When the strongest earthquake in a century hit Mexico in 2017, everyone had eyes on the rescue of 12-year old Frida - until the story took a very strange twist.
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Focus Group Attendee
Focus Group Attendee
Focus Group Attendee
Focus Group Attendee
Focus Group Attendee
In this short film, a mysterious character goes on a journey to the back of his mind on the night of his birthday.
A bereaved epileptic ditches her pills and follows a mysterious woman to the outskirts of her town, where she slips back into the fearsome yet ecstatic throes of the seizure.
A Japanese salaryman finds his body transforming into a weapon through sheer rage after his son is kidnapped by a gang of violent thugs.
Locked out of the school art room, a creative non-binary teen named Frog grapples with anxiety as they seek a new place to eat lunch. Imagination blurs with reality in this hybrid work of live action and animation about finding a place to belong.
A divorced journalist Marko Požgaj starts his working day by taking his son to the school. During the day many thoughts and images pass through his mind - the memories of childhood, ex-wife, current girlfriend, but mostly his father who died in a war.
A boy who finished school and spends time at home, between routine and sleep, during the COVID-19 pandemic.
Ulterran is a short visual experimentation that follows two women through a pagan ritual to connect to the versions of themselves that exist in another spiritual dimension.
The Focus is the film about easy death on the Mediterranean sun.
From resting trees, to violent waters, to blood splattered in the dirt. A wanderer searches for tranquility in 13th century Japan during the Mongol invasion or a collection of 48 moving images captured entirely within the virtual world of Ghost of Tsushima.
Born in Los Angeles but a New Yorker by choice, Barbara Hammer is a whole genre unto herself. Her pioneering 1974 short film Dyketactics, a four-minute, hippie wonder consisting of frolicking naked women in the countryside, broke new ground for its exploration of lesbian identity, desire and aesthetic. (from bfi.org.uk)
Miguel, a debutant director, and his young team live a series of tribulations during the shootings of their first film, which unrolls between Lisbon, Venice, Paris and Madrid.
In the final days of the American Civil War, an emigre Hungarian military officer attempts to map the situation of the enemy. Many veterans of the 1848 War of Independence in Hungary fought on the northern side. Experienced Fiala, Boldogh who struggles with homesickness and the reckless Vereczky all experience their enforced emigration in different ways and news of impending peace elicits different reactions from them all.
In the future, a second great flood covers most of the known world. Country borders collapse and language barrier disappear. All salvageable books are taken to a deep underground vault facility for protection. Run by priests, the facility is called The Stacks. As Olivia wanders the facility she discovers that she may not be alone and that a dark part of her past may have followed her into the narrow corridors of this inescapable purgatory.
A young man experiences his last few minutes of singular consciousness while examining a wild falcon he has studied for months.
This is the only feature directed by the famed French painter and sculptor Martial Raysse. In keeping with the revolutionary spirit of the time, the movie has no plot to speak of and appears to have been largely made up on the spot. We follow the cat man into a bizarre fantasy universe presented in negative exposure that reverses color values (black is white and vice versa) and written words. The cat man steals a car and then picks up a young girl he promises to take to “Heaven.” Heaven turns out to be a country chateau inhabited by several more animal mask wearing weirdoes...
A self-portrait short film on 16mm from a trans male perspective.
Adachi's follow-up to Bowl using the figure of a woman suffering from an unusual sexual aliment has often been taken as a controversial allegory for the political stalemate of the Leftist student movement after their impressive wave of massive fiery protests failed to defeat the neo-imperialist Japan-US Security Treaty. The ritualistic solemnity of the charged sexual scenes contribute to the oneiric qualities of Closed Vagina which Adachi would later insist was an open work, not meant to deliver any kind of deliberate political message. - Harvard Film Archive