

For the first time in company history, the Met presents the original five-act French version of Verdi’s epic opera of doomed love among royalty, set against the backdrop of the Spanish Inquisition. Patrick Furrer leads a world-beating cast of opera’s leading lights in this March 26 performance, including tenor Matthew Polenzani in the title role, soprano Sonya Yoncheva as Élisabeth de Valois, and mezzo-soprano Elīna Garanča as Eboli. Bass Günther Groissböck and bass-baritone John Relyea are Philippe II and the Grand Inquisitor, and baritone Étienne Dupuis rounds out the all-star principal cast as Rodrigue. Verdi’s masterpiece receives a monumental new staging by David McVicar that marks his 11th Met production, placing him among the most prolific and popular directors in recent Met memory. This live cinema transmission is part of the Met’s award-winning Live in HD series, bringing opera to movie theaters across the globe.

For the first time in company history, the Met presents the original five-act French version of Verdi’s epic opera of doomed love among royalty, set against the backdrop of the Spanish Inquisition. Patrick Furrer leads a world-beating cast of opera’s leading lights in this March 26 performance, including tenor Matthew Polenzani in the title role, soprano Sonya Yoncheva as Élisabeth de Valois, and mezzo-soprano Elīna Garanča as Eboli. Bass Günther Groissböck and bass-baritone John Relyea are Philippe II and the Grand Inquisitor, and baritone Étienne Dupuis rounds out the all-star principal cast as Rodrigue. Verdi’s masterpiece receives a monumental new staging by David McVicar that marks his 11th Met production, placing him among the most prolific and popular directors in recent Met memory. This live cinema transmission is part of the Met’s award-winning Live in HD series, bringing opera to movie theaters across the globe.
2022-03-26
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6.4A year after Amber helped Richard secure the crown. The two are set to tie the knot in a royal Christmas wedding — but their plans are jeopardized when Amber finds herself second-guessing whether or not she's cut out to be queen, and Richard is faced with a political crisis that threatens to tarnish not only the holiday season but the future of the kingdom.
Eyüp decides to cross mount Ararat looking for his aunt in Yerevan after following a madman's words. His aunt has also been expecting someone to come from behind this mount for many years. Eyüp cannot be sure about the woman he finds behind the blue door, whether it is his aunt or not because they can't understand each other.
6.9Friends battle former U.S. presidents when they come back from the dead as zombies on the Fourth of July.
Owen, a young man is dissatisfied with his life. He heads into the forest to escape and learns a lot during his time there.
6.1In answer to an orphan boy's prayers, the divine Lord Krishna comes to Earth, befriends the boy, and helps him find a loving family.
7.1‘RETURN’ follows Torstein Horgmo, Mikey Ciccarelli, Mons Røisland, Brandon Cocard, Brandon Davis, and Raibu Katayama as they push the boundaries of what can be accomplished snowboarding when innovative minds join forces.
6.6Alex Truelove is on a quest to lose his virginity, an event eagerly awaited by his patient girlfriend and cheered on with welcome advice by his rowdy friends. But Alex, a super gregarious dude, is oddly unmotivated. A magical house party throws Alex into the presence of Elliot, a hunky college guy, who pegs Alex as gay and flirts hard. Alex is taken aback but after a series of setbacks on the girlfriend front he takes the plunge and learns some interesting new facts about himself.
5.4Dissatisfied with the dishonesty they see in dating, strangers Naima and Sergio make a pact to spend 24 straight hours together in an attempt to fast forward their relationship.
7.0SNL alumnus and subversive master of late-night Seth Meyers comes out from behind the desk to share some lighthearted stories from his own life.
6.5Twelve-year old Theo plays for a local soccer club and has enough talent to eventually go pro. But his father has been on a self-destructive spiral ever since he started drinking and got divorced, and Theo feels powerless and anxious as he watches his dad slowly destroying his own life. But he refuses to give up on him. When a recruiter for a prestigious British club takes notice of him, Theo sees an opportunity to rekindle his father’s hope, but despite all his efforts he is not selected. So he decides to lie and say he was, hoping to make his father happy and proud. Theo’s dad is so overjoyed that he puts all his heart into helping his son prepare for “once-in-a-lifetime opportunity” gradually regaining his taste for life and motivation for the future. Until the lie reaches unforeseen proportions and completely spins out of control. Thankfully, Theo’s little lie has already operated big change and generated so much hope, that life is able to get back on track. Only better!
6.5This is a documentary linking ecological and political problems. The planet has come to be less important than the multinational earnings, and with it politicians earnings as well. With this project we bring foreward this problem, witch not only affects the third world, but is a worldwide situation witch needs to be adressed.
6.4A young couple purchase their new home to start a life together, only to find out the elderly couple next door have other plans for them.
6.5In a life full of triumph and failure, "National Lampoon" co-founder Doug Kenney built a comedy empire, molding pop culture in the 1970s.
