The film is about the band Stockholms Negrer, but also about what formed their music, about being Swedish but still being viewed as an outsider.
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The film is about the band Stockholms Negrer, but also about what formed their music, about being Swedish but still being viewed as an outsider.
1986-10-30
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More than 37,000 Chinese citizens entered the US illegally via its southern border in 2023, hoping to find a better life in America. Many more are following in their footsteps, often with young children in tow. To reach the Land of the Free, they embark on a most treacherous journey: the migrants first need to reach Ecuador, the country closest to the US that would grant Chinese passport holders visa-free entry. From there, they need to cross Colombia, Panama, Costa Rica, Nicaragua, Honduras, Guatemala and Mexico, all illegally, to reach California. In this documentary series, CNA correspondent Wei Du travels the route with the Chinese migrants, and try to understand why they've been driven to such desperation, and if the American Dream is all it's made out to be.
A couple receives a letter of eviction: they must leave their home in Trento within 60 days. They are two political refugees: he is Afghan and she is of Iranian origin. They have a 10-year-old son, Sepanta, who grew up in Italy, and has no memory of his grandparents, either paternal or maternal. They decide to dedicate these 60 days to their son, to offer him a different idea of home, and thus undertake a journey to his mother's native country. But an unexpected event upsets the plans.
The struggles of a group of outcasts living in "Yentown", in an alternate-future Japan.
Documentary on the punk scene in the city of Jyväskylä, Finland.
Documentary that shows the changing attitude towards immigrant labor in The Netherlands. The documentary follows three immigrants that arrived in Holland 30 years ago to work in a bakery.
Twenty-five films from twenty-five European countries by twenty-five European directors.
An unusual friendship in an agitated political context.
Guillermo Gómez Álvarez explores the identity politics of Puerto Rico via archival footage from various sources that clash with nine original songs from local independent musicians and a thematic analysis from a psychoanalyst and a historian. From the juxtaposition the absurd becomes coherent and the coherent becomes absurd as Puerto Rican identity is defined and rejected almost simultaneously.
The events that took place at the beach of El Tarajal in Ceuta (Spain) in February 2014 - the killing by the border police of 15 people who were trying to reach the Spanish coast - are an example of how the police force can violate the laws of its own country and international conventions with total impunity. The worst part is that this violation of human rights is protected by the Spanish Ministry of Interior itself, which hinders any effective action by the prosecution. For this reason, the civil society plays a fundamental role in revealing the facts. This is where the figure of collective complaints (DESC Observatory and the association Coordinadora de Barrios) steps in.
Indie rock icons the Archers of Loaf reunited in 2011, and during the course of their reunion tour played two legendary concerts at Cat’s Cradle in Chapel Hill, NC. Combining in-your-face concert footage along with rare interviews of the band, this film by director Gorman Bechard documents those concerts, and captures the excitement and explosive energy of what its like to see this extraordinary band perform live.
'It was in San Francisco at a punk festival. I was already high and the air was so thick in the rooms that you could cut it with a knife. I had a photograph camera with me; I stood in a corner of the entrance hall and took 36 pictures on slide film. At home I put the slides into a slide projector. I took out the lens and filmed the slides by filming directly from the projector - using single frames according to a certain plan.'
In the early 1980's, The Cardiac Kidz became one of the most famous local San Diego punk bands ever. This is their story.
"Dope, Hookers and Pavement" is a lively and unfiltered account of the early days of the Detroit hardcore punk scene, circa 1981-82, in the notorious Cass Corridor, arguably one of the worst neighbourhoods in the city at the time. Featuring over 70 in-depth interviews — including John Brannon (Negative Approach), Tesco Vee (Meatmen, Touch and Go), Ian MacKaye (Minor Threat, Dischord Records), pro skater Bill Danforth, scene kids, and members of the Necros, The Fix, Violent Apathy and Bored Youth — and never-before-seen Super8 footage of the Freezer, "Dope, Hookers and Pavement" is both hilarious and reflective, and an overdue record of a nearly invisible but magic little moment in the long history of Detroit rock'n'roll.
The long lasting Palestinian-Israeli conflict has created appaling phenomenons that have horrified the Israeli society. the "politically conscience-refusals" or those individual soldiers refusing to fight in the occupied territories, are one of those phenomenons. In opposition to them stand a thousand immigrants from the former Soviet Union, ex-military men from the Red Army, who yearn to be recruited into the IDF and fight for Israel, but who are denied the right to serve in the army. Through the stories of Oleg and Alex, immigrants and the battalion's charismatic commanders, the story of the Russkii Battalion is told. It is a story of contrasts between the hardships of the daily struggles they face as new immigrants against the pride and the sense of belonging they find in the battalion. The Russkii Battalion is a film about a militaristic social bubble, in a country that is in constant war.
Andres Kurg is an art historian who likes Danish modernist architecture and therefore wants to settle there. He argues with Danish officials to grant him a residence permit for aesthetic reasons.
An examination of the music life in Stockholm and Gothenburg, what is the same and what is different?
Recorded for Canal+ TV's La Musicale series in France, Riverside, California's BellRays rip through four songs promoting the 2006 album, Have A Little Faith. Tracks: "Third Time's the Charm", "Tell the Lie", "Everyday I Think of You", and "Detroit Breakdown".
Recorded live at the Camden Palace for the UK TV show "Live From London" which is advertised in the beginning segment of the video.
Are there trans people in the punk movement? How does punk resists in a brazilian state as conservative as Goiás? Is it open to different gender expressions?