Sığınak(2023)

The Hood (tr)

Ferhan steals the money of corrupt officials, swindlers, and those who become rich through unjust means and extends a helping hand to the impoverished youth in his neighborhood, providing education and assistance to their families. An unexpected death will shake his entire life. This event will not only test him with his ideals but also with his love, and he will seek ways to pass this test. When he realizes that he cannot fight against injustices like Ferhan alone, he adopts Orhan's identity. Thus, while Ferhan struggles with the father of Müjde, the woman he loves but should keep at a distance, under the guise of lawyer Orhan, his path intersects with İpek, the heir of the family trying to take over the neighborhood.

Insider (da)

Rachel Gunn, R.N. (en)

The lives of head nurse Rachel Gunn and her co-workers at Little Innocence Hospital in Nebraska, where Rachel is often at odds with egotistical surgeon David Dunkel.

Rebecca - Was geschah mit unserer Tochter? (de)

Corpo a Corpo (pt)

Eloá and Osmar's marriage is thrown into crisis when a mysterious man crosses their path. With a thirst for prestige and power, Eloá will face the consequences of her ambition.

Cuts (en)

Cuts is an American sitcom that aired on the UPN network from February 14, 2005, to May 11, 2006, and is a spin-off of another UPN series, One on One. The show was canceled along with many other shows when the UPN and WB networks merged to form The CW.

喋血长平 (zh)

Fath Al-Andalus (ar)

The story of the leader of the Umayyad Army, Tariq bin Ziyad, and his great conquests in the cities of Tangier, Ceuta and Toledo, all the way to the conquest of Andalusia, and his famous dispute with his commander Musa bin Nusair.

Hark at Barker (en)

Hark at Barker was a 1969 British comedy series combining elements of sitcom and sketch show, which starred Ronnie Barker. It was made for the ITV network by LWT. Each show began with a spoof news item read by Barker as a continuity announcer. He would then introduce the main part of the programme, a lecture to be given by Lord Rustless on a different topic each week from his stately home, Chrome Hall. Helped and hindered by Rustless' secretary Bates, his Butler Badger, his bad-tempered Cook, his incoherent gardener Dithers and his buxom, near-mute maid Effie, these lectures invariably degenerated into farce, and were frequently interrupted by comic sketches on film or videotape which also starred Barker in various roles. Barker reprised the role of Lord Rustless in the BBC series His Lordship Entertains, and played very similar characters in Futtock's End and the Two Ronnies specials The Picnic and By the Sea.

The Explorers (en)

Bill Peach explains the stories of the great 18th and 19th century explorers of Australia, complete with full-cast re-enactments.

Malenfant (fr)

Family No. 1 (en)

The misadventures of two families who are forced to live in the same house as tenants after being conned by their estate agent.

Meet The Autemials! (en)

The best way to get to know your favorite band is to hear them from themselves. Who are the members of Autemials, what are they like, where is the music going, where is their music going? The answer to all of them is in one content.

Tuition (gu)

No one ever forgets the feeling of first love and an everlasting heartache. Love often changes lives but can love change its own destiny?

Woon Ruk Nakkao (th)

When a laid-back and artistic ends up impersonating a renowned and impeccably neat news anchor who looks exactly like him, he unexpectedly falls in love with the anchor’s fiancée. Little does he know, she despises the real anchor, who, unbeknownst to everyone, is actually a gay man deceiving her.

First Person (en)

First Person was an American TV series produced and directed by Errol Morris. The show engaged a varied group of individuals from civil advocates to criminals. Interviews were conducted with "The Interrotron", a device similar to a teleprompter: Errol and his subject each sit facing a camera. The image of each person's face is then projected onto a two-way mirror positioned in front of the lens of the other's camera. Instead of looking at a blank lens, then, both Morris and his subject are looking directly at a human face. Morris believes that the machine encourages monologue in the interview process, while also encouraging the interviewees to "express themselves to camera".