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10.0The iconic “Jingle Bell Rock” scene from Mean Girls was transformed into an animated music video. Cady and the plastics bust out the moves in this holiday special with grooves by Safari Riot. Don't miss this short film filled with holiday cheer and Mean Girls easter eggs. So FETCH!
0.0This is episode 0, the prequel to the main Keroro Gunsou anime series. KeroZero was shown in theaters with Keroro Gunsou Movie 4.
6.5A cable car ride through the San Francisco of the early 20th century marks the background that bids farewell to the alleged blessings of capitalism.
6.9Agent 327 is investigating a clue that leads him to a shady barbershop in Amsterdam. Little does he know that he is being tailed by mercenary Boris Kloris.
0.0After accidentally hitting a dog with her car, a woman attempts to take the animal to the vet, but is impeded by the dog's gruesome transformation into a human.
Mr. O. Verlast, a spruce man, can no longer stand the nuisance caused by people around him. A ball against his window, a caller in his train compartment: he tells them off with a roaring voice. In the end, the nuisance turns against him.
Black, brown, and white chocolate marshmallows on a world map background split into groups by colour after a playful chase. Leaders from each group stand silently, and when bitten, reveal the same inside. A children’s voice says, “We are all alike inside,” and hands from various nationalities stamp the slogan in 9 languages.
5.0The 25 minute film tells the tale of an ailing elderly woman named Itako who encounters a fox named Okon. The story opens with Itako lying bedridden, as she has for a long time. Okon enters her home and Itako tells the fox that he is welcome to take anything that he wants, for she has no use for anything anymore. Okon is delighted and in order to return the favour (the act of ongaeshi), Okon performs a magic jyōruri (a ballad with shamisen accompaniment) that heals Itako so that she is fit enough to walk again. Everyone is surprised by Itako's sudden recovery. She then hears of a hunter who has been badly injured and is near death. Itako hides Okon in the back of her shirt and has the fox sing the song while she plays shamisen in order to heal the man. This act of kindness is repeated for others until Itako's good fortune leads some to be suspicious of her.
0.0A piñata experiences the same fateful day over and over again, on which it is bought by a girl and finds death at her garden party. Shocked, the piñata tries to break out of this eternal cycle.
5.7Seemingly at random, the wings and other bits of moths and insects move rapidly across the screen. Most are brown or sepia; up close, we can see patterns within wings, similar to the veins in a leaf. Sometimes the images look like paper cutouts, like Matisse. Green objects occasionally appear. Most wings are translucent. The technique makes them appear to be stuck directly to the film.
5.4After the title, a white screen gives way to a series of frames suggestive of abstract art, usually with one or two colors dominating and rapid change in the images. Two figures emerge from this jungle of color: the first, a shirtless man, appears twice, coming into focus, then disappearing behind the bursts and patterns of color, then reappearing; the second figure appears later, in the right foreground. This figure suggests someone older, someone of substance. The myth? Preserved by the Academy Film Archive in 2012.
This 14-minute animated video looks at the ways children and young people respond to grief, and what the adults around them can do to help. It gives parents and carers an insight into the process of grieving, its physical and emotional effects, and the special needs of children and young people.
5.0Short animated cartoon about a lonely little fellow who walks down a road and keeps picking flowers, which out of the blue turn up in ever larger numbers. Driven by desires that grow in intensity as the bouquet expands, in the realm of dreams he meets three women who literally outgrow him. When finally, with a final effort, he picks the only flower left, the little lad collapses under the burden of his craving.
7.1Two flocks of sheep are searching for companionship. But their shepherds, being at odds with each other, do everything to keep them separated.
5.6Shinji, Rei, and Asuka in their states at the end of “Evangelion: 3.0.” A post-Impact world.
7.0A pickpocket scours the subway at the command of his inner demons, but when a chance encounter with fate brings a long-lost love back into his life, he must defy the voices in his head and choose a righteous path.
0.0Organza, a broke artist living in deep space, must travel across the galaxy to seek revenge on her ex in order to cure her mysterious illness. As she meets strange creatures such as museum curators and cyborg pop stars, she learns that perhaps vulnerability is more important than revenge, after all.
5.8Images of two women, two men, and a gray cat form a montage of rapid bits of movement. A woman is in a bedroom, another wears an apron: they work with their hands, occasionally looking up. A man enters a room, a woman smiles. He sits, another man sits and smokes. The cat stretches. There are close-ups of each. The light is dim; a filter accentuates red. A bare foot stands on a satin sheet. A woman disrobes. She pets the cat. Preserved by the Academy Film Archive in 2006.
0.0A load of Halloween monsters freak each other out in a strobing cacophany.