Why, Human?(2021)

Land Without Bread(es)

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

Toubib(fr)

Stimmen im Kopf(de)

Around six to 15 percent of all people (study by John Hearst 2011) hear voices at some point in their lives. Many of them even live with their invisible companions for their entire lives. Well over half of voice hearers are mentally healthy and lead a completely unremarkable life. Despite this, voice hearers continue to be stigmatized and are subject to prejudice. As a result, few speak openly about their experiences. In recent decades in particular, however, voice hearing has been regarded as a symptom of impaired brain function. The documentary sheds light on the phenomenon. Sufferers describe the voices in their heads, as well as the thoughts and feelings they trigger in them, and scientists explain the causes that lead people to hear voices.

What We Remember(de)

Nine very private encounters with different people of the post-war generation and their memories of childhood and youth. Among others, the guitarist and singer Peter "Caesar" Gläser and the actress Christine Harbort. Roland Steiner asked his contemporaries about - "What we remember ...". All interviewees are as old as the state they live in. Nine CVs from the GDR are described. They have different professions, from skilled worker and scientist, nurse and saleswoman, actress or rock musician, even a minstrel is included. They remember what shaped them: Family, school, birthdays and hot summers, the happy moments and their own failures.

Underneath the Sequence, Rage: a History of Drag(fr)

The art of drag represents an artistic transformation where individuals create characters by amplifying gendered traits, challenging established social norms. This practice, known for its spectacular performances, has evolved through periods of repression and acceptance. Through humor and self-mockery, drag disrupts conventions and is deeply rooted in the history of LGBT+ movements. This documentary traces the history of Drag in France and around the world, from William Dorsey Swann—a young emancipated slave considered the first drag queen—to RuPaul, Nicky Doll, and Paloma. Featuring contributions from historians, anthropologists, and sociologists specialized in drag, as well as testimonies from drag artists who are shaping or have shaped this history.

A Taboo Identity(en)

Sociologist David W. Wahl explores the identity work involved in Kay Parker shifting from being a legend of the adult film industry to her current occupation as a metaphysical counselor.

The Truth About Marriage(en)

This documentary follows three couples to see how things turned out several years after their weddings. The film presents challenging ideas about relationships, as it answers the question: Why is marriage so difficult?

Banksy Most Wanted(en)

Banksy is a household name, but behind this name hides a multitude of stories, artworks, stunts, political statements and identities, leading to one of the art world's biggest unanswered questions- who is Banksy?

Capturing Memories(en)

Time passes, slips away, dissolves. But what if we could hold it for a moment? "Capturing Memories" is a dive into the essence of the inconsistent, an invitation to reflect on the importance of preserving moments before they are lost in oblivion. Through visual fragments, the documentary reveals how small scenes of everyday life carry echoes of the past and seeds of the future. In a world where everything passes, what really remains? This film is a tribute to the art of immortalizing the moment, to the beauty of seeing beyond the present and to the need to give meaning to what may one day become a memory.

VHS Revolution(fr)

Using testimonies by pioneers and witnesses of the times, delve into the feverish visual culture the media generated – with far-fetched examples of canine television games, seduction manuals, aerobics class while holding a baby, among others.

Thelma & Louise: Born to Live(fr)

The story was born from the pen of debutante Callie Khouri: Thelma, married to a macho man, and Louise, an independent waitress, go on a girls' getaway that turns into a runaway when the latter, during a stopover in a bar, shoots a man who was trying to rape her friend. But at the dawn of the 1990s, screens were dominated by testosterone-fueled opuses, and Hollywood studios were reluctant to entrust the steering wheel to a female duo. Seduced by the script, forwarded by his associate Mimi Polk, Ridley Scott agreed to produce the film and decided, against all odds, to direct it himself. Under the British director's watch, the two accidental outlaws, fabulously portrayed by Susan Sarandon and Geena Davis, flee across the vastness of the Far West on an emancipatory epic that sees them defy male oppression and reveal themselves to themselves.

People of Moon, People of Blood: Yanomami document 1972-1982(pt)

HORIZONTE EM RUÍNAS(pt)

Space: The Longest Goodbye(en)

Social isolation affects millions of people, even Mars-bound astronauts. A savvy NASA psychologist is tasked with protecting these daring explorers.

À nos terres : Autonomia paisana(fr)

Kompleta(pl)

The film is an intimate record of a difficult period in the life of the creators. The main character, eight months pregnant, was diagnosed with aggressive breast cancer. The dramatic event disrupted the joy associated with the birth of her child.

India Cabaret(hi)

An exploration of the 'respectable' and 'immoral' stereotypes of women in Indian society told from the point of view of two striptease dancers in a Bombay cabaret.

Voices from the Shadows(en)

‘Voices from the Shadows’ shows the brave and sometimes heartrending stories of five ME patients and their carers, along with input from Dr Nigel Speight, Prof Leonard Jason and Prof Malcolm Hooper. These were filmed and edited between 2009 and 2011, by the brother and mother of an ME patient in the UK. It shows the devastating consequences that occur when patients are disbelieved and the illness is misunderstood. Severe and lasting relapse occurs when patients are given inappropriate psychological or behavioural management: management that ignores the severe amplification of symptoms that can be caused by increased physical or mental activity or exposure to stimuli, and by further infections. A belief in behavioural and psychological causes, particularly when ME becomes very severe and chronic, following mismanagement, is still taught to medical students and healthcare professionals in the UK. As a consequence, situations similar to those shown in the film continue to occur.

POSSESSED(en)

POSSESSED enters the complicated worlds of four hoarders; people whose lives are dominated by their relationship to possessions. The film questions whether hoarding is a symptom of mental illness or a revolt against the material recklessness of consumerism. When does collecting become hoarding and why do possessions exert such an influence on our lives?

Les Outre-mer, des terroirs en or(fr)