

Next to the Bijenkorf on the Coolsingel stands one of Rotterdam’s most famous sculptures, an untitled structure created by Russian modernist artist Naum Gabo, that has been simply called Het Ding (The Thing). This documentary about the restoration of Naum Gabo’s nameless sculpture from 1957 combines awe-inspiring shots of this artwork with audio fragments from Gabo’s fiery Russian manifests.

Next to the Bijenkorf on the Coolsingel stands one of Rotterdam’s most famous sculptures, an untitled structure created by Russian modernist artist Naum Gabo, that has been simply called Het Ding (The Thing). This documentary about the restoration of Naum Gabo’s nameless sculpture from 1957 combines awe-inspiring shots of this artwork with audio fragments from Gabo’s fiery Russian manifests.
2018-09-30
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8.0This documentary tells the story of the revitalization of the Longwood Garden's (Kennett Square, Pennsylvania) Main Fountain Garden, a lavish jewel in the crown of one of the greatest collections of fountains in the United States.
7.0A comprehensive and fascinating behind-the-scenes look at the restoration process of restoring 3-strip Cinerama for the 1962 film "The Wonderful World of the Brothers Grimm".
0.0Stonecutters emigrated from northern Italy to Barre, Vermont, the "Granite Capital of the World." Follow the artisans and their families from quarries, workshops and schools in Italy to granite carving sheds in New England, as they seek their own identities, choosing what to keep and what to cut away from their American and Italian legacies.
5.0North Star: Mark di Suvero is a 1977 documentary film about Mark di Suvero that was produced by François de Menil and Barbara Rose. Born in 1933, di Suvero has become one of the most recognized sculptors of the late 20th and early 21st centuries. From about 1975 to 1977, fairly early in di Suvero's long career, filmmaker de Menil and art historian Rose produced this film, which was characterized at the time as "a tribute to the extraordinary work and life of the innovative American sculptor of monumental but delicate constructions." The film shows di Suvero making and installing several of his very large sculptures, and incorporates informal interviews of di Suvero, his mother, and others involved in his career and life at that time. From 1971 to 1975 di Suvero, an American, lived in a self-imposed exile in France in protest of US involvement in war in Vietnam and Southeast Asia, and the filming spans the end of his exile and his return to New York.
A short film with shots of sculptures by Anneke Walvoort. The materiality of film plays an important role: visible grain, flashes of colour, unexpected camera movements.
7.2Helvetica is a feature-length independent film about typography, graphic design and global visual culture. It looks at the proliferation of one typeface (which will celebrate its 50th birthday in 2007) as part of a larger conversation about the way type affects our lives. The film is an exploration of urban spaces in major cities and the type that inhabits them, and a fluid discussion with renowned designers about their work, the creative process, and the choices and aesthetics behind their use of type.
3.0A documentary about surrealist artist Salvador Dali, narrated by Orson Welles.
An essay style film in the vein of Orson Welles' "F For Fake" and Jon Jost's "Speaking Directly". From 2011 to 2013, filmmaker Kristian Day randomly documented the art and actions of the award winning metal sculptor, James Bearden. Refusing to make another artist documentary, Day insisted on illustrating Bearden's creative process through surreal and id oriented story telling.
0.0Danish documentary about the disobedient schoolboy with a talent for painting, who became one of Denmark’s greatest architects. His ideas were ahead of their time and often received criticism, but today, 50 years after his death, Arne Jacobsen's schools, town halls and libraries are still with us, and they define modern Denmark.
7.2"Reef Builders" tells the true stories of people involved in the Sheba Hope Grows program, leading major restorations to save the world’s coral reefs in the face of climate change.
0.0A portrait of Eric Lyons and Span, under the scrutiny of Ian Nairn, as well as the residents of their estates.
Enter the imaginative world of acclaimed sculptor Rolanda Polonsky, who had been a resident of Netherne Psychiatric Hospital in Coulsdon, Surrey for 26 years when this film was made. One of the positive aspects of her illness, described in the film as a schizophrenia, is that it "tapped a deep source of mystical vision and human feeling" which finds expression in her work.
0.0The odyssey of the Mayice designers, who had to face to bring an impossible-to-manufacture piece to the Rossana Orlandi gallery, in Milan, in time to be exhibited at the Salone.
9.0A docudrama about art and creativity; based on modern art gallery in Tehran and its founder Jazeh Tabatabai.
0.0The first collaboration between Matthew Barney & Elizabeth Peyton, Blood of Two is a unique, site-specific work that draws its references from Hydra itself – the surrounding environment, animals, humans, and local traditions are all part of the project in equal measure. Blood of Two centers on the former function of the Slaughterhouse and the customs of Hydra to establish connections between paganism and religion, ancient and modern, the ritualistic and familiar. As much as its conflicted terms strive for balance and fusion, it is Blood of Two’s greater resistance to these impulses, its failure to surrender unconditionally to them that ultimately counts, as a network of overlaps and crisscrosses.
Guyanese painter Aubrey Williams (1926-1990) returns to his homeland on a “journey to the source of his inspiration” in this vivid Arts Council documentary, filmed towards the end of his life. The title comes from the indigenous Arawak word ‘timehri’ - the mark of the hand of man - which Williams equates to art itself. Timehri was also then the name of the international airport at Georgetown, Guyana's capital, where Williams stops off to restore an earlier mural. The film offers a rare insight into life beyond Georgetown, what Williams calls “the real Guyana.” Before moving to England in 1952 he had been sent to work on a sugar plantation in the jungle; this is his first chance to revisit the region and the Warao Indians - formative influences on his work - in four decades. Challenging the ill-treatment of indigenous Guyanese, Williams explored the potential of art to change attitudes. By venturing beyond his British studio, this film puts his work into vibrant context.
0.0The film highlighting the Dravidian temple architecture and bronze sculpture which attained the creative pinnacle during the rule of the Cholas in the 10th and the 11th centuries. Cholas were great temple builders. The temple of Vijayalaya Cholesvara is one of the finest examples of the early Chola style. The temple of Nagesvara at Kumbakonam is remarkable for the sculptures found in the niches of its outer walls. The Brihadesvara temple at Thanjavur is a landmark in the evolution of building art in India.Among several such unique temples, Tribhuvanam is the last important temple belonging to the Cholas. Besides temple architecture,the bronze sculpture of the Cholas holds a unique place in the field of art. One of the most important and famous of all Hindu icons,that of the cosmic dance of the Nataraja is intimately associated with the Chola bronzes.
10.0An examination of the relationship between the life and art of Maria Martins, now recognized as one of the greatest Brazilian sculptors, in addition to her engravings and texts. The film reveals the greatness of her work and her boldness when dealing directly with the feminine perspective of sexuality, a transgression that led to attacks by Brazilian critics. In parallel, her life as the wife of an important diplomat and her connection to Marcel Duchamp, in a relationship of mutual collaboration between the two artists.
0.0In a hidden workshop, surrounded by water and vegetation, a group of craftspeople live together with the statues they restore, silent spectators of a discreet battle against the inclemency of time and oblivion.