6.5"Behind every strong man is a strong woman!", Mumine shouts as her husband is arrested. She has 4 children, she's in her mid-30s, and she's the wife of a Crimean Tatar political prisoner. Muslim Crimean Tatars have been oppressed for a long time. They were deported under Stalin, allowed to return under Gorbachev, and since the occupation of Crimea in 2014 under Putin, they are being persecuted again. "Return" is a portrait of Mumine and Maye, two strong women struggling with the consequences of oppression. Their traditional understanding of their role as women does not stand in the way of their dedication. They possess strength, beauty and dignity. Only in their most intimate moments, they are overwhelmed by desperate helplessness.
6.5Alex, Fedja, Timo and Lara are four troubled teens for whom the upcoming Christmas eve isn't a time of peace and joy: Since they all have a history of escalating family conflicts, they'll be spending the holidays not at home, but in a psychiatric ward. The utterly different adolescents not only have to adjust to one another, but also have to confront themselves in exhausting therapy sessions. Yet thanks to the unorthodox psychiatrist Dr. Wolf, the sessions take a turn for the unexpected - and the four experience a Christmas which they will never forget.
8.0From humble roots as pastor's sons in New Jersey, through their meteoric rise to fame, the Jonas Brothers' bond was unshakeable-until a surprising and painful breakup led Joe, Kevin and Nick down very different paths. With deeply personal interviews, previously unreleased footage and exclusive music, this is the Jonas Brothers as never seen before.
7.8SpongeBob and all of Bikini Bottom face catastrophe—until a most unexpected hero rises to take center stage.
0.0Shortly after WWII, the DEFA Studios produced a series of operas and operettas which belonged to the classical German musical heritage. This enchanting film, the very first opera production of DEFA, stands out because of its lavish decor and costumes, its outstanding actors and their masterful voices of that time.
8.0New York, 1971. There’s a party on the stage of the Weismann Theatre. Tomorrow the iconic building will be demolished. Thirty years after their final performance, the Follies girls gather to have a few drinks, sing a few songs and lie about themselves.
7.0If you fancy an hour's worth of irresistible guilty pleasures from Anni-Frid, Benny, Bjorn and Agnetha, this is the programme for you. ABBA stormed the 1974 Eurovision song contest with their winning entry Waterloo, and this programme charts the meteoric rise of the band with some of their greatest performances at the BBC. It begins in 1974 with their first Top of the Pops appearance, and we even get to see the band entertaining holidaymakers in Torbay in a 1975 Seaside Special. There are many classic ABBA tunes from the 1979 BBC special ABBA in Switzerland, plus their final BBC appearance on the Late Late Breakfast show in 1982. This compilation is a must for all fans and includes great archive interviews, promos and performances of some of ABBA's classics including Waterloo, Dancing Queen, Does Your Mother Know, Thank You for the Music, SOS, Fernando, Chiquitita and many more.
0.0Pious restraint comes face to face with sensuous hedonism in Camille Saint-Saëns’s grand-opera retelling of the Bible story of Samson and Delilah. Multi-Olivier Award winning director Richard Jones returns to The Royal Opera to stage this spectacular fin-de-siècle masterpiece, not performed at Covent Garden since 2004. Elina Garanca stars as the Philistine Dalila, SeokJong Baek as the inspiring Jewish hero Samson and Antonio Pappano conducts the full forces of the Orchestra of the Royal Opera House. With superb singing in solos and duets of great intimacy and fervour, gorgeous music with thrilling orchestral interludes, and splendid choral numbers for the Royal Opera Chorus – this is a performance to remember.
6.2Includes the concert film, a “making of the concert” 30 minute documentary film shot in Puerto Vallarta, Riviera Nayarit, and Guadalajara, entitled “Live It To Believe It,” along with a live CD from December 14, 2013. Superstar performances at this concert event include Elan Atias, Chocquibtown, Lila Downs, Gloria Estefan, Juanes, Miguel, Fher Olvera (of Mana), Niña Pastori, Samuel Rosa (of Skank), Cindy Blackman Santana, Salvador Santana, Romeo Santos, Soledad, and Diego Torres.
6.6The life and career of Italian opera singer Farinelli, considered one of the greatest castrato singers of all time.
10.0A number of different DJs who are all close friends until Tim will play during the evening: David Guetta, Kygo, Dimitri Vegas & Like Mike. During the live concert, the singers who participated in Avicii's biggest songs - artists such as Aloe Blacc, Rita Ora, Adam Lambert and Sandro Cavazza, and others - will perform Avicii's origins simultaneously with a 30-man band.
0.0To open its 2019-2020 season, La Scala in Milan has chosen Tosca, in a new production directed by Davide Livermore. The production is part of the rediscovery of Italian opera led by Riccardo Chailly, the conductor of the production and music director of La Scala. He has chosen the original version of Tosca, as created by Puccini in Rome in January 1900, which included eight "additional musical inserts" that were removed from the work after its second performance in Turin in February 1900 and will now be rediscovered for the first time on December 7 at La Scala.
