
The Agency is a CBS television drama that followed the inner-workings of the CIA. The series was created by Michael Frost Beckner and was executive produced by Michael Frost Beckner, Shaun Cassidy Productions and Radiant Productions in association with Universal Network Television and CBS Productions. It aired from September 27, 2001 until May 17, 2003, lasting two seasons. It featured unprecedented filming from the actual CIA headquarters. The show was controversial regarding its exploration of current international affairs and its treatment of the ethical conflicts inherent in intelligence work. Beckner's pilot script, written in March 2001, posited a re-invented CIA tasked with a "War on Terror" after Osama Bin Laden's Al Qaeda terrorist organization plots a lethal attack on the west. The pilot was to premiere at CIA Headquarters on September 18, 2001 and set to air on CBS September 21, 2001, however, the actual 9/11 attacks convinced the network to hold the pilot and instead air a later episode. That first episode was aired later as the third episode of the first season. The September 11, 2001 terrorist events changed the way Americans viewed topical entertainment and "The Agency", at the time, was one of the most topical offering on network television. The producers of the series quickly responded to this new American perspective on world affairs, but CBS chose to cancel the show shortly after the second season's final episode.

After being betrayed on her wedding day, a powerful heroine rejects immortality and embraces vengeance, embarking on a ruthless path to destroy gods and seek justice.

Rashed and Faysal, two brothers working in the gold trade with their dad, become rivals when their greed for money and power turns them against each other. Further igniting their feud is Rashed’s wife, Noura.

A "dead" gangster resurrects, and he is a man with an elaborate plan. With the city under threat, IPS officer Ashwath's only choice is to be two steps ahead...
Midu is an unemployed village lad with limited education who dreams of being big. After participating in his first election and consequently losing, he decides to move to the city in order to earn money so that he can stand again in the council elections. He befriends a city businessman who mentors Midu whilst he works as his servant.

Having spent eight years in prison for a crime she didn't commit, Leila is released determined to prove her innocence and win back her estranged daughter.

Two Chicago magicians investigate the magical mystery of the missing magic man.

Sato, a young woman from a modest family, marries Kenta, a young man from a well-to-do and respected family. She settles in the family's home, where she meets the father, Keiichi, a strict man, Mihoko, the unfriendly sister-in-law and Akito, the elder brother. Although not everyone sees the union of Kenta and Sato in a very good light, the father seems to have great plans for our heroine.

Humor is born on the stage, which, it seems, decides for itself who is worthy to stand on it. If the performance is not successful for the participant, the floor under his feet leans forward. At first, a little, but then another joke didn't work, and the corner becomes steeper, and after another failure, the head is occupied with completely unfunny thoughts - to hold on. And this is not the only technical surprise that awaits the contenders for victory: for bad jokes, participants receive a special mechanical "paw" on the fifth point.

Follows the staff and patients of a Yorkshire cottage hospital in the 60s, embroiled in tangled love lives and bitter power struggles.