Nun Wa Zaytun(2015)

Wild Plants of Palestine(en)

The film follows journeys of observational tours solicited by the Palestinian Museum and conducted by two professors from Birzeit University to collect photos of and information on the Palestinian Flora. The title is adapted from a collection of 123 images (circa 1900 to 1920) of wild flowers in Palestine found in the Matson Collection in the Library of Congress. Despite the tendency to trace the wild plants, the text in general aims at questioning the territorial extension of what is meant by the term “Palestinian”, while standing on insignificant topographical features of the (postcolonial) landscape in West Bank. Furthermore, it addresses photography as a practice and a tool of distributing and restricting information at once.

Closeness to the Land(en)

In 2020, just as the pandemic was beginning, Gazala purchased land in western Ohio, on which sits a disused school building. This site allowed her to explore her complex relationship with “the land.” As the daughter of displaced indigenous Palestinians, she attempts to form a proxy bond with the earth, on ground that was stolen from the displaced indigenous Shawnee people. Closeness to the Land is video footage of hand-painted text signs that translate the word الأرض (ard) into six English words, displayed performatively in multiple locations to capture the now-invisible nature of indigenous culture in Ohio. These signs were installed on the old schoolhouse in early 2021.

Here and Elsewhere(fr)

Here and Elsewhere takes its name from the contrasting footage it shows of the fedayeen and of a French family watching television at home. Originally shot by the Dziga Vertov Group as a film on Palestinian freedom fighters, Godard later reworked the material alongside Anne-Marie Miéville.

Something from There(en)

Something from there is a short film on the substance of our original lands. Weaving between the voices of the artist’s parents, one a refugee and the other not, the film is personal, yet evokes a shared Palestinian experience.

And There Was Israel(fr)

The film returns to the origins of the creation of the State of Israel (from 1896 to 1948) and highlights the responsibility of the Western World.

Borderline(fr)

Waltz with Bashir(he)

An Israeli film director interviews fellow veterans of the 1982 invasion of Lebanon to reconstruct his own memories of his term of service in that conflict.

A Play Before The Bombs(ar)

Set in the al-Mishal Cultural Center in Gaza before it was destroyed by an Israeli air strike on August 9, 2018, A Play Before The Bombs is a story that unfolds over a 4 year period. The film follows Abeer Ahmed, a young woman growing up in the Jabaliya Refugee Camp, the largest refugee camp in Gaza, as she and the other members of her cast and crew prepare to put on a play that focuses on a Palestinian woman’s right to receive inheritance. While the content of the play is tailored towards fostering a cultural discussion among Palestinians, neither the play nor the playhouse can escape the omnipresence of the Israeli siege on Gaza. A siege that shatters literal buildings as well as the hopes and dreams of the performers and community members who take refuge within the walls of al-Mishal in search of artistic fulfillment.

War Photographer(en)

Documentary about war photographer James Nachtwey, considered by many the greatest war photographer ever.

This Is My Land(en)

Israeli-born director Tamara Erde visits six independently-run Israeli and Palestinian schools to investigate how history is taught in this contested region.

BETWEEN(en)

Initially embarking on an unplanned personal filmmaking project, Ilias Boukhemoucha finds himself drawn to the overlooked corners and marginalized communities within Canadian cities.

The Judge(en)

A verité legal drama about Judge Kholoud Al-Faqih, the first woman appointed to a Shari'a court in the Middle East, whose career provides rare insights into both Islamic law and gendered justice.

Detained(he)

Najwa, Nawal, and Siham, three Palestinian widows, live with their 11 children in a house on Shuhada Street in Hebron. Their house lies on the border; the façade is under Israeli occupation, the Palestinian Authority controls the back. At the entrance to the house is a military post; on the roof the Israeli army has placed a watch point over Palestinian Hebron. The three women, trapped in the middle and constantly surrounded by Israeli soldiers, carry on their difficult lives in a perverse situation: the occupation becomes a routine, the absurd becomes a given. This is the story of an occupation that extends to the staircase and the roof of the house, where it encounters poverty, loneliness, pain, but also the small joys of everyday life. This is an internal prison, the external one is the ongoing occupation.

No Other Land(ar)

This film made by a Palestinian-Israeli collective shows the destruction of the occupied West Bank's Masafer Yatta by Israeli soldiers and the alliance which develops between the Palestinian activist Basel and Israeli journalist Yuval.

Fertile Memory(ar)

A portrait of two Palestinian women whose individual struggles both define and transcend the politics that have torn apart their homes and their lives. Farah Hatoum, a widow living with her children and grandchildren, and Sahar Khalifeh, a novelist from the West Bank.

Journey into Gaza(it)

“In Gaza you have to get there in the evening, in spring, lock yourself in your room and from there listen to the sounds coming in through the open window.... It's 2018. I am 25 years old and a foreign traveler. I meet young Palestinians my age..”

Put Your Soul on Your Hand and Walk(en)

An Iranian filmmaker participates in a series of video calls with a young Palestinian photojournalist who describes her life confined in Gaza during the current regional conflict.

Shattered Memory(ar)

Dig through photojournalist Mahfouz Abu Turk’s memories and archives, where he thoroughly documented his experiences in Jerusalem and the West Bank from the First Intifada in 1987 throughout the next decade.

Walsall Pact(en)

A fringe communist party struggles to entrench itself within a pro-Palestinian encampment at a British university. Meanwhile, in 1967, the New Left grapples with an unconvinced public.

A Song Called Hate(en)

The pro-Palestinian, anti-capitalist, BDSM-provocative, techno-punk performance art ensemble Hatari unsurprisingly drew attention to themselves with their performance at the Icelandic qualifiers for the Eurovision Song Contest. So much so that they won and therefore were allowed to perform at the main event in Tel Aviv. But what now? Should they boycott the event, swallow their idealism, or use their airtime to criticise the host country for their illegal occupation of Palestine? The Icelandic director Anna Hildur joins the boys in the band all the way to the fateful final.