Screen Test: Ethel Scull(1964)

Henry in Bathroom(en)

Henry Geldazhler was the first curator of 20th-century art at the Metropolitan Museum of Art, and during the early 1960s, was a close friend and confidante of Warhol.

NULL(en)

A hitman is tasked to take out ex-mobsters when he suddenly hears a voice that questions his morality.

Captain Nulle(lv)

Valdis Nulle is a young and ambitious captain of fishing ship 'Dzintars'. He has his views on fishing methods but the sea makes its own rules. Kolkhoz authorities are forced to include dubious characters in his crew, for example, former captain Bauze and silent alcoholic Juhans. The young captain lacks experience in working with so many fishermen on board. Unexpectedly, pretty engineer Sabīne is ordered to test a new construction fishing net on Nulle's ship and 'production conflict' between her and the captain arises...

Nullarbor(en)

An animated road-movie set across the vast and barren landscape of Australia's Nullarbor Plain.

Dharmaveer 2(mr)

Explores Anand Dighe's life, tracing his political journey and capturing the essence of his impactful legacy as a prominent figure.

Six Hours: Surviving Typhoon Yolanda(en)

In the middle of a broadcast about Typhoon Yolanda's initial impact, reporter Jiggy Manicad was faced with the reality that he no longer had communication with his station. They were, for all intents and purposes, stranded in Tacloban. With little option, and his crew started the six hour walk to Alto, where the closest broadcast antenna was to be found. Letting the world know what was happening to was a priority, but they were driven by the need to let their families and friends know they were all still alive. Along the way, they encountered residents and victims of the massive typhoon, and with each step it became increasingly clear just how devastating this storm was. This was a storm that was going to change lives.

(NULL)(xx)

An unknown girl breaks out of her daily grind by undergoing an intense audio-visual trip.

Jesus the Revolutionary(tl)

A man named Jesus takes on the ruling military junta.

Prelude 9(en)

...again, is "plein-aire abstraction" as defined above (painted in New York City) – with, for example, even a correctly toned green impression of The Statue of Liberty – and, then, impressions of Toronto with its architectural particularities appearing, midst hurrying people – shapes (almost as if photographed at times). This segment is Double-Printed (i. e., two frames for every painted one).

Dragstrip Girl(en)

Among the backdrop of 1950s Los Angeles, Johnny, a working-class hoodlum caught up with a ring of car thieves, is floored when he meets Laura, a rich girl riding in a hot set of wheels. But nothing can prepare these teenage lovebirds for the head-on collision of cultures that results from their passion-fueled, high-octane relationship.

Worst to First(en)

WORST TO FIRST is a feature-length documentary that portrays the against-all-odds inspirational story of the launch of the iconic and most successful radio station in history, New York City's Z100.

Hanky Panky(cn)

Seven years after his mysterious disappearance, Vincent is ready to marry his new love. However, on their wedding day, his wife suddenly shows up.

Auris - Die Frequenz des Todes(de)

Eroica - Director's Cut(de)

Using innovative camera- and editing-techniques and employing an original set design, this concert film sets a performance of Beethoven's third symphony to images.

Nothing Ever Really Ends(no)

Marius and Ebba are a couple in their late 20s who are in constant conflict, even though they love each other deeply. Every New Year's Eve they try to break up. A story about love and dysfunction told over the course of three years.

Sisters(mr)

The story of two sisters in a poor rural family in India as their family struggles to come to terms with compromises that they have to make in order to survive. Their father's illness forces the eldest sister to go to the big city to work as a prostitute, allowing her to send money home so the rest of the family can live in relative ease. The return of that sister to the village to attend the younger sister's wedding results in a showdown in the family, bringing to the surface the struggles and double standards of the parents in their willingness to accept money from the elder sister but at the same time wanting her to go away so as not to "spoil" their name and remind them of their guilt in forcing her into her city life and the moral compromises that they have made.

Flies(es)

Almost a romantic comedy…

Ofelia(it)

Ophelia is 92 years old, and her foggy memories continue to fade. The only way to slow down the unstoppable action of time is to document the present and rediscover the past in old Super 8s.

Stephen Fry: Guilty(en)

Fry discusses his guilty pleasure in Abba, soap operas, darts and hitting people.

Max Ernst: Journey into the Subconscious(en)

The inner world of the great painter Max Ernst is the subject of this film. One of the principal founders of Surrealism, Max Ernst explores the nature of materials and the emotional significance of shapes to combine with his collages and netherworld canvases. The director and Ernst together use the film creatively as a medium to explain the artist's own development.

White Walls Say Nothing(es)

Buenos Aires is a complex, chaotic city. It has European style and a Latin American heart. It has oscillated between dictatorship and democracy for over a century, and its citizens have faced brutal oppression and economic disaster. Throughout all this, successive generations of activists and artists have taken to the streets of this city to express themselves through art. This has given the walls a powerful and symbolic role: they have become the city’s voice. This tradition of expression in public space, of art and activism interweaving, has made the streets of Buenos Aires into a riot of colour and communication, giving the world a lesson in how to make resistance beautiful.

Bob and Roberta's Excellent Protest Adventure(en)

British artist, academic, musician and activist Bob and Roberta Smith has been waging slightly odd political protests for years, in this documentary he investigates the age of activism and discovers what people are protesting about.

