Homo Sapiens Project (201) was completed in 2021 as part of re-envisioning and restructuring Rashidi's filmography. This nineteen-hour experimental feature is constituted from many feature films produced between 2002 to 2014. These experimental features were made as a type of test or trial experiment. Rashidi assembled the films from footage accumulated over the years, archival footage, found footage and rushes donated by his close collaborators.
Begotten is the creation myth brought to life, the story of no less than the violent death of God and the (re)birth of nature on a barren earth.
Three souls wake up on a train that takes them to an unknown place.
Amid the chaos of existence, where warmth entwines with cold, passion ignites a fire that both liberates and consumes. Lust whispers sweet nothings, yet beneath the surface lies a scream—ecstasy laced with the taste of demise. Every touch is both a caress and a curse. We fuck to feel alive, yet each kiss inches us closer to the void. Love and loss converge, and the pulse of life beats strongest in the shadows of death.
moony and Joey Brodnax present WARNING HIGH CUBE - a film accompanying the release of moony’s debut album of the same name. After amassing an impressive collection of genre-spanning EPs scouring depths of emotion, pain, anger, relief, and hope, burgeoning Nashville-based indie alternative rocker Seth Findley (AKA moony) is at full form, ready to deliver his debut LP to the world. WARNING HIGH CUBE is a bold full-throttle whirlwind of a hero’s journey, serving as moony’s definitive allegory of his life so far, exploring swirling ideas of existentialism, nature, animals, spirituality, love, friendship, and the threads that hold humanity together. moony & Joey set out to create a unique audio/visual pairing for the album, unlike anything they’d seen or felt. The result is 50 uncanny, undefinable, and sometimes uncomfortable minutes. A new world ripe for the picking, WARNING HIGH CUBE and its accompanying film are here to save mankind.
All We Sheep Have Gone Astray is an experimental film that shows the internal struggles of a person who is frustrated with the function and structure of the world. The film sets a surreal portrayal of the person's mind as he talks to himself about his personal critique on humanity, individualism, and the idea of free will. The cinematic elements within the film guide the protagonist through his quest as he strives to retain his deepest thoughts from the outside world.
Dislocation in time, time signatures, time as a philosophical concept, and slavery to time are some of the themes touched upon in this 9-minute experimental film, which was written, directed, and produced by Jim Henson. Screened for the first time at the Museum of Modern Art in May of 1965, "Time Piece" enjoyed an eighteen-month run at one Manhattan movie theater and was nominated for an Academy Award for Outstanding Short Subject.
A aspiring novelist operates a tiny neighborhood bookstore. His wife is a talented painter. Their marriage is disintegrating, and they are about to sign their divorce papers. Meanwhile, the legendary Casanova and his lover Lavinia are characters trapped inside of a 17th-century children's book. The tragedy of the impending divorce triggers the release of Casanova and Lavinia from the confines of the children's pop-up book.
A woman washes up on a beach and embarks on a surreal journey, encountering others and fragmented versions of herself in a quest for identity.
After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked on a new and more subversive public access endeavor: a collaboration with Scott Arford called Fuck TV. Whereas The Pain Factory predominantly revolved around experimental music performances, Fuck TV was a comprehensive and experiential audio-visual presentation. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. EPISODES: Yule Bible, Cults, Riots, Animals, Executions, Static, Media, Haterella (edited version), Self Annihilation Live, Electricity.
When forest animals invade our cities, the world is in disarray. Office vixen Fiona struggles with her banana phone addiction. Will she succumb to it? Temperamental bunny Barbara only gives her stag sugar daddy Nestor his special massage, after he dines her and plays the big spender. This obscure short film pinpoints postmodern tropes of consumerism, eroticism, and art with an homage to the theater stage and references to literature. This work uses a fantasy language and needs no subtitles.
'Afloat' is an experimental film that paints a portrait of Japanese performance artist: Ayumi Lanoire. The film opens as a telephone call between Ayumi and Person X, which meanders the audience through the various layers that make up her personas leading one to wonder whether she is in fact a myth or reality.
An anthology film consisting of four segments based on literary works by Edogawa Ranpo.
The surrealist film shows repetitive imagery involving a string fashioned in a bizarre, almost spiderweb-like pattern over the hands of several individuals, most notably an unnamed young woman and an elderly gentleman. The film also shows a shadowy darkness and people filmed at odd angles, an exposed human heart, and other occult symbols and ritualistic imagery which evokes an unsettling and dream-like aura. Considered an unfinished film.
According to an English legend, Joan of Arc never died at the stake. Her eyes were seared with hot pokers and she was deflowered by an English stud. She was then sentenced to wander on the battlefields, like a vulture, on the look-out for life and searching for any virgins left alive.
Dancers, shown in photographic negative, perform a series of ballet moves, solos, pas de deux, larger groupings. The dancers glide and rotate untroubled by gravity against a slowly changing starfield background. Their movements are accompanied by music scored for a small ensemble of woodwind and percussion.
At the court of the Yellow Emperor, the Majoon Traveler & Lady Firefly appear in the Hall of Unconscious Magnetism.
A pulsing, kaleidoscope of images set to an energetic soundtrack. This is a world in motion, dominated by mechanical and repetitive images, with a few moments of solitude in a garden.
Shot entirely on a webcam and guided by the Imperfect Cinema philosophy, this film captures the drunken drift of a man reaching for connection in a cold, indifferent city. What unfolds is either a dream, a dying vision, or both. Then — reality returns with a quiet whimper. Life moves on. Raw, lo-fi, and unapologetically rough, this is a meditation on how easily the world forgets. Meaning is left open; interpretation belongs to the viewer.