The story aims to throw light on the real essence of friendship where age can’t be a boundary. It’s a refreshing tale of a young and hot fashion designer aunt Titli (Mimi Chakraborty) and her school going mischievous niece Mini (Ayanna Chatterjee).
Mini
Riya
The story aims to throw light on the real essence of friendship where age can’t be a boundary. It’s a refreshing tale of a young and hot fashion designer aunt Titli (Mimi Chakraborty) and her school going mischievous niece Mini (Ayanna Chatterjee).
2022-05-06
2
Age is not a boundary
Fercho and Balu come up with a creative plan to meet the girl across the street, an American exchange student from New York. The perfect plan goes unexpectedly out of control when uninvited guest show up.
On the eve of the wedding of an old flame, a young man must come to terms with every woman he has ever loved and lost. No sleep tonight.
The film revolves around three struggling actors Michio, Gunji, and Enoken, who share a house together. One day, they find a baby girl left with a letter from Michio's ex-girlfriend. They name the child "Don-chan" and embark on the journey of raising her, despite their initial confusion.
Marleni hates her job as a live-in home help at Mr Ramón’s home. Her life changes when she receives a message from an unknown number and she decides to create a fake identity, looking for a way to escape.
In-depth look at the twilight years, spent training apprentices, of temple builder Nishioka Tsunekazu, who was called the "devil" as he devoted his life to temple architecture. His insistence on the gargantuan timescale of linking life to the next millennium emerges from people who knew him. Remarkable as well for showing the unknown backstage of temple architecture. Nishioka, known as "the last temple carpenter," handled the major Showa-era repairs of Horyuji temple, and in 1990 was at the scene of the reconstruction work for Yakushi temple.
Based on real events that took place in the "Mazakh" bastion, the Yom Kippur war, the Sinai front. After a surprise Egyptian attack, 42 soldiers under the command of a young lieutenant from the Seder yeshiva, struggle to repel the enemy attacks during which many of the fighters are injured or killed. At the same time in the TAGD bunker, the Tel Avivian reserve doctor is fighting for the lives of the wounded fighters and calls for urgent evacuations that do not come. After a week of siege and fighting, the soldiers will have to choose whether to continue fighting under the orders of their commander, or to follow the plan of the reserve doctor - a plan that may save their lives. Will they decide to give up the values they were raised on and surrender, or will they fight to the last bullet?
Two sisters set out from Warsaw to Kharkov to pick up their seriously injured father.
Pedro is Mallorcan, born to a mother from Burgos and a father from Mallorca. Due to his distant relationship with his father, Pedro doesn't fully master Mallorcan as a language. He turns to the works of Damià Huguet to remember his father, as only his poems can fill the void left by his death. The poet's words transport Pedro to his childhood and his roots, even though many of the words are unknown to him, despite them belonging to his language. This becomes the driving force behind the protagonist's search for his own identity, his origins, what it means to be a man, father-son relationships, collective identity, and "mallorquinness". Pedro constantly questions the emotions stirred by Huguet's poetry, and, most importantly, who he is and where he belongs.
Peter Gibney is a long time agent who is known in the modeling industry for being kind, generous and supportive of the people he represents. Model Hope Harmon has been with Peter the longest of all his clients, close to 15 years. They have a very close, familial relationship and as a result,have made each other very successful. There is a major clothing client, Braden-Willoughby, that Peter has been trying to book Hope with, but the client has confided to Peter that they are not remotely interested in Hope, unless she were willing to undergo, in their words "dramatic changes". While visiting Hope on the set of her latest photo shoot, Peter tries to carefully discuss some hard truths about her future as a model.
Jean des Bossons is a documentary-fiction which recounts the activities of a high mountain guide in 1947. Around Chamonix Mont-Blanc, the guide Jean des Bossons, interpreter by the mountaineer Armand Charlet, accompanies on mountain hikes, Jean-Pierre, an apprentice guide. The novice, skis on the shoulder, is already clumsy. The professional taught him how to travel on skis uphill and downhill, then mountaineering in ice and rock parishes. By dint of training, Jean-Pierre has made it his job. Guides are also lifeguards. A group went to a glacier to rescue a man who had fallen into a crevasse. During this rescue, Jean des Bossons is the victim of an accident. A drama that prevents him from practicing the profession, but not climbing. The man sinks into the fog and Jean-Pierre cannot find him.
Hey, please, hold me... A thrilling physical farewell gift that a pure-hearted adult received while trembling!! Set in a simple rural town's post office, this youthfully bright and humorous story depicts the intricacies of life experienced by a rookie young postal worker. Depicting the subtle intricacies of life experienced by a young protagonist in a simple post office setting. This bright and humorous story evokes a heartfelt sense of empathy.
Pending an eviction from their landlord, a brother and a sister have no choice but to take matters into their own hands to come up with the money and stay out of the streets.
After his mutt accidentally eats some loose change, a man is soon bewildered to discover that his furry companion has passed the currency with compounded interest.
On his way back to Yokohama, a young boy named Kenji Hase encounters a girl named Yoshiko who is being harassed by the Kaminaryu gang. He rescues her and they head towards Yokohama in Yoshiko's car. In Yokohama, there is an uproar because Kenji's father, Shozo Hase, a customs officer, has been accused of stealing confiscated drugs. The story unfolds with thrilling action as Kenji bravely confronts the gang of villains who framed his father and kidnapped him, all while seeking justice and vindicating his father's innocence.
The year 1947 saw the independence of Pakistan. During this time, the Indian film industry was segregated and the only film production centre left in Pakistan was at Lahore. With the industry reeling in its infancy, it was hard to work on film productions that had been initiated before the independence as many of the working filmmakers and actors had left for or stayed back in India.