Cecil Taylor: All The Notes(en)

Cecil Taylor was the grand master of free jazz piano. "All the Notes" captures in breezy fashion the unconventional stance of this media-shy modern musical genius, regarded as one of the true giants of post-war music. Seated at his beloved and battered piano in his Brooklyn brownstone the maestro holds court with frequent stentorian pronouncements on life, art and music.

Empire of the Nude: The Victorian Nude(en)

The Victorian era is often cited for its lack of sexuality, but as this documentary reveals, the period's artists created a strong tradition surrounding the classical nude figure, which spread from the fine arts to more common forms of expression. The film explains how 19th-century artists were inspired by ancient Greek and Roman works to highlight the naked form, and how that was reflected in the evolving cultural attitudes toward sex.

sin título(es)

"The prevailing stigmatization of the 'villero' universe is fed back by the images. In order to dismantle this stigmatization, other images must be presented or we need to reveal what the existing ones seek to cover up. The slum is usually represented from a limited and deceitful visual panorama. This representation has an intention. Cinema and television are two image-producing devices that strengthen the stereotypes that we have about the people who inhabit these spaces. And what happens in the field of painting? Do clichés reign there too? This visual essay seeks to confront various works by national painters and sculptors, belonging to the Palais collection, with the kinetic images of current cinema and television, to reflect on both the differences and the similarities in the meanings and discourses that both regimes of images can produce." César González

Allesandersplatz(de)

Artists, urban planners and the city of Berlin trying to transform a former GDR ruin into a place for new visions and concepts of city - a place where everything is different than before?

Crumb(en)

This movie chronicles the life and times of R. Crumb. Robert Crumb is the cartoonist/artist who drew Keep On Truckin', Fritz the Cat, and played a major pioneering role in the genesis of underground comix. Through interviews with his mother, two brothers, wife, ex-wife and ex-girlfriends, as well as selections from his vast quantity of graphic art, we are treated to a darkly comic ride through one man's subconscious mind.

Diez Horas con Antonio López(es)

Queer as Art(en)

Documentary celebrating the LGBTQ contribution to the arts in Britain in the 50 years since decriminalisation. It features interviews with leading figures from right across the arts in Britain, including Stephen Fry, David Hockney, Sir Antony Sher, Alan Cumming, Sandi Toksvig, Jeanette Winterson, Will Young and Alan Hollinghurst, and it explores the distinctive perspectives and voices that LGBT artists have brought to British cultural life.

Let's Draw With Crayons(en)

Shows how to use and care for crayons and some of the crayon techniques. Explains creative drawing, poster making, imprinting a design on cloth and other crafts.

Jaar. Lament of the Images(es)

Follows Chilean artist Alfredo Jaar as he finds his artistic voice and develops the socially critical perspective of his work.

Blow Ups: Borowczyk's Works on Paper(en)

A visual essay about Walerian Borowczyk's works on paper.

Rothko: Pictures Must Be Miraculous(en)

Mark Rothko, a master of abstract expressionism, created 835 paintings during his five-decade career.

Beautiful Thing: A Passion for Porcelain(en)

Documentary in which Ros Savill, former director and curator at the Wallace Collection, tells the story of some incredible and misunderstood objects - the opulent, intricate, gold-crested and often much-maligned Sevres porcelain of the 18th century. Ros brings us up close to a personal choice of Sevres masterpieces in the Wallace Collection, viewing them in intricate and intimate detail. She engages us with the beauty and brilliance in the designs, revelling in what is now often viewed as unfashionably pretty or ostentatious. These objects represent the unbelievable skills of 18th-century France, as well as the desires and demands of an autocratic regime that was heading for revolution.

Georgia O'Keeffe: Painter of the Far West(fr)

Enlightened by her biographer Roxana Robinson and art historian Barbara Buhler Lynes, co-founder of the Georgia O'Keeffe Museum in Santa Fe, this documentary unfolds the fascinating trajectory of the artist who became an icon of American art. Featuring her works, her confidences - between interviews and excerpts of correspondence read by Charlotte Rampling - and her husband's photographs, this film explores the two inseparable passions that marked Georgia O'Keeffe's life and career: Alfred Stieglitz and New Mexico, which she never ceased to travel through, like a pioneer, in order to immerse herself in its Indian culture and its grandiose landscapes.

Graffiti Wars(en)

A look at the feud between graffiti artists King Robbo and Banksy.

Les vendredis d'Apostrophes(fr)

Hours and historical meetings, Pierre Assouline has composed an anthology of the best extracts presented in the form of a primer, which he had commented on by a surprised Bernard Pivot.

The Billion Dollar Art Hunt(en)

In June 2019, arts journalist John Wilson received an extraordinary tip-off – one billion dollars’ worth of stolen art may be about to be recovered. Included are a unique Rembrandt - his only seascape - and a Vermeer considered the most valuable stolen painting in the world. The art was taken from the walls of the Isabella Stewart Gardner Museum in Boston in the early hours of 18 March 1990. It remains the world’s biggest unsolved art heist. For John, to follow the recovery of the paintings, as it happens, would be the biggest art story of the century.

What Price Art? By Tracey Emin(en)

Why is it that art by male artists always sells for more than that of female artists? Is it subject matter? Is it machismo? Or is it plain old sexism? In this film, Tracey Emin crosses the country on a quest to find out. She meets artists such as Dame Maggi Hambling and Rachel Whiteread; curators such as Norman Rosenthal and gatekeepers such as Oliver Baker from Sotherby's? Have things changed? Or is it society that needs to change before the art market can follow?