Kendisi
Kendisi
2021-01-25
3
In the documentary, the life of Mustafa Kemal Atatürk, the last period of the Ottoman Empire, the War of Independence and the developments in the first years of the Republic of Turkey are told in parallel. The documentary prepared by Michael Adams consists of recordings made by the BBC in 1970 in Çanakkale, Samsun, Amasya, Sivas and Ankara, as well as historical footage.
SARAH is a short film centered around Ayla and her best friend Sarah as they discuss summer plans, specifically, Ayla's "sweet seventeen". All is well until Sarah doesn't pick up Ayla's messages anymore when they are supposed to hang out. As Ayla's birthday nears, the more upset she becomes with Sarah. When the day arrives, Ayla finds herself celebrating her birthday without Sarah and leads to her final straw, spending her seventeenth birthday alone.
A brand new three-hour video essay by Arrow Films that incorporates a new 2K restoration of all two hours of Bruce Lee’s original dailies for Game of Death from a recently-discovered interpositive.
A documentary of the German national soccer team’s 2006 World Cup experience that changed the face of modern Germany.
Riding Giants is story about big wave surfers who have become heroes and legends in their sport. Directed by the skateboard guru Stacy Peralta.
The American comedian/actor delivers a story about the alternative Hip Hop scene. A small town Ohio mans moves to Brooklyn, New York, to throw an unprecedented block party.
A step-by-step illustration of how institutions including the United Nations and secret societies, such as freemasonry and the European Union, have all played their part in pursuing their end goal. Communism by the Backdoor exposes a tangled web of lies and deceit and shows the very people many regard as heroes, as nothing more than traitors.
London 1976: Between economic crises and the Silver Jubilee, something is brewing in the squats and basement clubs of West London: Punk. A promise, a new beginning. Punk meant self-empowerment, especially for the women in the scene. For the first time, women picked up guitar, bass and drums, formed bands and wrote their own songs.
Distant mountains, isolated shepherds, and a government determined to protect an invisible animal. But imposing an urban law in a rural environment will not be easy. In the north of Spain, a group of cattle ranchers declare rebellion and opt for self-government. In the crossfire: photographers, forest rangers and naturalists. "Salvajes" shows the most western Spain in a frenetic story of characters where morality and damage depend on which side of the valley you ask the question.
Documentary about farming in Havrå, outside Bergen. A film from a closed-off small Norwegian rural community.
When a person’s understanding of waves is so concrete, surfing can become especially reminiscent of modern skateboarding. Mutating masses of water almost appear as still and solid as skatepark transitions as John John Florence spins through the air over them; landing back into each evolving pocket. John John demonstrates this new level of surfing in his first independent release, DONE. Directed by Blake Vincent Kueny and John John Florence, DONE takes the DIY ethos and flips it on it’s head. Shot in beautiful HD, 16mm, and Super-8 in top-notch locations that include Tahiti, Western Australia, South Africa, and Hawaii, this highly anticipated film invites the viewer to travel with John John as he searches and finds some of the most incredible waves on Earth.
Poet-filmmaker Jørgen Leth taps his own earliest inspirational veins by free-floating through a camera/microscope-enhanced set of poems with love as their first and final subject. For example, how a tropical island woman prepares for a meeting with her lover. The film was shot partly in the South Pacific with more than a nod to social anthropoliogist B. Malinowski's historical work The Sexual Life of Savages.
Chez Schwartz takes us inside a year in the life of Schwartz's Deli - the unique 75-year-old landmark on Montreal's historic Main. Filmed through changing seasons, from the quiet of early morning preparation to the frenetic bustle of packed lunch times and never ending line-ups, to the more relaxed ambiance late at night - Chez Schwartz is an evocative, cinematic portrait of a small spunky deli known worldwide equally for its atmosphere and smoked meat.
Arguing that advertising not only sells things, but also ideas about the world, media scholar Sut Jhally offers a blistering analysis of commercial culture's inability to let go of reactionary gender representations. Jhally's starting point is the breakthrough work of the late sociologist Erving Goffman, whose 1959 book The Presentation of the Self in Everyday Life prefigured the growing field of performance studies. Jhally applies Goffman's analysis of the body in print advertising to hundreds of print ads today, uncovering an astonishing pattern of regressive and destructive gender codes. By looking beyond advertising as a medium that simply sells products, and beyond analyses of gender that tend to focus on either biology or objectification, The Codes of Gender offers important insights into the social construction of masculinity and femininity, the relationship between gender and power, and the everyday performance of cultural norms.