Through clippings, the film draws a narrative line between the construction of racism in Brazil and the United States, having as base the European invasion of the continent, police violence, the genocide of the black people, the massacre of indigenous peoples, religious violence, the criminalization of funk music, structural racism in art and education, the importance of quota policy and the need urgent historical repair as a commitment by the Brazilian state to the black people.
Self
Through clippings, the film draws a narrative line between the construction of racism in Brazil and the United States, having as base the European invasion of the continent, police violence, the genocide of the black people, the massacre of indigenous peoples, religious violence, the criminalization of funk music, structural racism in art and education, the importance of quota policy and the need urgent historical repair as a commitment by the Brazilian state to the black people.
2020-09-11
0
The story of young Afghan girls learning to read, write and skateboard in Kabul.
The 30-year legacy of the murder of black teenager Yusuf Hawkins by a group of young white men in Bensonhurst, Brooklyn, as his family and friends reflect on the tragedy and the subsequent fight for justice that inspired and divided New York City.
What would American democracy look like in the hands of teenage girls? In this documentary, young female leaders from wildly different backgrounds in Missouri navigate an immersive experiment to build a government from the ground up.
Shots fired inside a club frequented by black Brazilians in the outskirts of Brasilia leave two men wounded. A third man arrives from the future in order to investigate the incident and prove that the fault lies in the repressive society.
Comes one hundred years from the two-day Tulsa Massacre in 1921 that led to the murder of as many as 300 Black people and left as many as 10,000 homeless and displaced.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
Memories of his four-year journey focused on the Hong Kong protests. Narrated in the first person, is rich with reflections and contemplations, most intertwined with feelings of guilt.
« Emmanuelle » was released 50 years ago. Its main character, played by the young Sylvia Kristel, delve freely into her sexuality, without taboo. This bold movie became one of the great success of french cinema in the 70s, and Emmanuelle became the face of sexual liberation. Through the gaze of a woman, the character is back on the screen in 2024. This new Emmanuelle, written by Audrey Diwan, go in quest of a lost pleasure.
Palermo, Sicily, Italy, 2017. Twenty-five years after the murders of anti-mafia judges Giovanni Falcone, on May 23, 1992, and Paolo Borsellino, on July 19, 1992; and on the occasion of the tributes held in memory of both heroes, skeptical photographer Letizia Battaglia, chronicler of their titanic combat, criticizes the opportunism of shady characters who, like businessman Ciccio Mira, profit from the commemoration of both tragedies.
On September 16, 2022, in Teheran, the murder by police of the young Mahsa Amini, arrested for "wearing a headscarf contrary to the law", sparked off an unprecedented insurrection. Within hours, a spontaneous movement formed around the rallying cry: "Woman, life, freedom". For the first time, women, joined by men and students, took the initiative and removed their veils, the hated symbol of the Islamic Republic. The Iranian population, from all regions and social categories, rose up in protest. Social networks went wild. The diaspora (between 5–8 million Iranians) took up the cause, and the whole world discovered the scale of this mobilization: could the theocratic regime be overthrown this time?
What does the looming A.I. revolution mean for us as individuals and as a society?
More faithful than ever to the spirit of the cult series that has been inspiring filmmakers for nearly thirty years, STRIP-TEASE INTEGRAL offers us, this time on the big screen, five sensitive, touching, sometimes absurd, often funny, sometimes dark, sometimes bright - but always the vanities of human society in all their marvelous banality.
'Do you feel cheaper?' We are filming young Lithuanian men working in Sweden. They do not want to be caught on camera, they do not want to participate in creating yet another media image of guilt and pity. They film us. We empty a bottle of moonshine, we dance on their porch. They might let us film them tomorrow. Second Class is a time document about class, respect, the value of work and human being.
Guy Debord's analysis of a consumer society.
A documentary juxtaposing the events of the 20th century with the commentary of stand-up comedians.
An American story. Traces the career of Joe Louis (1914-1981) within the context of American racial consciousness: his difficulty getting big fights early in his career, the pride of African-Americans in his prowess, the shift of White sentiment toward Louis as Hitler came to power, Louis's patriotism during World War II, and the hounding of Louis by the IRS for the following 15 years. In his last years, he's a casino greeter, a drug user, and the occasional object of scorn for young Turks like Muhammad Ali. Appreciative comment comes from boxing scholars, Louis's son Joe Jr., friends, and icons like Maya Angelou, Dick Gregory, and Bill Cosby.
Michael Moore comes home to the issue he's been examining throughout his career: the disastrous impact of corporate dominance on the everyday lives of Americans (and by default, the rest of the world).
The documentary investigates the lives and characters of Kamala Harris and Donald Trump as they seek the presidency. In a historic election, those who know the candidates best reveal key moments that shape how they would lead America. Award-winning filmmaker Michael Kirk and his team sat down with Trump and Harris’ friends, advisors and critics, as well as authors, journalists and political insiders to present deeply reported narrative arcs of both candidates’ lives, going all the way back to their childhoods. What emerges in FRONTLINE's "The Choice 2024: Harris vs. Trump" is the story of two fighters: One seeking vindication and promising a return to greatness, and the other seeking to move beyond the past and promising a greater future.