferred to a sleepy island called Abbott's Rock. At first, nothing happens there, but somehow Father Brown seems to be attracted to crime: Soon a gang of thieves is up to no good on the island. So Brown makes the headlines again, and is punitively transferred once more. This time he finds himself in a quiet Irish millionaire community.
Kris Kringle, seemingly the embodiment of Santa Claus, is asked to portray the jolly old fellow at Macy's following his performance in the Thanksgiving Day parade. His portrayal is so complete that many begin to question if he truly is Santa Claus, while others question his sanity.
When his mother eloped with an Italian opera singer, Louis Mazzini was cut off from her aristocratic family. After the family refuses to let her be buried in the family mausoleum, Louis avenges his mother's death by attempting to murder every family member who stands between himself and the family fortune. But when he finds himself torn between his longtime love and the widow of one of his victims, his plans go awry.