An expressionist comedy greatly influenced by German Expressionism set in a bohemian enclave of northern Paris, which Clouzot made shortly before he served as assistant director to Anatole Litvak and E.A. Dupont and began scripting French versions of German films at Berlin’s UFA studios.
An expressionist comedy greatly influenced by German Expressionism set in a bohemian enclave of northern Paris, which Clouzot made shortly before he served as assistant director to Anatole Litvak and E.A. Dupont and began scripting French versions of German films at Berlin’s UFA studios.
1931-12-31
5.7
Six vignettes pit an assortment of characters against each other in everyday situations.
People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.
After a meteorite unleashes a three-headed beast upon Tokyo, Mothra tries to unite with Godzilla and Rodan to battle the extraterrestrial threat.
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Summoned by the black sphere, Kei and Masaru fight against extraterrestrials until Masaru grows tired of fighting and refuses to continue.
Star Chow, an officer in the elite police unit, resigns when he is made a scapegoat for a botched investigation. He goes undercover at a school to complete the case and realizes a bumbling detective is also undercover as a student.
An army major goes undercover as a college student. His mission is both professional and personal: to protect his general's daughter from a radical militant, and to find his estranged half-brother.
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Two aging crooks are given two weeks to repay a debt to a woman named The American. They recruit their recently deceased partner's son to help them break into a laboratory and steal the vaccine against STBO, a sexually transmitted disease that is sweeping the country. It's spread by having sex without emotional involvement, and most of its victims are teenagers who make love out of curiosity rather than commitment.
Ko Chun, the God of Gamblers, vows to keep his identity hidden while looking for the gangsters who murdered his pregnant wife.
Back from a tour of duty, Kelli struggles to find her place in her family and the rust-belt town she no longer recognizes.
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Sylvie lives with her two children whom she’s raising on her own. One evening, there’s an accident, and her youngest son is removed from her care. Sylvie must subsequently fight to get her son back and to keep herself afloat.