0.0John Eliot Gardiner conducts Gluck’s 1776 French version of “Alceste” at the Théâtre du Châtelet in Paris. Soprano Anne Sofie von Otter takes the title role of Alceste, Queen of Thessaly, who offers to die at the hands of the gods in place of her husband, Admète (Paul Groves), so that the people will not lose their king. Alceste is then saved from the underworld by Hercule (Dietrich Henschel).
0.0Richard Wagner called Die Walküre the “first evening” of the Ring of the Nibelung; he called Das Rheingold the prologue or Vorabend. Musically and dramatically, we are introduced to a radically new and different world when the opening bars of Die Walküre resound. A fully developed orchestral palette of Leitmotivs paints a wild storm scene, and the curtain rises on a modest dwelling: a fully human scene that has nothing to do with the gods, dwarves and nymphs of Das Rheingold. At the same time, however, the way Die Walküre portrays radical beginnings reveals some telling reminiscences of the unfolding of Das Rheingold. Die Walküre is exciting and deeply feeling drama.
0.0Handel's 1724 opera Tamerlano followed the success of his previous year's Giulio Cesare with another colourful historical costume drama. This time the setting is the court of "Timur the Tartar", who has just defeated the Turkish Sultan Bajazet at the battle of Angora. There are, naturally enough, romantic complications when both Tamerlano and his ally, the Greek Prince Andronico, fall in love with Bajazet's daughter Asteria. She, however, has plans to revenge her father's defeat. This production was directed by Jonathan Miller and staged in the intimate surroundings of the Goethe Theatre of Bad Lauchstadt as part of the 2001 Halle Handel Festival.
10.0Viva Vivaldi! is a concert by the Italian mezzo-soprano Cecilia Bartoli interspersing arias from the 20 surviving operas of Vivaldi with two concertos. Given with the early music ensemble Il Giardino Armonico before a very appreciative audience in the Théâtre des Champs-Élysées, the performance is part of Bartoli's exploration of the Venetian composer's opera music which also includes The Vivaldi Album. There is a startling dynamic energy, which contrasts powerfully with the more restrained interpretations by singers such as Emma Kirkby. Bartoli's natural Italian and the live atmosphere of Maria Grazia d'Alessio's oboe gives her interpretation of the quietly haunting and melodically rich "Non ti Lusinghi la Crudeltade" from Tito Manlio a particular piquancy. The Flautino Concerto is a most attractive interlude, while the more famous Lute/Violin Concerto beguiles with its exquisite lyricism.
5.0The production by Deutsche Oper Berlin achieves a beautiful balance between the stage drama and the music. It proves that there are still singers who can perform Verdi's melodies at the highest level and that it is also possible to bring them together into an ensemble. The production fulfills all one's expectations of the modern city of Berlin in terms of stylishness and performance.
0.0Axel Kohler, the internationally renowned countertenor has brought Admeto into the modern era in timeless style by the skillful application of imaginative theatrical digressions. Köhler's production at the Halle Opernhaus revisits a work that encompasses comedy, tragedy and almost absurd grotesqueness, couching it in the convincing metaphor of a modern hospital.
0.0The many passionate, fiery or lyrical vocal pieces of Spanish zarzuela have continued to thrive in concert and recitals all over the world. One of the most renowned and ardent supporters of zarzuela melodies is Plácido Domingo. Belying his 66 years, the world-famous tenor sings these rousing, seductive melodies with the beguiling sweetness of a much younger man and tranports the enraptured listener to the calles and plazas of Madrid and Seville, Domingo is accompanied by Mozarteum Orchestra underJesús López Cobos and, above all, by his partner for the evening, sprano Ana Maria Martínez, "a beautiful woman with a fascinating voice, full of velvety mezzoish half-tints in the middle and bottom ranges, with a gleaming top." (London Times) Martínez and Domingo serve up an evening of infectious good spirits and exquisite vocal treats."The dazzle of genuine stars shone brightly over Salzburg!" (Die Welt)
0.0Visually this is a gripping production which captures the drama of this opera perfectly. It's downright exciting! and I found the singing, acting, and orchestral playing reasonably fine. I found only one major problem with it, a problem that kept Puccini for quite a few years. Turandot has been looking for an opportunity to kill Calif and Calif has singlemindedly tried to get Turandot to love and wed him focusing on her and ignoring a better looking girl who loves him truly. The problem is how to get the audience to applaud the match once Calif gets his wish. Puccini couldn't figure out how to do it. The traditional quick ending doesn't do it, and Berio's attempt is longer , tries its best, but ends up making it plain this is one wierd couple.
0.0Opera in one act, libretto by G. Forzano based on Dante's Divine Comedy. Third part of his opera Triptych. The plot is based on canto XXX of "Inferno" from "The Divine Comedy", which are dedicated to the rogue and deceiver Gianni Schicchi, who was punished for his sins: he impersonated a dying rich man in order to make a forged will on his behalf. Gianni Schicchi is Puccini's only comic opera, a brilliant example of a modern opera buffa based on the tradition of Verdi's Falstaff. The most expressive recitative, bubbling melody, sharp character, impetuous tempo distinguish her music. Recorded live at Glyndebourne Opera House, Sussex, UK on 11 July 2004.